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The definitive biography of a controversial South Carolina leader Upon its initial publication in 1944, Pitchfork Ben Tillman was a signal event in the writing of modern South Carolina history. In a biography the Journal of Southern History called "definitive," Francis Butler Simkins, a South Carolinian and Columbia University-educated historian, brings his research skills and professional dispassion to bear upon a study of one of the state's most controversial political leaders. Benjamin Ryan Tillman (1847-1918) accomplished a political revolution in South Carolina when he defeated Governor Wade Hampton and the old guard Bourbons who had run the state since the end of Reconstruction. Tillman and his movement aimed to expand the political control of the state to lower- and middle-class whites at the expense of African Americans and the state's former leaders. During his political ascendancy as governor and then United States Senator, Tillman introduced the state's dispensary system and shaped the state's 1895 constitution into a bulwark of white supremacy. His legacy was one of divisiveness between black and white and between whites of differing economic and geographical backgrounds. Even as Tillman championed greater equity for white farmers and mill workers, he masterminded the pernicious system of segregation and disfranchisement for African Americans during the 1890s when he not only trampled their needs, but stripped them of fundamental political and civil rights. Almost single-handedly Tillman established the iniquities of Jim Crow that countless other Southern demagogues would imitate. These "accomplishments" would plague the South and the nation until this day. Orville Vernon Burton's new introduction to this Southern classic looks at both Tillman and author Francis Simkins as prime examples of southerners with tremendous talent but unsettling accomplishments.
Through the life of Benjamin Ryan Tillman (1847-1918), South Carolina's self-styled agrarian rebel, this book traces the history of white male supremacy and its discontents from the era of plantation slavery to the age of Jim Crow. As an anti-Reconstruction guerrilla, Democratic activist, South Carolina governor, and U.S. senator, Tillman offered a vision of reform that was proudly white supremacist. In the name of white male militance, productivity, and solidarity, he justified lynching and disfranchised most of his state's black voters. His arguments and accomplishments rested on the premise that only productive and virtuous white men should govern and that federal power could never be trusted. Over the course of his career, Tillman faced down opponents ranging from agrarian radicals to aristocratic conservatives, from woman suffragists to black Republicans. His vision and his voice shaped the understandings of millions and helped create the violent, repressive world of the Jim Crow South. Friend and foe alike--and generations of historians--interpreted Tillman's physical and rhetorical violence in defense of white supremacy as a matter of racial and gender instinct. This book instead reveals that Tillman's white supremacy was a political program and social argument whose legacies continue to shape American life.
In the late 1800s, Southern evangelicals believed contemporary troubles—everything from poverty to political corruption to violence between African Americans and whites—sprang from the bottles of “demon rum” regularly consumed in the South. Though temperance quickly gained support in the antebellum North, Southerners cast a skeptical eye on the movement, because of its ties with antislavery efforts. Postwar evangelicals quickly realized they had to make temperance appealing to the South by transforming the Yankee moral reform movement into something compatible with southern values and culture. In Liquor in the Land of the Lost Cause: Southern White Evangelicals and the Prohibition Movement, Joe L. Coker examines the tactics and results of temperance reformers between 1880 and 1915. Though their denominations traditionally forbade the preaching of politics from the pulpit, an outgrowth of evangelical fervor led ministers and their congregations to sound the call for prohibition. Determined to save the South from the evils of alcohol, they played on southern cultural attitudes about politics, race, women, and honor to communicate their message. The evangelicals were successful in their approach, negotiating such political obstacles as public disapproval the church’s role in politics and vehement opposition to prohibition voiced by Jefferson Davis. The evangelical community successfully convinced the public that cheap liquor in the hands of African American “beasts” and drunkard husbands posed a serious threat to white women. Eventually, the code of honor that depended upon alcohol-centered hospitality and camaraderie was redefined to favor those who lived as Christians and supported the prohibition movement. Liquor in the Land of the Lost Cause is the first comprehensive survey of temperance in the South. By tailoring the prohibition message to the unique context of the American South, southern evangelicals transformed the region into a hotbed of temperance activity, leading the national prohibition movement.
The Praying South and the Fighting South are two of our most popular images of white southern culture. In Subduing Satan, Ted Ownby details the tensions between these complex--and often opposing--attitudes. "Ownby's re-creation of male recreation is rich and fascinating. He paints the saloon and the street, the cockfighting and dogfighting rings as realms of distinctly male vices, enjoyed lustily by men seeking to escape the sweet virtue of the Southern Christian home.--Nation "A bold new thesis. . . . [Ownby] gives us guideposts in the ongoing search for the meaning of southern history.--Journal of Southern History "I suspect that for many years ahead Ted Ownby's Subduing Satan will serve as the standard guide on how to write religious social history.--Bertram Wyatt-Brown, University of Florida "This is one of the freshest and most interesting books written about the American South in years. By focusing on the cultural conflicts of everyday life, Ownby gets us right to the heart of white culture in the South between Reconstruction and the 1920s.--Edward L. Ayers, University of Virginia
In From Yeoman to Redneck in the South Carolina Upcountry, Stephen A. West revises understandings of the American South by offering a new perspective on two iconic figures in the region's social landscape. "Yeoman," a term of praise for the small landowning farmer, was commonly used during the antebellum era but ultimately eclipsed by "redneck," an epithet that emerged at the end of the nineteenth century. In popular use, each served less as a precise class label than as a means to celebrate or denigrate the moral and civic worth of broad groups of white men. Viewing these richly evocative figures as ideological inventions rather than sociological realities, West examines the divisions they obscured and the conflicts that gave them such force. The setting for this impressively detailed study is the Upper Piedmont of South Carolina, the sort of upcountry region typically associated with the white "plain folk." West shows how the yeoman ideal played a vital role in proslavery discourse before the Civil War but poorly captured the realities of life, with important implications for how historians understand the politics of slavery and the drive for secession. After the Civil War, the South Carolina upcountry was convulsed by the economic transformations and political conflicts out of which the redneck was born. West reinterprets key developments in the history of the New South--such as the politics of lynching and the phenomenon of the "Southern demagogue"--and uncovers the historical roots of a stereotype that continues to loom large in popular understandings of the American South. Drawing together periods and topics often treated separately, West combines economic, social, and political history in an original and compelling account.
"Bradshaw has proved in play after play that he has a confident vision of the theater that is his own. The politically incorrect plots jump merrily from one outrage to another, never pausing to explain motivation or linger on subtext. His dramas ask: What would happen if every dark urge, lingering resentment and unedited ugly insult that popped into your head came spilling out of your mouth? . . . No playwright applies as ruthlessly Hitchcock's definition of drama as 'life with the boring parts taken out.'"—The New York Times Interracial couple Jerry and Pat borrow tools from their recently widowed, white evangelical neighbor James, and they even share the same Latino contractor, the mysterious Fred. Everything's suburban bliss until James, after discovering his neighbors' daughter Janet is a budding porn star, shuns the family. But what James doesn't know is that his aspiring-filmmaker son Matthew has other ideas... An outrageous and revealing comedy about race, sex, and familiarity, Intimacy, the newest work by playwright Thomas Bradshaw, premiered Off-Broadway with The New Group in winter 2014. This collection from the fiercely provocative and funny playwright also includes Dawn, Fulfillment, Southern Promises, Job, Strom Thurmond Is Not a Racist, Lecture on the Blues and Purity. Thomas Bradshaw's other plays include The Bereaved, declared a New York Times Critic's Pick and one of the Best Plays of 2009 by Time Out New York; Mary; and Burning. He was hailed as the Best Provocative Playwright of 2007 by the Village Voice.
Homemade liquor has played a prominent role in the Appalachian economy for nearly two centuries. The region endured profound transformations during the extreme prohibition movements of the nineteenth century, when the manufacturing and sale of alcohol -- an integral part of daily life for many Appalachians -- was banned. In Moonshiners and Prohibitionists: The Battle over Alcohol in Southern Appalachia, Bruce E. Stewart chronicles the social tensions that accompanied the region's early transition from a rural to an urban-industrial economy. Stewart analyzes the dynamic relationship of the bootleggers and opponents of liquor sales in western North Carolina, as well as conflict driven by social and economic development that manifested in political discord. Stewart also explores the life of the moonshiner and the many myths that developed around hillbilly stereotypes. A welcome addition to the New Directions in Southern History series, Moonshiners and Prohibitionists addresses major economic, social, and cultural questions that are essential to the understanding of Appalachian history.
In The Coming of Southern Prohibition, Michael Lewis examines the rise and fall of South Carolina's state-run liquor dispensary system from its emergence in the 1890s until statewide prohibition in 1915. The dispensary system, requiring government-owned outlets to bottle and sell all alcohol, began as a way to both avoid prohibition and enrich governmental coffers. In this revealing study, Lewis offers a more complete rendering of South Carolina's path to universal prohibition and thus sharpens our understanding of historical southern attitudes towards race, religion, and alcohol. By focusing on the Aiken County border town of North Augusta, South Carolina, Lewis details how their lucrative dispensary operation -- which promised to both reduce alcohol consumption and generate funding for the county's cash-strapped government -- delayed statewide prohibition by nearly a decade. Aided by Georgia's adoption of dry laws in 1907, Aiken County profited from alcohol sales to Georgians crossing the state line to drink. Lewis shows, in fact, that the Aiken County dispensary at the foot of the bridge connecting South Carolina to Georgia sold more liquor than any other store in the state. Notwithstanding the moral debates surrounding temperance, the money resulting from dispensary sales helped pave roads, build parks and schools, and keep county and municipal taxes the lowest in South Carolina. The power of this revenue is notable, as Lewis reveals, given the rejection of prohibition laws voiced by the rural, native-born, Protestant population in Aiken County, which diverged from the sentiment of their peers in other parts of the region. Lewis's socio-cultural analysis, which includes the impact of adjacent mill villages and African American communities, employs statistical findings to reveal an interplay of political and economic factors that ultimately overwhelmed any profit margin and ushered in statewide prohibition in 1915. Original and enlightening, The Coming of Southern Prohibition explores a single community as it wrestled with the ethical and financial stakes of alcohol consumption and sale amid a national discourse that would dominate American life in the early twentieth century.