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A literary, genre-bending novel full of heart Cult comic book creator Debbie Reynolds Biondi has been riding the success of her Cold War era–inspired superhero series, Sputnik Chick: Girl with No Past, for more than 25 years. But with the comic book losing fans and Debbie struggling to come up with new plotlines for her badass, mutant-killing heroine, she decides to finally tell Sputnik Chick’s origin story. Debbie’s never had to make anything up before and she isn’t starting now. Sputnik Chick is based on Debbie’s own life in an alternate timeline called Atomic Mean Time. As a teenager growing up in Shipman’s Corners — a Rust Belt town voted by Popular Science magazine as “most likely to be nuked” — she was recruited by a self-proclaimed time traveller to collapse Atomic Mean Time before an all-out nuclear war grotesquely altered humanity. In trying to save the world, Debbie risked obliterating everyone she’d ever loved — as well as her own past — in the process. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} Or so she believes . . . Present-day Debbie is addicted to lorazepam and dirty, wet martinis, making her an unreliable narrator, at best. A time-bending novel that delves into the origin story of the Girl with No Past, Sputnik’s Children explores what it was like to come of age in the Atomic Age.
"Project Orion describes one of the most awesome 'might have beens' (and may yet bes!) of the space age. This is essential reading for anyone interested in government bureaucracies and the military industrial complex." -Sir Arthur C. Clarke
This book explores Russia's stunning success of ushering in the space age by launching Sputnik and beating the United States into space. It also examines the formation of NASA, the race for human exploration of the moon, the reality of global satellite communications, and a new generation of scientific spacecraft that began exploring the universe. An introductory essay by Pulitzer Prize winner Walter A. McDougall sets the context for Sputnik and its significance at the end of the twentieth century.
When Neil Armstrong and Buzz Aldrin walked on the moon in 1969, they personified an almost unimaginable feat—the incredibly complex task of sending humans safely to another celestial body. This extraordinary odyssey, which grew from the rivalry between the United States and the Soviet Union during the Cold War, was galvanized by the Sputnik launch in 1957. To mark the fiftieth anniversary of Sputnik, National Geographic recaptures this gripping moment in the human experience with a lively and compelling new account. Written by Smithsonian curator Von Hardesty and researcher Gene Eisman, Epic Rivalry tells the story from both the American and the Russian points of view, and shows how each space-faring nation played a vital role in stimulating the work of the other. Scores of rare, unpublished, and powerful photographs recall the urgency and technical creativity of both nations' efforts. The authors recreate in vivid detail the "parallel universes" of the two space exploration programs, with visionaries Wernher von Braun and Sergei Korolev and political leaders John F. Kennedy and Nikita Khrushchev at the epicenters. The conflict between countries, and the tense drama of their independent progress, unfolds in vivid prose. Approaching its subject from a uniquely balanced perspective, this important new narrative chronicles the epic race to the moon and back as it has never been told before—and captures the interest of casual browsers and science, space, and history enthusiasts alike.
Part romance, part detective story, Sputnik Sweetheart tells the story of a tangled triangle of uniquely unrequited love. Now with a new introduction from the author. K is madly in love with his best friend, Sumire, but her devotion to a writerly life precludes her from any personal commitments. At least, that is, until she meets an older woman to whom she finds herself irresistibly drawn. When Sumire disappears from an island off the coast of Greece, K is solicited to join the search party—and finds himself drawn back into her world and beset by ominous visions. Subtle and haunting, Sputnik Sweetheart is a profound meditation on human longing.
An out-of-this-world funny book from master storyteller Frank Cottrell Boyce, with illustrations throughout by Steven Lenton.Light-hearted and profound' Sunday Times Book of the Week'Wholly original and exceptionally funny' Bookseller Book of the MonthThe Blythes are a big, warm, rambunctious family who live on a small farm and sometimes foster children. Now Prez has come to live with them. But, though he seems cheerful and helpful, he never says a word.Then one day Prez answers the door to someone claiming to be his relative. This small, loud stranger carries a backpack, walks with a swagger and goes by the name of Sputnik.As Prez dithers on the doorstep, Sputnik strolls right past him and introduces himself to everyone in the household. Prez is amazed at the response. The family pat Sputnik on the head, call him a good boy and drop food into his mouth. It seems they all think Sputnik is a dog. It's only Prez who thinks otherwise.But Prez soon finds himself having to defend the family from the chaos and danger unleashed by Sputnik, as household items come to life - like a TV remote that fast-forwards people: 'Anyone can do it, it's just that people don't read the instructions properly'; and a toy lightsaber that entertains guests at a children's party, until one of them is nearly decapitated by it - and Prez is going to have to use his voice to explain himself.It turns out that Sputnik is writing a guidebook to Earth called Ten Things Worth Doing on Earth, and he takes Prez on a journey to discover just those ten things. Each adventure seems to take Prez nearer to the heart of the family he is being fostered by. But they also take him closer to the day that he is due to leave them forever...
Historians have established a norm whereby President Eisenhower's actions in relation to the dawn of the space age are judged solely as a response to the Soviet launch of the Sputnik satellite, and are indicative of a passive, negative presidency. His low-key actions are seen merely as a prelude to the US triumph in space which is largely bookended first by President Kennedy’s man-to-the-moon pledge in 1961, and finally by Neil Armstrong’s moon landing eight years later. This book presents an alternative view of the development of space policy during Eisenhower’s administration, assessing the hypothesis that his space policy was not a reaction to the heavily-propagandized Soviet satellite launches, or even the effect they caused in the US political and military elites, but the continuation of a strategic journey. This study engages with three distinct but converging strands of literature and proposes a revised interpretation of Eisenhower’s actions in relation to rockets, missiles and satellites: namely that Eisenhower was operating on a parallel path to the established norm that started with the Bikini Atoll Castle H-bomb tests; developed through the CIA's reconnaissance efforts and was distilled in the Aeronautics and Space Act of 1958 which set a policy for US involvement in outer space that matched Eisenhower’s desire for a balanced budget and fundamental belief in maintaining peace. President Eisenhower was not interested in joining a “space race”: while national security underpinned his thinking, his space policy actions were strategic steps that actively sidestepped internecine armed forces rivalry, and provided a logical next step for both civilian and military space programs at the completion of the International Geophysical Year. In reassessing the United States’ first space policy, the book adds to the revisionism under way in relation to the Eisenhower presidency, focusing on the “Helping Hands” that enabled him to wage peace.
On October 4, 1957, the day Leave It to Beaver premiered on American television, the Soviet Union launched the space age. Sputnik, all of 184 pounds with only a radio transmitter inside its highly polished shell, became the first artificial satellite in space; while it immediately shocked the world, its long-term impact was even greater, for it profoundly changed the shape of the twentieth century. Paul Dickson chronicles the dramatic events and developments leading up to and resulting from Sputnik's launch. Supported by groundbreaking, original research and many declassified documents, Sputnik offers a fascinating profile of the early American and Soviet space programs and a strikingly revised picture of the politics and personalities behind the facade of America's fledgling efforts to get into space. The U.S. public reaction to Sputnik was monumental. In a single weekend, Americans were wrenched out of a mood of national smugness and postwar material comfort. Initial shock at and fear of the Soviets' intentions galvanized the country and swiftly prompted innovative developments that define our world today. Sputnik directly or indirectly influenced nearly every aspect of American life: from an immediate shift toward science in the classroom to the arms race that defined the Cold War, the competition to reach the moon, and the birth of the internet. By shedding new light on a pivotal era, Dickson expands our knowledge of the world we now inhabit and reminds us that the story of Sputnik goes far beyond technology and the beginning of the space age, and that its implications are still being felt today.