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The sacred city of Banāras on the River Ganges is one of the oldest living cities in the world—as old as Jerusalem, Athens, and Peking. It is the place where Shiva, the Lord of All, is said to have made his permanent home since the dawn of creation. There are few cities in India as traditionally Hindu and as symbolic of the whole of Hindu culture as Banāras. In this eloquent, finely observed study, Diana Eck shows how the city over the centuries has become a lens through which the Hindu vision of the world is precisely focused. She reveals the spiritual and historical resonance of this holy place where great sages such as the Buddha and Shankara were taught, where ashrams, palaces, and universities were built, where God has been imagined and imagined in a thousand ways. She describes the rites of its temples, the busy life of its riverfront, and the exuberance of its festivals. She tells how people travel from all over India to Banāras for the privilege of dying a good death here, for they believe that on the banks of the River Ganges where “the atmosphere of devotion is improbable in its strength,” it is possible to be released from the earthly round forever. In her account of the sacred history, geography, and art of the city, its elaborate and thriving rituals, its myths and literature, and its importance to pilgrims and seekers, Diana Eck uses her wealth of scholarship to make the Hindu tradition come powerfully alive so that we come to understand the meaning of this sacred city to the millions of believers who have been coming here for over 2,500 years.
The book presents a rich and surprising account of the recent history of the north Indian city of Banaras. Supplementing traditional accounts, which have focused upon the city’s religious imaginary, this volume brings together essays written by acknowledged experts in north Indian culture and history to examine the construction of diverse urban identities in, and after, the British colonial period. Drawing on fields such as archaeology, literature, history, and architecture, these accounts of Banaras understand the narratives which inscribe the city as having been forged substantially in the experiences of British rule. But while British rule transformed the city in many respects, the essays also emphasize the importance of Indian agency in these processes. The book also examines the essential ambiguity of modernization schemes in the city as well as the contingency of elements of religious narrative. The introduction, moreover, attempts to resituate Banaras into a wider tradition of urban studies in South Asia. The book will be of interest to not only scholars and students of north Indian culture and urban history, but also anyone looking to gain a deeper appreciation of this remarkable, and complex, city.
It has been two years after the black element was discovered; two years since Jay disappeared, believed to be dead. The revelations continue for the Somvanshis, as they deal with the changes that the black element caused in their bodies. As Karan makes discoveries that shake him to his core, Shantanu Somvanshi finds the key that he has been waiting for in the shape of a young, strong-minded girl. The Ancestors takes the reader on a whirlwind ride with twists and turns that will shock.
This book stands at the crossroads between Jerusalem and Benares and opens a long awaited conversation between two ancient religious traditions. It represents the first serious attempt by a group of eminent scholars of Judaic and Indian studies to take seriously the cross-cultural resonances among the Judaic and Hindu traditions. The essays in the first part of the volume explore the historical connections and influences between the two traditions, including evidence of borrowed elements and the adaptation of Jewish Indian communities to Hindu culture. The essays in the second part focus primarily on resonances between particular conceptual complexes and practices in the two traditions, including comparative analyses of representations of Veda and Torah, legal formulations of dharma and halakhah, and conceptions of union with the Divine in Hindu Tantra and Kabbalah.
This major contribution to the study of urban culture, firstpublished in 1999 as the magnificent photographic book BenaresSeen from Within, is now issued in a more accessible format and areduced price, its text substantially revised.Though now beset with all the characteristic urban ills of the age,Benares is arguably the oldest living city in the world to retain itsoriginal cosmic orientation. A centre of learning since antiquity, itsway of life has not essentially changed until the last few years.Among other themes, Lannoy writes about the metaphysical substructureof the city, the ancient cults of the pillar and the sun-wheel,the Buddha, yoga, commerce and weaving, pilgrimage, and extendsits survey up to the present, with Hindu-Muslim conflicts, the tensionbetween religion and secularism, and a lively account of thegreat woman-saint Anandamayi Ma.Illustrated with many photographs by the author.
In The Twice-Born, Aatish Taseer embarks on a journey of self-discovery in an intoxicating, unsettling personal reckoning with modern India, where ancient customs collide with the contemporary politics of revivalism and revenge When Aatish Taseer first came to Benares, the spiritual capital of Hinduism, he was eighteen, the Westernized child of an Indian journalist and a Pakistani politician, raised among the intellectual and cultural elite of New Delhi. Nearly two decades later, Taseer leaves his life in Manhattan to go in search of the Brahmins, wanting to understand his own estrangement from India through their ties to tradition. Known as the twice-born—first into the flesh, and again when initiated into their vocation—the Brahmins are a caste devoted to sacred learning. But what Taseer finds in Benares, the holy city of death also known as Varanasi, is a window on an India as internally fractured as his own continent-bridging identity. At every turn, the seductive, homogenizing force of modernity collides with the insistent presence of the past. In a globalized world, to be modern is to renounce India—and yet the tide of nationalism is rising, heralded by cries of “Victory to Mother India!” and an outbreak of anti-Muslim violence. From the narrow streets of the temple town to a Modi rally in Delhi, among the blossoming cotton trees and the bathers and burning corpses of the Ganges, Taseer struggles to reconcile magic with reason, faith in tradition with hope for the future and the brutalities of the caste system, all the while challenging his own myths about himself, his past, and his countries old and new.
In seven grim, macabre and sometimes darkly comic tales, Madavane traces France’s forgotten colonial presence, playfully reinterprets Hindu myths and recounts the many ways to die in postcolonial India. Recalling the pitiless world of Maupassant and animated by ghosts, gods and holy men, these haunting stories offer a fresh perspective on India’s past and present, its many ironies and idiosyncrasies. Mourir à Bénarès was first published in French in 2010 and received high acclaim for its depiction of India’s most fabled town and the many unusual characters who populate it. Now available in English for the first time, To Die in Benares brings to a wide audience a rare and irresistible literary voice.