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Everyone knows the beauty and value of Tiffany glass lamps, vases and windows. But few know that the masterful pieces fron the Tiffany Studios would not have been possible without Arthur Nash, developer of the now-priceless Favrile glass, and his son Leslie, director of the Studio's division of glassmaking, pottery and enamel. Leslie's memoirs, along with notes and references, tell the unfiltered and refreshing story of the Studio's heyday, and substantially expand our knowledge, and his photos comprise the largest collection of here-to-fore unseen images of the studio's earliest pieces. This historical find is an event in the decorative arts world and will appeal to both collectors and museums and those who use e-bay and watch "Antiques Road Show."
Step-by-step color photos illustrate the entire lamp-making process, from cutting the pattern and selecting glass to assembling tiles and soldering a shade. How-to techniques and construction secrets from one of the country's top Tiffany lamp artists. Features never-before-published secrets for creating an authentic patina and includes large-scale images of 30 finished lamps as well as close-ups of shade details.
A large-scale exhibition catalog focuses on Tiffany's work in religious and secular stained glass, vases, and lamps and includes an examination of the artist's techniques and sketches which offer a glimpse into his creative process.
Louis Comfort Tiffany (1848-1933) is celebrated today as one of the most influential creative designers of the late 19th- and early 20th-centuries. A New Light on Tiffany: Clara Driscoll and the Tiffany Girls presents the celebrated works of Tiffany Studios in an entirely new context, focusing on the "Tiffany Girls", the 27 women who laboured behind the scenes to create the masterpieces now inextricably linked to the Tiffany name. Recently discovered correspondence written by Ohio-born Clara Driscoll, head of the so-called "Women's Glass Cutting Department" at Tiffany Studios, reveals in convincing and vivid detail how it was in fact Driscoll who generated designs for such masterpieces as the famous Wisteria, Dragonfly and Peony goods. At the heart of the book are over 50 Tiffany lamps, windows, ceramics, enamels and mosaics, supplemented by a wide array of related documents and archival photographs.
This is the first book exclusively about L. C. Tiffany's glass mosaic masterpieces, created from 1880 to 1931 at the Tiffany Studios in New York City for clients across the continent. Fascinating and well-researched text combines with over 700 color photographs to showcase Tiffany's magnificent art. Many of the images are published here for the first time, highlighting over 70 luminous installations in private mansions, public buildings, and churches. Beautifully decorated interiors, mausoleums, and domestic rooms are shown along with an explanation of Tiffany's technique of mosaic making and the unique glass he created and used in them. New information identifies the mosaic artists who worked with him. A useful glossary of mosaic and glass terms, chronology of events in L. C. Tiffany's life relating to his mosaic work, and complete listing of the locations of his mosaic masterpieces are provided. This book will enthrall lovers of mosaics, students, and scholars with an interest in Tiffany as well as decorative arts and design.
In Objects, Audiences, and Literatures: Alternative Narratives in the History of Design, five art historians tap a variety of unexpected literary sources to reveal the dynamic relationship between intention and reception in architecture, interior design, costume, and the decorative arts. The essays consider both handcrafted and serially produced objects from the eighteenth to the mid-twentieth centuries, including a japanned high chest from colonial Boston, German and Austrian Artistic Dress, Tiffany lamps, the architecture of the 1925 Exposition Internationale des Arts Décoratifs et Industriels in Paris, and the “dream homes” portrayed in two popular postwar American films. The five chapters demonstrate that a complex and even contradictory mixture of stakeholders determines the meanings of designed objects. Each author examines popular forms of literature in order to reveal the preconceptions that viewers brought with them to the experience of looking at and using objects. The authors’ attentiveness to viewers’ class and gender provides a methodological model for approaching the study of reception within the field of design history. "Objects, Audiences, and Literatures introduces a new generation of historians of design and decorative arts with five superb case studies. Looking beyond the laconic historical data that has formed the backbone of scholarship in this field these authors plumb popular culture—films, advertisements, and especially novels—to understand contemporaneous meanings of objects. Using these polyglot sources with an eye particularly on narrative and gender they suss out heretofore unnoticed dissonances between the prescriptive pronouncements of avant-garde “insiders” and the reception that design innovation found in broader publics. These wide-ranging essays are marked by imagination, exuberance, and acuity; I look forward to using it in my teaching." —Margaretta M. Lovell, University of California, Berkeley "This is a welcome addition to the literature that addresses the growing scholarly and popular interest in design and design history. Drawing on an impressive array of examples, the authors explore how class, gender, and cultural context shaped the reception of architecture, interior design, costume, and the decorative arts at various moments in the modern era. The collection is noteworthy for the way each of the contributors draws upon literary sources for insights into design and material culture that transcend the specific examples under review. Models of methodological rigor, these essays should appeal to scholars in multiple disciplines." —Dennis P. Doordan, University of Notre Dame
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
Louis C. Tiffany was one of America's most acclaimed artists and businessmen working in the late nineteenth and early twentieth centuries. He directed an artistic empire in the design and creation of leaded-glass windows, lamps, blown glass vessels, objects of luxury, and mosaics--one of his most innovative expressions in the medium of glass. Tiffany's Glass Mosaics features essays from noted scholars and curators who, for the first time, investigate the breadth of mosaic production at the company from the 1880s through the 1930s. A detailed appendix lists all of the known public, ecclesiastical, and residential commissions executed by Tiffany's firm. The publication is richly illustrated with objects from major museums, libraries, and private collections in the United States and Europe. Many of these large-scale murals have never before been photographed or published.
This complete illustrated biography of the American artist, craftsman, and designer Louis C. Tiffany has become a classic in its field. Now in its third thoroughly updated edition, it remains an indispensable resource for collectors and designers and for anyone enchanted by the remarkable career of this versatile nonconformist and master craftsman of the Art Nouveau movement.--Book jacket.