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The Penn State University Press is pleased to introduce Metalmark Books, a joint imprint of the Press and the Office of Digital Scholarly Publishing at the University Libraries at Penn State. Books published under this imprint are selected from the collections of the University Libraries. They may be viewed online or ordered as paperbacks. Initially, books published under the Metalmark imprint will be chosen from the Libraries' extensive Pennsylvania holdings. Over time, the scope will broaden to include other significant out-of-print titles.
Cover -- Half-title -- Title -- Copyright -- Contents -- Preface -- Acknowledgments -- INTRODUCTION: Pennsylvania German Studies -- PART 1 HISTORY AND GEOGRAPHY -- 1. The Old World Background -- 2. To the New World: Seventeenth and Eighteenth Centuries -- 3. Communities and Identities: Nineteenth to the Twenty-First Centuries -- PART 2 CULTURE AND SOCIETY -- 4. The Pennsylvania German Language -- 5. Language Use among Anabaptist Groups -- 6. Religion -- 7. The Amish -- 8. Literature -- 9. Agriculture and Industries -- 10. Architecture and Cultural Landscapes -- 11. Furniture and Decorative Arts -- 12. Fraktur and Visual Culture -- 13. Textiles -- 14. Food and Cooking -- 15. Medicine -- 16. Folklore and Folklife -- 17. Education -- 18. Heritage and Tourism -- 19. Popular Culture and Media -- References -- Contributors -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z -- Color plates follow page
Includes proceedings, addresses and annual reports.
This cultural exploration offers an unparalleled presentation of Pennsylvania’s ritual healing traditions known as powwowing or Braucherei in Pennsylvania Dutch, through original primary source materials, including manuscripts, ritual objects, and books—most of which have never before been available to English-speaking readers. Although methods and procedures have varied considerably over three centuries of ritual practice within the Pennsylvania Dutch cultural region, the outcomes and experiences surrounding this tradition have woven a rich tapestry of cultural narratives that highlight the integration of ritual into all aspects of life, as well as provide insight into the challenges, conflicts, growth, and development of a distinct Pennsylvania Dutch folk culture. (343pp. color illus. index. PA German Cult. Heritage Center, 2018.) Volume IV of the Annual Publication Series of the Pennsylvania German Cultural Heritage Center at Kutztown University.
For almost three centuries, the "Pennsylvania Dutch"--descended from German immigrants--have practiced white magic, known in their dialect as Braucherei (from the German "brauchen," to use) or Powwowing. The tradition was brought by immigrants from the Rhineland and Switzerland in the 17th and 18th centuries, when they settled in Pennsylvania and in other areas of what is now the eastern United States and Canada. Practitioners draw on folklore and tradition dating to the turn of the 19th century, when healers like Mountain Mary--canonized as a saint for her powers--arrived in the New World. The author, a member of the Pennsylvania Dutch community, describes in detail the practices, culture and history of faith healers and witches.
Chains carved from a single block of wood, cages whittled with wooden balls rattling inside—all "made with just a pocketknife"—are among our most enduring folk designs. Who makes them and why? what is their history? what do they mean for their makers, for their viewers, for our society? Simon J. Bronner portrays four wood carvers in southern Indiana, men who had been transplanted from the rural landscapes of their youth to industrial towns. After retiring, they took up a skill they remembered from childhood. Bronner discusses how creativity helped these men adjust to change and how viewers' responses to carving reflect their own backgrounds. By recording the narratives of these men's lives, the stories and anecdotes that laced their conversation, Bronner finds new insight into the functions and symbolism of traditional craft. Including anew illustrated afterword in which the author discusses recent developments in the carver's art, this new edition will appeal to carvers, scholars, and anyone interested in traditional woodworking.