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So writes author Mark Briggs as he light-heartedly addresses serious "cow" issues in our lives. Behind the Mask of Religious Traditions exposes the ugliness of dead rituals and reveals the beauty of true, living worship. Removing the masks will: Expose the sacred cows in your life. Create a passion for true worship. Identify the Father as the Shepherd. Guide you through the Sacred Cow Prevention Process. As you destroy the religious cows in your life, you will find yourself grazing with the Shepherd in lush green pastures beside a refreshing flowing stream of living water. Book jacket.
Unitarian Universalist minister G. Peter Fleck explores the role of reason and science, limits on the concept of progress, the lure of other (Eastern) religious traditions, the influence of the Judeo-Christian heritage, and the ways we can interpret that heritage to build our own spiritual home.
• Reveals how mask rituals are akin to shamanic journeying and allow the mask wearer to personify an ancestral presence, spirit, deity, or power • Examines animal guising and shows how mask customs are tied to creation myths and the ancestral founders of a people, tribe, city, or nation • Looks at morris dancers and mummers in the UK, Krampuslauf and Perchtenlauf in Germanic areas, the Gorgon myths of Greece, Norse Berserker rituals, and the annual Black Forest rite to awaken ensouled masks every spring There is a spiritual power in masks that transports one into realms unseen and gives voice to things unspoken. Within the context of ritual, putting on a mask places the wearer at the intersection between the present and the past, the living and the dead, this world and the Otherworld. Masks make it possible to activate ancient archetypes, with the mask wearer reanimating or personifying an ancestral presence or spirit, a deity or power, an animal or a being of the eldritch world. In this illustrated study, Nigel Pennick explores the magical and spiritual aspects of mask wearing from ancient times to the present. He examines the many mask traditions around Europe and shows how mask rituals are similar to shamanic journeying and near-death experiences and can induce ecstatic states that allow the power signified by the mask to take possession of the individual wearing it. He also looks at the practice of dressing up as sacred animals and mask wearing as it relates to ostenta, events that occur suddenly and without warning that are considered a token or sign from the Otherworld. Unveiling the sacred power of masks, the author shows how masks allow us to transport into realms unseen, embody ancestors and otherworldly entities, and connect with traditions that stretch back to time immemorial.
For at least 20,000 years, masking has been a mark of cultural evolution and an indication of magical-religious sophistication in society. This book provides a comprehensive understanding of the mask as a powerful cultural phenomenon--a means by which human groupings attempted to communicate their dignity and sense of purpose, as well as establish a continuum between the natural and supernatural worlds. It addresses the distinctive environments within which masks flourished, and analyzes the mask as a manifestation of art, ethnology and anthropology.
Ritual masking is an important institution in many traditional societies and has attracted much attention from Western scholars. In 'Ritual Masks', Pernet provides a thorough survey of masks and masking traditions in Africa, Oceania, and the Americas, based on a close analysis of the literature in several languages. Pernet's approach provides him with an opportunity to examine issues of importance to the history of religion and anthropology. These include the influence of theory on the interpretation of prehistoric documents; androcentrism in anthropology and the history of religions; and Western scholarship's recurrent problems in interpreting preliterate or traditional societies.
An ancient biblical commandment that is highly overlooked holds the power to set nations and people free! Receive blessing from God for a thousand generations to come. The Mask of Deception reveals the history of idol worshiping through voodoo and how it hides in one of the largest churches in the world by masking it's true identity. The Mask of Deception is part of a series of books to help those in bondage to idol worshiping and teaches them how they too can be free.
Behind the Masks of God develops an abstract concept of creation ex nihilo to compare and contextualize many of the symbols and more concrete ideas of divinity in world religions. The first focus is Christianity, and the book is put forward as an essay in Christian theology. In addition, the essay asks how creation ex nihilo serves to relate Christianity to other religions, particularly those of China. Neville addresses both Buddhism and Christianity, and to a lesser extent Taoism, as test cases for the applicability of creation ex nihilo as a fundamental comparative category for connecting theistic religions with non-theistic ones.
The big questions. Is there a God? Is there meaning and purpose to life? What happens after our physical death? Why are religions that claim to access Truth often in violent conflict with each other? If there is a God, why is there so much suffering and evil?Drawing on over forty years of personal transcendent experiences together with studies in spirituality, psychology and theology, the author considers the foundations of spiritual experience, belief and practice. In the process, religious and spiritual beliefs are categorized, basic conceptions about spirituality and knowledge are considered, spiritual paths are described, the role of morality and gender in spirituality is touched upon, and the nature of existence and experience is contemplated. Does 'Inner Spirituality' offer real answers to the big questions or are such adepts mistaken?This second edition outlines a 'Spiritual Matrix'. The main text has been grammatically revised throughout and an index has been added for easy reference.
This new study of Menander casts fresh light not only on the techniques of the playwright but also on the literary and historical contexts of the plays. Menander (342/1-292/1 BCE) wrote over a hundred popular comedies, several of which were adapted by Plautus and Terence. Through them, he was a major influence on Shakespeare and Molière. However, his work survived only in excerpts and quotation until some significant texts reappeared in the nineteenth and twentieth centuries on papyrus. The mystery of their loss and rediscovery has raised key questions surrounding the transmission of these and other Greek texts. Theatrical masks from the fourth century BCE discovered on the island of Lipari now also provide important material with which this book examines how the plays were originally performed. A detailed investigation of their historical setting is offered which engages with recent debates on the importance of social status and citizenship in Menander's plays. The techniques of characterization are also examined, with particular focus on women, slaves and power relationships in his Epitrepontes. It appears that the audience was invited, sometimes subversively, behind the mask of this sophisticated comedy to discover that people do not always conform to literary expectations and social norms.
"John Emigh and Lesley K. Ferris explore the role of masks in theater, whose roots lie in ritual performance. Cara McCarty looks at the ways in which masks are featured in the medium of film as well. But these artistic examples are not the only masks found in industrial societies. McCarty also discusses the proliferation of masks for physical protection, in areas such as military combat, sports competitions, and space exploration."--BOOK JACKET.