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Spurting with kinetic energy, nasty wit, and kindness to animals, Wesley ought to be a star. Or so it seems to the "Behindlings" -- followers who nip at his heels, turn up everywhere he goes, and lie in wait for him around every corner. They skulk through the dreary streets of their tiny English town, gathering their own scabby intentions, irritating habits, and weird manners, burying all differences in the common pursuit of their true prize, their Wesley. In Behindlings, the inimitable and ungovernable Nicola Barker takes her most compelling character to date, gives him his head and her novel, and sees him run off with her readers.
“Hilarious and erudite, spooky and unconventional, Darkmans is a dazzling achievement.” — Washington Post Shortlisted for the Man Booker Prize, Darkmans is an exhilarating, extraordinary examination of the ways in which history can play jokes on us all... If History is just a sick joke which keeps on repeating itself, then who exactly might be telling it, and why? Could it be John Scogin, Edward IV's infamous court jester, whose favorite pastime was to burn people alive—for a laugh? Or could it be Andrew Boarde, Henry VIII's physician, who kindly wrote John Scogin's biography? Or could it be a tiny Kurd called Gaffar whose days are blighted by an unspeakable terror of–uh–salad? Or a beautiful, bulimic harpy with ridiculously weak bones? Or a man who guards Beckley Woods with a Samurai sword and a pregnant terrier? Darkmans is a very modern book, set in Ashford [a ridiculously modern town], about two very old-fashioned subjects: love and jealousy. It's also a book about invasion, obsession, displacement and possession, about comedy, art, prescription drugs and chiropody. And the main character? The past, which creeps up on the present and whispers something quite dark—quite unspeakable—into its ear. The third of Nicola Barker's narratives of the Thames Gateway, Darkmans is an epic novel of startling originality.
Featuring a broad range of contemporary British novelists from Iain Banks to Jeanette Winterson, Louis de Bernieres to Irvine Welsh and Salman Rushdie, this book offers an excellent introductory guide to the contemporary literary scene. Each entry includes concise biographical information on each of the key novelists and analysis of their major works and themes. Fully cross-referenced and containing extensive guides to further reading, Fifty Contemporary British Novelists is the ideal guide to modern British fiction for both the student and the contemporary fiction buff alike.
Presents an alphabetical reference guide detailing the lives and works of authors associated with the English-language fiction of the twentieth and twenty-first centuries.
On September 5, 2003, illusionist David Blaine entered a small Perspex box adjacent to London's Thames River and began starving himself. Forty-four days later, on October 19, he left the box, fifty pounds lighter. That much, at least, is clear. And the rest? The crowds? The chaos? The hype? The rage? The fights? The lust? The filth? The bullshit? The hypocrisy? Nicola Barker fearlessly crams all that and more into this ribald and outrageous peep show of a novel, her most irreverent, caustic, up-to-the-minute work yet, laying bare the heart of our contemporary world, a world of illusion, delusion, celebrity, and hunger.
Winner of IMPAC Dublin Literary Award in 2000, Wide Open is the first of Nicola Barker’s Thames Gateway novels.
Nicola Barker's exuberant novels here receive the scholarly attention they deserve in a collection of essays which moves chronologically through her oeuvre. The chapters are broad-ranging, placing Barker's work in its contemporary context and collectively making a convincing case for her importance as one of our most inventive novelists. Contents Foreword Nicola Barker The Barkeresque Mode: An Introduction Berthold Schoene Indie Style: Reversed Forecast and a Turn-of-the-Century Aesthetic Ben Masters 'Temporary People': Wide Open as an Island Narrative Daniel Marc Janes 'You grew up in this shithole, then?': Literary Geographics and the Thames Gateway Series Len Platt 'The Pair of Opposites Paradox': Ambivalence, Destabilization and Resistance in Five Miles from Outer Hope Ginette Carpenter 'Woah there a moment. Time out!': Slowing Down in Clear: A Transparent Novel Beccy Kennedy Beneath the Thin Veneer of the Modern: Medievalism in Darkmans Christopher Vardy Burley Cross Postbox Theft as Comedy Huw Marsh 'Tuning into My "Awareness Continuum"': Optimized Attention in The Yips Alice Bennett Exuberant Narration as Metaphysical Currency in In the Approaches Berthold Schoene The Pursuit of Happiness in H(A)PPY, or What a Difference an (A) Makes Eleanor Byrne Notes on Contributors Index
"Charles, a forty-year-old boutique teddy bear maker and wearer of ironic t-shirts, is trying - and failing - to sell his small, characterless house in Llandudno. His estate agent Avigail, whose name is definitely not Abigail, is trying - in vain - to rein in Charles's most unhelpful eccentricities, especially his repeated recounting to prospective buyers of a failed burglary that took place twelve years ago. When Wang Shu and her daughter Ying Yue view the house, Wang Shu is mysteriously struck by a falling oyster shell - the first in a series of seemingly innocuous events distort the reality of the characters' lives and cause them to question their very existence. As religious epiphanies bump up against declarations of love, the characters begin to sabotage the fictional world they inhabit, causing our entire understanding of the book - and of the boundaries between fiction and real life - to be radically upended."--
Deciding what to read next when you've just finished an unputdownable novel can be a daunting task. The Bloomsbury Good Reading Guide features hundreds of authors and thousands of titles, with navigation features to lead you on a rich journey through some the best literature to grace our shelves. This greatly expanded edition includes the latest contemporary authors and landmark novels, an expanded non-fiction section, a timeline setting historical events against literary milestones, prize-winner and book club lists. An accessible and easy-to-read guide that no serious book lover should be without. "The essential guide to the wild uncharted world of contemporary and 20th century writing." Robert McCrum, The Observer
The Comic Turn in Contemporary English Fiction explores the importance of comedy in contemporary literature and culture. In an era largely defined by a mood of crisis, bleakness, cruelty, melancholia, environmental catastrophe and collapse, Huw Marsh argues that contemporary fiction is as likely to treat these subjects comically as it is to treat them gravely, and that the recognition and proper analysis of this humour opens up new ways to think about literature. Structured around readings of authors including Martin Amis, Nicola Barker, Julian Barnes, Jonathan Coe, Howard Jacobson, Magnus Mills and Zadie Smith, this book suggests not only that much of the most interesting contemporary writing is funny and that there is a comic tendency in contemporary fiction, but also that this humour, this comic licence, allows writers of contemporary fiction to do peculiar and interesting things – things that are funny in the sense of odd or strange and that may in turn inspire a funny turn in readers. Marsh offers a series of original critical and theoretical frameworks for discussing questions of literary genre, style, affect and politics, demonstrating that comedy is an often neglected mode that plays a generative role in much of the most interesting contemporary writing, creating sites of rich political, stylistic, cognitive and ethical contestation whose analysis offers a new perspective on the present.