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Going back where you came from is harder if it's where you already are...Migrants arrive in the Lucky Country from lands their forebears knew for a thousand years. They know where they are and why they're here and what they face. Then there are their children, born in a country that can't spell their names, and of a heritage that doesn't know they were born. Reminded every day that he doesn't quite belong, and reminding himself where others forget or couldn't care less, second generation Ed Casper sets out on a journey to not only be an Australian but to be his country, to "be Australia," with Henry Lawson as his guide. Determined to "romance the swag," Ed abandons his career for outback sheep stations and works his way to an iconic identity while at a crossroads in his life, while at a crossroads in his nation. The chronicle explores the changing face of Australia, and a name among many that it went by, Ed Casper. It examines the decisions we make and the worlds we build because of them. Reinventing the past. Another story from the 'BEING' series.
Featured on Australian Story, Peter Andrews is a racehorse breeder and farmer credited with remarkable success in converting degraded, salt-ravaged properties into fertile, drought-resistant pastures. His methods are so at odds with conventional scientific wisdom that for 30 years he has been dismissed and ridiculed as a madman. He has faced bankruptcy and family break-up. But now, on the brink of ecological disaster, leading politicians, international scientists and businessmen are beating a path to his door as they grapple with how best to alleviate the affects of drought on the Australian landscape. Described as a man who reads and understands the Australian landscape better than most scientists, supporters of Peter Andrews claim he has done what no scientist ever thought to do - he has restored streams and wetlands to the way they were before European settlement interfered with them. the startling results of his natural sequence farming are said to have been achieved very cheaply, simply and quickly.
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
In our increasingly global world, individuals are highly mobile and interconnected. Politics, policies and technologies foster interconnection amongst and within countries as individuals relocate from one place to another. One key issue facing developed and developing countries is urban overcrowding. In Australia, urban density is one factor prompting institutions and individuals to embrace ‘rural revival’ as a possible solution to urban congestion and rural decline. In the past decade, rural Australia has received heightened publicity and interest as a lifestyle destination encouraged by national decentralization policies to alleviate urban overcrowding, particularly the metropolises Melbourne and Sydney, regional councils’ marketing initiatives and international refugee relocation. Rural communities struggle in contrast with urban counterparts for several, often complex, reasons. The ‘realities’ of rural life are frequently marginalized while marketing campaigns evoke stereotypical imagery of idyllic lifestyles and bucolic pastures to sell dreams of country bliss to fatigued urbanites. This edited e-book is a collection of articles that explores ‘rural realities’ of country life in Australia for global audiences interested in rurality, health and well-being. By transcending disciplinary-specific boundaries, this multi-disciplinary book not only presents contemporary challenges, but also equips readers with evidence-based knowledge to improve resilience in communities and individuals facing key issues such as aging, depression, disability, environmental degradation, limited service delivery and social isolation. Utilizing a variety of social science research methods, each chapter will enhance readers’ insights about rural amenities, geography, identity, culture, health and governance which impact wellbeing and lifestyle satisfaction. Collectively, this book exposes readers to ideas from a dynamic range of experts in the humanities, social and natural sciences to encourage a holistic approach to developing solutions for a complex social world. The content of this volume will interest a wide audience of graduates and undergraduates, researchers, professional practitioners and policymakers involved with non-profit and government organizations, and interested community members.
The last three decades the Australian Left has shaped national life in Australia. Questions of legal liberalism, indigenous rights and sexual identity have become central in Left politics, but mostly not economics. Today's New Left has grappled with the remnant past radicalisms, such as Marxism and radical feminism, but also new challenges.
Winner, Prize for Fiction, The 2018 Victorian Premier’s Literary Awards ‘Melanie Cheng is an astonishingly deft and incisive writer. With economy and elegance, she creates a dazzling mosaic of contemporary life, of how we live now. Hers is a compelling new voice in Australian literature.’ Christos Tsiolkas Australia Day is a collection of stories by debut author Melanie Cheng. The people she writes abut are young, old, rich, poor, married, widowed, Chinese, Lebanese, Christian, Muslim. What they have in common—no matter where they come from—is the desire we all share to feel that we belong. The stories explore universal themes of love, loss, family and identity, while at the same time asking crucial questions about the possibility of human connection in a globalised world. Melanie Cheng is a writer and general practitioner. She was born in Adelaide, grew up in Hong Kong and now lives in Melbourne. Her debut collection of short stories, Australia Day, won the Victorian Premier’s Literary Award for an Unpublished Manuscript in 2016 and the Victorian Premier’s Literary Award for Fiction in 2018. Room for a Stranger is her first novel. ‘A stunning debut that takes its place among Australian short story greats.’ AU Review ‘The book bears witness to the author’s empathetic eye, multicultural characterisation and easy facility with dialogue...This short story collection explores what it means to belong, to be Australian; its insight from different vantage points and its photo-realistic narrative make it an exciting and impressive debut.’ Judges’ Report, Victorian Premier’s Literary Awards, 2018 ‘All of her characters—a diverse cast of difference races and faiths—are searching for connection or a sense of belonging, and coming up short. Despite its title the focus of this collection is not explicitly on that increasingly controversial public holiday. Rather, it is on the struggles, internal and external, that occur when people from different backgrounds meet by chance or are brought together...Australia Day is a bittersweet, beautifully crafted collection that will be much admired by fans of Cate Kennedy and Tony Birch.’ Books+Publishing ‘What a wonderful book, a book with bite. These stories have a real edge to them. They are complex without being contrived, humanising, but never sentimental or cloying—and, ultimately, very moving.’ Alice Pung ‘In each story, Melanie Cheng creates an entire microcosm, peeling back the superficial to expose the raw nerves of contemporary Australian society. Her eye is sharp and sympathetic, her characters flawed and funny and utterly believable.’ Jennifer Down ‘Melanie Cheng’s stories are a deep dive into the diversity of humanity. They lead you into lives, into hearts, into unexplored places, and bring you back transformed.’ Michelle Wright ‘The characters stay in the mind, their lives and experiences mirroring many of our own, challenging us to think how we might respond in their place. An insightful, sometimes uncomfortable portrayal of multicultural Australia from an observant and talented writer.’ Ranjana Srivastava ‘If only the PM might pick up a copy, even by mistake.’ Saturday Paper ‘A wonderful feat of storytelling...Melanie Cheng is an exciting new writer.’ Readings ‘A sumptuous collection of fourteen short stories, which are disparate but with modern Australia or Australians at their heart, exploring issues of racism, infidelity, grief, parenthood, children and ageing...they are heartfelt and Melbourne-based Cheng paints the characters beautifully.’ Herald Sun ‘The happy surprise of Cheng’s work as a collection lies in her resolute grasp of the absolute normalcy of a culture that not so many years ago was divided and dually suspicious. The census gives us the facts but it takes fiction to make reality three-dimensional.’ Sydney Morning Herald ‘The author’s empathetic eye and easy facility with dialogue make the anthology a strong debut, with the longer stories in particular offering breadth and depth...It feels like Cheng has taken a wide sample from the census to craft this inclusive portrait of contemporary Australia.’ Big Issue‘Cheng’s work is polished and affecting. Australia Day is that thing we all chase: a complex, engaging and timely read.’ Lifted Brow ‘Cheng paints a holistic snapshot of Australian life, with the result being a collection of stories that are simultaneously cynical and hopeful...The ambiguity inherent in labelling something “Australian" is also manifest in Cheng’s characters, prompting the reader to interrogate their own definition of what it means to be Australian.’ Kill Your Darlings ‘Wonderful.’ Christos Tsiolkas, Sydney Morning Herald’s Year in Reading ‘Melanie Cheng’s Australia Day brought this prodigal reader of short fiction back into the fold. And what better return than through Cheng’s creation of illuminated characters of colour—young, old, rich, poor, married, widowed, Muslim, Chinese...Cheng’s Australia Day explores the density and difficulty inherent in being culturally and physically different and serves to remind me that when our six families of adopted children from China gather in Queenscliffe on Australia Day each year, raising two flags on the pole instead of one that we, like all of Cheng’s characters, are restoring belonging from our individual and collective loss.’ Wheeler Centre, 2017 Favourites ‘This smart, engaging short story collection offers fresh perspectives on what it means to be Australian today. The stories also explore identity and belonging in a variety of other ways, delving into family, love, class and education. Big themes aside, every story is beautifully written and a total pleasure to read.’ Emily Maguire, Australian Women’s Weekly '[Cheng’s] individual characters suggest the ways in which we might move forward...Australia Day imagines a tomorrow where we can love our communities, our celebrations and our food, without leaving behind critical good taste.’ Sydney Review of Books