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Beguiled By Her Betrayer – Louise Allen Lord Quintus Bredon Deverall is supposed to be whisking young widow, Cleo Valsac, away from her father's dusty camp and back to England – to her aristocratic grandfather and a respectable husband. Cleo can't help but feel comforted by Quin's protective presence. But she has no idea of this wounded stranger's true identity...or of the passion that burns between them under the heat of the desert sun! The Viscount's Frozen Heart – Elizabeth Beacon Luke Winterley, Viscount Farenze, is duty–bound to fulfil his beloved aunt's last request – even though it concerns bewitching housekeeper Chloe Wheaton. Years ago they fell in love, but the battle between duty and desire drove them apart. Now, can the ice around Luke's emotions ever thaw? A marriage between a housekeeper and a Viscount should be impossible, but maybe the warmth of Chloe's touch can bring a new beginning for them both... Templar Knight, Forbidden Bride – Lynna Banning Battle–weary warrior Reynaud has forgotten what it is to be in the company of a beautiful woman. On his return to Granada he is drawn to Leonor, and senses that she can heal his hidden scars. She is set upon a dangerous path – a path that they travel together, becoming closer every day...every night. But such forbidden passion might be their undoing...
Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer
The “Gest” is the earliest major writing about Robin Hood — although it tells a tale very different from that found in most modern retellings. This version attempts to produce a more accurate text of the long-lost original; it also provides a modernized parallel. To this is added an extensive historical introduction, line-by-line commentary, vocabulary study, and a selection of other texts which clarify the context of the "Gest." Dedicated to Patricia Rosenberg.
In "Islam Unveiled," Robert Spencer dares to face the hard questions about what the Islamic religion actually teaches--and the potentially ominous implications of those teachings for the future of both the Muslim world and the West. Going beyond the shallow distinction between a "true" peaceful Islam and the "hijacked" Islam of terrorist groups, Spencer probes the Koran and Islamic traditions (as well as the history and present-day situation of the Muslim world) as part of his inquiry into why the world's fastest growing faith tends to arouse fanaticism. "Islam Unveiled" evaluates the relationship between Islamic fundamentalism and "mainstream" Islam; the fixation with violence and jihad; the reasons for Muslims' disturbing treatment of women; and devastating effects of Muslim polygamy and Islamic divorce laws. Spencer explores other daunting questions--why the human rights record of Islamic countries is so unrelievedly grim and how the root causes of this record exist in basic Muslim beliefs; why science and high culture died out in the Muslim world--and why this is a root cause of modern Muslim resentment. He evaluates what Muslims learn from the life of Muhammad, the man that Islam hails as the supreme model of human behavior. Above all, this provocative work grapples with the question that most preoccupies us today: can Islam create successful secularized societies that will coexist peacefully with the West's multicultural mosaic?
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
At head of title: Ellora's Cave presents.
“The Grail Bird is an enjoyable read . . . A powerful call for conservation, and an exciting bird adventure” (The Boston Globe). What is it about the ivory-billed woodpecker? Why does this ghost of the southern swamps arouse such an obsessive level of passion in its devotees, who range from respected researchers to the flakiest Loch Ness monster fanatics and Elvis chasers? Since the early twentieth century, scientists have been trying their best to prove that the ivory-bill is extinct. But every time they think they’ve finally closed the door, the bird makes an unexpected appearance. To unravel the mystery, author Tim Gallagher heads south, deep into the eerie swamps and bayous of the vast Mississippi Delta, searching for people who claim to have seen this rarest of birds and following up—sometimes more than thirty years after the fact—on their sightings. What follows is his own Eureka moment with his buddy Bobby Harrison, a true son of the South from Alabama. A huge woodpecker flies in front of their canoe, and they both cry out, “Ivory-bill!” This sighting—the first time since 1944 that two qualified observers positively identify an ivory-billed woodpecker in the United States—quickly leads to the largest search ever launched to find a rare bird, as researchers fan out across the bayou, hoping to document the existence of this most iconic of birds. “The Grail Bird is less an ecological study than a portrait of human obsession.” —The New York Times