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Volpone; Or, The Fox by Ben Jonson is a masterful comedy that delves into themes of greed, deception, and the complexities of human nature. Set in Renaissance Venice, the play follows the cunning and wealthy character Volpone, who feigns illness to trick a group of greedy heirs into vying for his fortune. Through a series of elaborate schemes and farcical situations, Volpone exposes the vices of those around him, highlighting the absurdities of avarice and ambition. The narrative is rich with wit and sharp social commentary, as Jonson intricately weaves together the lives of various characters, each driven by their desires for wealth and power. The clever interplay between Volpone and his companion Mosca, who orchestrates the deceptions, showcases Jonson's keen understanding of manipulation and betrayal. As the plot unfolds, the characters’ moral failings lead to a cascade of humorous yet thought-provoking consequences. Volpone is celebrated for its intricate structure and memorable characters, making it one of Jonson's most acclaimed works. The play’s biting satire not only entertains but also invites readers to reflect on the timeless nature of human greed and the consequences of unchecked ambition. Jonson's rich language and vivid imagery enhance the theatrical experience, ensuring that the play remains a staple of English literature. Readers are drawn to Volpone for its sharp humor and insightful critique of society. This play is essential for anyone interested in classic literature, drama, or the exploration of moral themes. Owning a copy of Volpone is akin to possessing a key to understanding the follies of humanity, making it an invaluable addition to any literary collection.
Secrets accomplish their cultural work by distinguishing the knowable from the (at least temporarily) unknowable, those who know from those who don't. Within these distinctions resides an enormous power that Ben Jonson (1572-1637) both deplored and exploited in his art of making plays. Conspiracies and intrigues are the driving force of Jonson's dramatic universe. Focusing on Sejanus, His Fall; Volpone, or the Fox; Epicoene, or the Silent Woman; The Alchemist; Catiline, His Conspiracy, and Bartholomew Fair, William Slights places Jonson within the context of the secrecy- ridden culture of the court of King James I and provides illuminating readings of his best-known plays. Slights draws on the sociology of secrecy, the history of censorship, and the theory of hermeneutics to investigate secrecy, intrigue, and conspiracy as aspects of Jonsonian dramatic form, contemporary court/city/church politics, and textual interpretation. He argues that the tension between concealment and revelation in the plays affords a model for the poise that sustained Jonson in the intricately linked worlds of royal court and commercial theatre and that made him a pivotal figure in the cultural history of early modern England. Equally rejecting the position that Jonson was a renegade subverter of the arcana imperii and that he was a thorough-going court apologist, Slights finds that the playwright redraws the lines between private and public discourse for his own and subsequent ages.
All societies are constructed, based on specific rules, norms, and laws. Hence, all ethics and morality are predicated on perceived right or wrong behavior, and much of human culture proves to be the result of a larger discourse on vices and virtues, transgression and ideals, right and wrong. The topics covered in this volume, addressing fundamental concerns of the premodern world, deal with allegedly criminal, or simply wrong behavior which demanded punishment. Sometimes this affected whole groups of people, such as the innocently persecuted Jews, sometimes individuals, such as violent and evil princes. The issue at stake here embraces all of society since it can only survive if a general framework is observed that is based in some way on justice and peace. But literature and the visual arts provide many examples of open and public protests against wrongdoings, ill-conceived ideas and concepts, and stark crimes, such as theft, rape, and murder. In fact, poetic statements or paintings could carry significant potentials against those who deliberately transgressed moral and ethical norms, or who even targeted themselves.
Book 1: Step into the world of comedic satire with “Every Man in His Humor by Ben Jonson.” Ben Jonson's play takes a humorous look at human folly and the quirks of individual personalities, offering a delightful exploration of the comedic potential inherent in the diversity of human behavior. Book 2: Indulge in the clever machinations and deceitful plots of “Volpone; Or, The Fox by Ben Jonson.” Jonson's comedy unfolds with wit and cunning as the sly Volpone feigns illness to trick his greedy acquaintances, providing a humorous commentary on human greed and moral ambiguity. Book 3: Enter the world of alchemical antics and clever schemes in “The Alchemist by Ben Jonson.” Jonson's comedic masterpiece follows the exploits of a trio of con artists who exploit the gullibility of their victims. The play is a satirical exploration of greed, deception, and the pursuit of wealth through dubious means.