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Jill Battson's highly anticipated new collection of poems, The Ecstatic Torture of Gratitude, pushes deep into the heart of the human condition. In lush and visceral language Jill explores loss, beauty, nature, Francis Bacon's ordered hoarding and the meaning of Martha Stewart. Jill's poems whisper like muted Miles Davis tunes melancholy in the ear, or shout their colours from the top of desert mesas. Many of the poems in this collection are a result of collaborative artist process with dancers, composers, singers and painters, but above all they will live in your memory like a perfect pearl long after their first reading.
After breaking their sworn oaths in a fit of forbidden passion, a sacrificial bride (Shekalane) and her fearsome escort (the ferryman Dravidian) find themselves alone and on the run in the subterranean river-world of Ursathrax. From Beyond the Black Curtain: Permission would not have been granted, nor did he ask; instead, he went straight to the detention block after his meeting with the prefect and located Shekalane’s cell. It was easy to do, for it was the only one with a light beneath its door. Indeed, it was the only one in the entire cellblock that was occupied. “Shekalane,” he whispered, crouching, and braced the meal flap open with his finger. “It’s Dravidian.” At last she said, sounding distant and utterly confused: “I cannot see you. Opening the flap triggers a light: It—it hurts my eyes, and burns the skin of my face. And yet it is cold—the cell, I mean. So cold.” He withdrew his finger, allowing the flap to close, and thought he heard her teeth chatter. The dragger’s great paddle wheel churned. “Why have you come to me, Dravidian of the ferrymen?” “You are about to be interviewed by the prefect himself, Asmodeus. During this interview you will be asked about your involvement with Valdus and his revolution. Answer him truthfully—names, dates, tactical information—he has assured me personally that you will be spared if you do so. Do you understand?” A silence followed. “Spared. That’s a curious choice of words. I trust by this you mean I will not be punished or killed … but that I will still be delivered into sexual slavery.” “Shekalane …” “I’ve had a great amount of time to think, Dravidian. It’s—it’s in our nature; we women, that when faced with a closed door yet another door opens … in our minds. And I’ve decided that Valdus has been right all along: the Lottery must end.” She paused as the great ship rumbled all around them. “And I’ve decided something else; which is that his methods are justified, after all. Indeed, what is death—physical death, I mean—when compared to imprisonment and the suffocation of one’s soul? The former at least provides an escape; but the latter …. No, Dravidian, I will not cooperate. Not even if I am tortured unto death.” “You don’t mean that, Shekalane.” “What know you of what I mean and what I do not? You, who mistook a ploy, and a successful one, for an expression of love for Valdus? You, who in turn used that to retreat into your former self and turn your back on all that we have learned and experienced? No, I tell you plainly that I will not submit, and you—your order—will be forced to destroy me. Now please, go away. For, although I love you, I cannot abide by what you have done.” At last Dravidian lowered his head. “Nor can I abide by what you have done, Shekalane. For by aiding and abetting Valdus, if only in bringing him comfort, you did also turn your back—on all his crimes and victims. And you would aid him still.” He stood and swung his mask around on its strap, prepared to put it on. “It would seem we are at an impasse, at last. Whatever our fates, then …” He fingered the façade’s velvety lining. “Know that you, too, are loved.” Then he whirled to leave and, whirling, came face to face with a brownie in a dung-colored goblin mask and holding a tray—who quickly looked away and just as quickly looked back, as though recognizing him as someone personally significant to him. Dravidian stared at him for perhaps two breaths, taken aback by the directness of his gaze, and sensing, too, something—well, he could not define it, and quickly placed his mask to his face and depressed the pad at his temple, sealing it with a hiss.
One is the man she missed. The other is the man she married. Lumberman's daughter, Colette Palmer has understood the industry since her youth -- and she's always loved timber cruiser Manason Kade -- even though he only remembers her as a child. Leaving Michigan
In Cinema, If You Please, Murray Pomerance explores our ways of watching film in light of socially organized forms of pleasure that date back to the seventeenth and eighteenth centuries. Wedding the notion of pleasure in film viewing to the history of pleasure in the West, the book considers pleasure gardens and promenading; the history of oil painting and its display; the passion for travel and exposure to the exotic and strange; and forms of musical repetition and restatement. With in-depth studies of films like Vertigo, The Passenger, A Matter of Life and Death, Clouds of Sils Maria, Personal Shopper, Call Me By Your Name and Blow-Up, this ground-breaking book draws the reader into the past and the present at once, joining an understanding of personal and visual delight to their cultural and historical roots.
#1 NEW YORK TIMES BESTSELLER • THE BOOK BEHIND THE FIFTH SEASON OF THE ACCLAIMED HBO SERIES GAME OF THRONES Don’t miss the thrilling sneak peek of George R. R. Martin’s A Song of Ice and Fire: Book Six, The Winds of Winter Dubbed “the American Tolkien” by Time magazine, George R. R. Martin has earned international acclaim for his monumental cycle of epic fantasy. Now the #1 New York Times bestselling author delivers the fifth book in his landmark series—as both familiar faces and surprising new forces vie for a foothold in a fragmented empire. A DANCE WITH DRAGONS A SONG OF ICE AND FIRE: BOOK FIVE In the aftermath of a colossal battle, the future of the Seven Kingdoms hangs in the balance—beset by newly emerging threats from every direction. In the east, Daenerys Targaryen, the last scion of House Targaryen, rules with her three dragons as queen of a city built on dust and death. But Daenerys has thousands of enemies, and many have set out to find her. As they gather, one young man embarks upon his own quest for the queen, with an entirely different goal in mind. Fleeing from Westeros with a price on his head, Tyrion Lannister, too, is making his way to Daenerys. But his newest allies in this quest are not the rag-tag band they seem, and at their heart lies one who could undo Daenerys’s claim to Westeros forever. Meanwhile, to the north lies the mammoth Wall of ice and stone—a structure only as strong as those guarding it. There, Jon Snow, 998th Lord Commander of the Night’s Watch, will face his greatest challenge. For he has powerful foes not only within the Watch but also beyond, in the land of the creatures of ice. From all corners, bitter conflicts reignite, intimate betrayals are perpetrated, and a grand cast of outlaws and priests, soldiers and skinchangers, nobles and slaves, will face seemingly insurmountable obstacles. Some will fail, others will grow in the strength of darkness. But in a time of rising restlessness, the tides of destiny and politics will lead inevitably to the greatest dance of all. Praise for A Dance with Dragons “Filled with vividly rendered set pieces, unexpected turnings, assorted cliffhangers and moments of appalling cruelty, A Dance with Dragons is epic fantasy as it should be written: passionate, compelling, convincingly detailed and thoroughly imagined.”—The Washington Post “Long live George Martin . . . a literary dervish, enthralled by complicated characters and vivid language, and bursting with the wild vision of the very best tale tellers.”—The New York Times “One of the best series in the history of fantasy.”—Los Angeles Times
Scenes from all walks of life - from a secluded mountain monastery to a troubled Ukrainian village - meticulously documented by the great impressionist of Ukrainian literature Mihailo Kotsubinsky.