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Arthur Kopit burst onto the world theatrical scene right out of Harvard in 1959 with his international hit Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad, which announced Kopit's comic and architectural brilliance with the monstrous whirlwind, Madame Rosepettle. Indians used Buffalo Bill and the formal of a Wild West show to dramatize America's capacity for amnesia and the dangers of changing historical fact into fiction: a demonstration of denial which was the decade's most profound theatrical metaphor for the tragedy of Vietnam and America's floundering sense of itself. Wings extended that inquiry to personal tragedy, a hallucinatory poetic study of a stroke patient's loss of speech.
Describes the life of a bellboy, the rider on the lead mule of a mule train, in Northern California during the 1870's, when all supplies were moved on pack trains before there were any roads.
Pain By: Adam Turner After Sky blamed her years of alcoholism and abuse on her mother, and others, she has found that love does not exist. After throwing herself into traffic to end her pain she hears the sound of a bell and awakens in an old house, full of strange people. Each one has their own scared pains and some are hidden by slowly, cracking masks. A very odd man named Abdus Shafi claims to own the house and calls it a place of healing as he assures her that he is there to help. But Abdus's claims grow farther from the truth as some simply strange occurrences take a dark turn. While battling her own issues, and a voice from her past, Sky will have to make the choice of finding the true meaning of pain and facing demons.
Angela Montoya is a lady in all senses of the word. She works as a hostess in the Black Horse Bar in the Philippines. One marriage to a wealthy American turned disaster, she longs to find another American that will rescue her from a life of dismal poverty. When Angela met Pete, she was shocked by the unanticipated impact of true love. She cant help but follow in her mothers footsteps when she finds herself with child. Five years after Angela drove her true love Pete away and eight thousand miles from home, she finds herself on trial for murder.
When sex-traffickers kidnap a beautiful Eurasian teenager when she is on a school trip to the famous Angkor Wat complex in Cambodia, Alex reluctantly agrees to join in the search but then finds himself fighting a ruthless former Khmer Rouge warlord to rescue the beautiful Imogen and reunite her with her mother.
``أصبحت اللغة الإنجليزية لغة التعامل في أغلب الأعمال خلال العقود الماضية، كما أنها لغة العلم الحديث في كثير من أفرعه التي استحدثتها ثورة التكنولوجيا خلال الفترة التي نعيشها؛ وهي أيضًا لغة السياحة والضيافة منذ عشرات السنين؛ حيث تستخدم اللغة الإنجليزية في الفنادق، والمطاعم، والطائرات، وغيرها من الأماكن السياحية؛ سواء أكانت هي اللغة الرسمية للدولة أم لا؛ فهي الوسيلة الأفضل والأقوى للتعامل بين جميع الجنسيات المختلفة حول العالم، وقد وجد أن كل الفنادق الكبرى، والمطاعم الراقية، وغيرها من المنشآت السياحية تضع بروتوكولات، وطريقة للتعامل بالإضافة إلى المصطلحات والمفردات التي يجب أن تستخدم مع النزلاء، وتلزم جميع العاملين فيها بالتمسك بها؛ فيلتزم كل من يعمل بالضيافة بتلك اللغة ومصطلحاتها؛ لكي يبدو الفندق أو المكان السياحي في أفضل صورة؛ وفي هذا الكتاب تناول لهذه اللغة بما فيها من مصطلحات بطريقة مبسطة لكل من يريد العمل في مجال الضيافة؛ احتوت على محادثات مسجلة، وشرح، وأمثلة، وتدريبات، وإجابات نموذجية، وبعض المفردات، والمسميات، والاختصارات، والمصطلحات المستخدمة في كثير من أقسام الفنادق والمطاعم، وعلى متن الطائرات والسفن والقطارات، وتطبيقات على استخدامها.`` Descriptor(s): SPOKEN ENGLISH | ANGLICISMS | FOREIGN LANGUAGE TEACHING | TOURISM DEVELOPMENT | TOURISM
This volume of Twentieth-Century Italian Drama covers the period spanning from the end of the nineteenth century to that immediately following World War II, displaying the rich breadth of Italian theater in the modern age, from the comedic legacy carried on by such writers as Eduardo De Filippo to the delicate tragedy of playwrights like Federigo Tozzi.Included are seven full-length plays, five one-act plays, one variety sketch, and three futurist sintesi (sketches). Brief introductions preceding each play contextualize the piece within the various movements in Italian theater, and biographies of the editors and translators appear at the end of the volume. An extensive bibliography offers many suggestions for further reading in English.The playwrights included are Gabriele D'Annunzio, Filippo Tommaso Marinetti, Ettore Petrolini, Raffaele Viviani, Pier Maria Rosso di San Secondo, Federigo Tozzi, Massimo Bontempelli, Achille Campanile, Italo Svevo, Luigi Pirandello, Eduardo De Filippo, and Ugo Betti.