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Bela Lugosi, Boris Karloff and Basil Rathbone team up to find out who's behind strange doings at Universal Studios.
Dracula and Frankenstein's Monster are horror cinema icons, and the actors most deeply associated with the two roles also shared a unique friendship. Bela Lugosi and Boris Karloff starred in dozens of black-and-white horror films, and over the years managed to collaborate on and co-star in eight movies. Through dozens of interviews and extensive archival research, this greatly expanded new edition examines the Golden Age of Hollywood, the era in which both stars worked, recreates the shooting of Lugosi and Karloff's mutual films, examines their odd and moving personal relationship and analyzes their ongoing legacies. Features include a fully detailed filmography of the eight Karloff and Lugosi films, full summaries of both men's careers and more than 250 photographs, some in color.
More information to be announced soon on this forthcoming title from Penguin USA
Boris Karloff was the most famous of all horror actors. His memorable portrayal of the Frankenstein monster added a new word to English dictionaries. This, the first and only biography, reveals that Karloff (whose real name was William Henry Pratt) was not born at Dulwich, London, as stated in all the reference books. People have been traced who remember young 'W H P', as he liked to call himself, when he played his first stage part, and in this fascinating story there are many delightful examples of the quiet, unassuming and lovable Billy Pratt before he received a legacy from his mother and tossed a sixpence to see whether he would emigrate to Canada or Australia. Canada won. In 1909 he sailed from Liverpool. The book tells of his hard, impoverished life in Canada before answering a chance advertisement (for 'an experienced character actor') in the name of Boris Karloff, Karloff being a distant family name, and of his eventual touring of western Canada and the northern States of America. In 1917 he found himself in Los Angeles - in a district with the magic name of Hollywood. We follow Karloff's career from stage work to his early films. We learn of his classic creation of the screen monster Frankenstein: the origin of the story; the casting of Karloff; the conception of the unforgettable monster make-up; the filming; the preview (to which Karloff was not invited) and the overwhelming success of this most famous of all horror films. Then came the aftermath of Frankenstein and the success story of Karloff in such memorable films as The Mummy, The Mask of Fu Manchu, the banned Devil's Island and the haunting The Body Snatchers: scores of films of all kinds with little-known facts and side-lights on many of them, right up to the moving performance he gave in Targets. His later stage, radio and television work are all examined in close detail. This work, the result of over four years' research, includes a Discography of recordings made by Karloff, and a unique Appendix, giving a full, chronological record of one hundred and sixty-three films in which he appeared. It also contains many striking photographs.
About 2,500 genre films are entered under more than 100 subject headings, ranging from abominable snowmen through dreamkillers, rats, and time travel, to zombies, with a brief essay on each topic: development, highlights, and trends. Each film entry shows year of release, distribution company, country of origin, director, producer, screenwriter, cinematographer, cast credits, plot synopsis and critical commentary.
As Dracula (1931) and Frankenstein (1931) ushered in the golden age of horror films in the United States, studios and distributors were faced with a major problem in their number one overseas market: the British Board of Film Censors (BBFC) were demanding extensive cuts, enforcing age restrictions, and banning outright many of Hollywood's horror movies. The issue most often used to limit the showing of horror films was their "unsuitability" to children. With that in mind, the BBFC developed specific film codes--the "A" (for adults) and the "H" (for horrific), both of which restricted viewing to those 16 or older--and then applied them liberally. This work examines how and why horror films were censored or banned in the United Kingdom, and the part these actions played in ending Hollywood's golden age of horror.
This biographical dictionary presents a stellar lineup of talented, versatile character actors who regularly appeared in horror and science fiction films during Hollywood's golden age. Many are well known by genre buffs and casual fans--they include Lionel Atwill, John Carradine, Dwight Frye, Rondo Hatton, Dick Miller, J. Carroll Naish, Maria Ouspenskaya, Glenn Strange, Edward Van Sloan, and George Zucco. Some are perhaps not so well known but equally at home in the horror and science fiction films--such as Anthony Carbone, Harry Cording, Rosemary La Planche, Dick Purcell, Elizabeth Russell and Mel Welles. The 96 entries are complete with a biography and in-depth analyses of the actor's best performances--demonstrating how important these personalities were to the success of their genre films.
From the grindhouse oddities to major studio releases, this work details 46 horror films released during the genre's golden era. Each entry includes cast and credits, a plot synopsis, in-depth critical analysis, contemporary reviews, time of release, brief biographies of the principal cast and crew, and a production history. Apart from the 46 main entries, 71 additional "borderline horrors" are examined and critiqued in an appendix.