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Peter Greenaway has an international reputation as one of the most innovative, stylish and intelligent of contemporary film-makers. His eight feature films, from The Draughtsman's Contract to The Pillow Book, have variously, and sometimes simultaneously, prompted controversy, infamy, acclaim and delight. However, Greenaway is an artist whose work also includes painting; collage; experimental TV; the novel/opera Rosa; and numerous exhibitions/installations, including The Stairs, a continuing series of ten projects in ten cities exploring the basic components of cinema. Being Naked Playing Dead explores the complete oeuvre, but centres firmly on Greenaway's insistence that his is 'a cinema of ideas not plots'. Each film is discussed within a thematic analysis of the full range of Greenaway's output and the wider contexts within which it is conceived. In conclusion there are two extended interviews, making this book essential reading for all Greenaway enthusiasts.
"Josh Stallings is the kind of writer who shouldn't have to publish for himself, but here he is slugging it out the hard way. Just like one of the hardasses in his own books. The man knows what to do with paper and ink. Read the damn thing." -Charlie Huston "Someone once said of Raymond Chandler that he wrote 'as if pain hurt and life mattered.' That's true of Josh Stallings, too. Hop on, kick the starter, and let him lead you on a long, painful, but entertaining ride through Moses McGuire's world. One hint: wear your helmet and your leathers. It might get messy." -Tad Williams BEAUTIFUL, NAKED AND DEAD is hard-boiled crime novel. Moses McGuire a suicidal strip club bouncer is out to avenge the death of one of his girls. From his East L.A. home, through the legal brothels of Nevada and finally to a battle with the mob in the mountains above Palo Alto, it is a sex soaked, rage driven, road trip from hell.
Literature and film studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text. Focussing on numerous film versions, from Percy Stow's 1908 adaptation to Peter Greenaway's Prospero's Books, the book discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are numerous excerpts from the literary text, screenplays and shooting scripts, with suggestions for comparison. The book also features quotations from authors, screenwriters, directors, critics and others linked with the chosen film and text.
In The Postmodern Animal, Steve Baker explores how animal imagery has been used in modern and contemporary art and performance, and in postmodern philosophy and literature, to suggest and shape ideas about identity and creativity. Baker cogently analyses the work of such European and American artists as Olly and Suzi, Mark Dion, Paula Rego and Sue Coe, at the same time looking critically at the constructions, performances and installations of Robert Rauschenberg, Louise Bourgeois, Joseph Beuys and other significant late twentieth-century artists. Baker's book draws parallels between the animal's place in postmodern art and poststructuralist theory, drawing on works as diverse as Jacques Derrida's recent analysis of the role of animals in philosophical thought and Julian Barnes's best-selling Flaubert's Parrot.
This book is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear.
This book explores British cinema in relation to its social political and cultural contexts. Each chapter deals with a specific topic and includes close readings of key films from different historical periods. Demonstrating the richness and variety of a national cinema that has traditionally struggled to define itself between the paradigms of Hollywood popular film and European art cinema, British Film provides comprehensive coverage of British cinema and detailed discussion of specific films that can be used in tandem with screenings.
In "Toilet," noted sociologist Harvey Molotch and Lauren Noren bring together twelve essays by urbanists, historians and cultural analysts (among others) to shed light on the public restroom and how it reflects and sustains our cultural attitudes towards gender, class, and disability.
DEAD MAN RUNNING Sentenced to death for crimes he didn’t commit, ex-cop Tom O’Brien is now a hunted fugitive. After fifteen years in prison, he’s determined to prove his innocence–but first he must convince his daughter, whose testimony helped put him behind bars, that he has damning evidence of a plot to frame him. Claire is no longer the naïve teenager who arrived home to find her mother and her mother’s lover shot dead and her father holding the murder weapon. She’s a successful fraud investigator who assumes everyone lies. Though Claire is convinced of her father’s guilt, curiosity propels her to look into the disappearance of a law student who claimed to have proof of Tom’s innocence. But seeking answers only leads to more questions, reinforcing Claire’s belief that there’s no one left to trust. Obsessed with the O’Brien case, FBI agent Mitch Bianchi befriends Claire under false pretenses, certain that Tom is not only innocent but in grave danger–and not just from the cops. As the three race toward the truth, a murderous conspiracy tightens its noose–and Claire becomes the target of an ice-cold psychopath who will kill to protect his secrets.
Today's #1 New York Times bestselling thriller writers agree: Ryan Brown's compulsively readable first novel is unbeatable-a darkly humorous, rich and pungent zombie shocker that melds our national obsession with football and the newest wave of fascination with the undead. For the first time in Killington High School history, the Jackrabbits football team is one win away from the district championship where it will face its most vicious rival, the Elmwood Heights Badgers. On the way to the game, the Jackrabbits's bus plunges into a river, killing every player except for bad-boy quarterback Cole Logan who is certain the crash was no accident-given that Cole himself was severely injured in a brutal attack by three ski-masked men earlier that day. Bent on payback, Cole turns to a mysterious fan skilled in black magic to resurrect his teammates. But unless the undead Jackrabbits defeat their murderous rival on the field, the team is destined for hell. In a desperate race against time, with only his coach's clever daughter, Savannah Hickman, to assist him, Cole must lead his zombie team to victory . . . in a final showdown where the stakes aren't just life or death-but damnation or salvation. Boundlessly imaginative and thrillingly satisfying, Play Dead gives small-town Texas an electrifying jolt of the supernatural, and is unquestioningly The Zombie Novel of the Year!
The worlds of celebrity and sports are brilliantly dissected and turned upside down in the debut thriller from the bestselling author and creator of the hit Netflix drama The Stranger. Theirs was a marriage made in tabloid heaven, but no sooner had supermodel Laura Ayars and Celtics star David Baskin said “I do” than tragedy struck. While honeymooning on Australia’s Great Barrier Reef, David went out for a swim—and never returned. Now widowed and grieving, Laura has a thousand questions and no answers. Her search for the truth will draw her into a web of lies and deception that stretches back thirty years—while on the court at Boston Garden, a rookie phenom makes his spectacular debut...