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Behind His Scarf follows the two new students of Kaiun High School's third year. Sakura is a quiet, hard working girl with golden hair; whilst Lucifer is a rebellious male with a terrible temper. Their worlds become entwined when Lucifer finds out Sakura's secret and forces her to go out with him. Mortified, at first, by the agreement, Sakura learns the truth about Lucifer and begins questioning her own past. Discovering the kinder side of Lucifer, Sakura gets dragged into his world and find much more than she bargined for.
A celebration of the scarf not only as a fashion statement, but as a work of art. The Scarf chronicles its history and appeal of its subject and shows in glowing color some of the most extraordinary examples from Baseman's own collection. Full-color illustrations.
Behind His Scarf follows the two new students of Kaiun High School. Sakura is a quiet, hard working girl with golden hair; whilst Lucifer is a rebellious boy with a terrible temper. Their worlds become entwined when Lucifer finds out Sakura's secret and forces her to go out with him. Mortified by the agreement, Sakura learns the truth about Lucifer and begins questioning her own past. Discovering the kinder side of Lucifer, Sakura gets dragged into his world and finds much more than she bargained for.
“A whimsical new TIY (tie-it-yourself) book full of drawings and directions showing how to create head wraps, neck knots and more.” —The Washington Post From the Audrey to the Paris, the Top Down, or the Easy Breezy, there are fifty scarf styles in this book for any occasion or mood. Jaunty illustrations break down each step so stylistas can wrap, loop, and get out the door looking perfectly polished. Teens, young professionals, and moms alike will love playing around with the looks, including unexpected belts, sarongs, and topknots. Vibrantly illustrated, 50 Ways to Wear a Scarf is perfect to take scarf shopping. Tres chic! “A beautifully illustrated guide.” —Glitter Guide “Fifty new ways to style our most essential piece.” —Refinery29 “What I found so unique about Lauren’s book is that she not only shows step-by-step instructions for creating each look; but also suggests, through meticulous illustration, what particular neckline/outfit the scarf might look good with . . . Create a mood. Want glamour, fun, mystery? You got it.” —Quintessential Style
Fulk of the Forest had taken the way towards Witch's Cross, with the full moon shining like a silver buckler behind him, to find himself standing at gaze among the yews of the Black Gill. Straight before him stretched a black aisle pillared and arched with huge yews. The aisle ended, like the choir of a church, in a great woodland window where the full moon hung, one yellow rim touching a flurry of clouds. Fulk had drawn aside against the trunk of a tree, lean, alert, shadowy, conscious of something stirring away yonder in the glooms. As he stood there watching, and straining his ears in the windless silence of the April night, he saw a figure move suddenly into the opening of this woodland window and remain there, outlined against the moon. The figure was wrapped in a loose cloak, and the peak and jagged edge of a hood showed up sharply. Moreover, a curved black line beside it betrayed the line of a strung bow.
“An extraordinary record of a great artist in his studio, it also describes what it feels like to be transformed into a work of art.” —ARTnews Lucian Freud (1922-2011), widely regarded as the greatest figurative painter of our time, spent seven months painting a portrait of the art critic Martin Gayford. The daily narrative of their encounters takes the reader into that most private place, the artist’s studio, and to the heart of the working methods of this modern master—both technical and subtly psychological. From this emerges an understanding of what a portrait is, but something else is also created: a portrait, in words, of Freud himself. This is not a biography, but a series of close-ups: the artist at work and in conversation at restaurants, in taxis, and in his studio. It takes one into the company of the painter for whom Picasso, Giacometti, and Francis Bacon were friends and contemporaries, as were writers such as George Orwell and W. H. Auden. The book is illustrated with many of Lucian Freud’s other works, telling photographs taken by David Dawson of Freud in his studio, and images by such great artists of the past as van Gogh and Titian who are discussed by Freud and Gayford. Full of wry observations, the book reveals the inside story of how it feels to pose for a remarkable artist and become a work of art.