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Gideon, a caterpillar grub, is transformed when the leaf which he is eating falls from the tree, giving him a sensation of flying, and suddenly all he can think, talk, or dream about is flight.
Plunging the reader into a phantasmagoric world where streets are paved with human remains and men are apocalyptically condemned to death by the fire of their loins, these short stories strike a fabulist and magical realism drawn from African traditions and present-day conditions. For all its contemporary relevance, this collection has at its core a dialogue between the living and their ancestors that creates a powerful resonance between the bones of the dead and the echoes of their survivors.
Fifty years after the Grateful Dead was formed, the band still exerts a powerful influence over hundreds of thousands of fans around the world. Today, an entire generation of Deadheads who have never experienced a live Dead show are still drawn to the music and the complex and colorful subculture that has grown up around it. In This Is All a Dream We Dreamed, Blair Jackson and David Gans, two of the most well-respected chroniclers of the Dead, reveal the band's story through the words of its members and their creative collaborators, as well as a number of diverse fans, stitching together a multitude of voices into a seamless oral tapestry. Woven into this musical saga is an examination of the subculture that developed into its own economy, touching fans from all walks of life, from penniless hippies to celebrities, and at least one U.S. vice president. The book traces the band's evolution from its folk/bluegrass beginnings through the Jug Band craze, an early incarnation as Rolling Stones wannabes, feral psychedelic warriors, the Americana jam band that blazed through the '70s, to the shockingly popular but still iconoclastic stadium-filling band of later years. The Dead broke every rule of the music business along the way, taking risks and venturing into new territory as they fused inspired ideas and techniques with intuition and fearlessness to create a sound-and a business model-unlike anything heard and seen before.
For Gwendolyn Wright, the houses of America are the diaries of the American people. They create a fascinating chronicle of the way we have lived, and a reflection of every political, economic, or social issue we have been concerned with. Why did plantation owners build uniform cabins for their slaves? Why were all the walls in nineteenth-century tenements painted white? Why did the parlor suddenly disappear from middle-class houses at the turn of the century? How did the federal highway system change the way millions of Americans raised their families? Building the Dream introduces the parade of people, policies, and ideologies that have shaped the course of our daily lives by shaping the rooms we have grown up in. In the row houses of colonial Philadelphia, the luxury apartments of New York City, the prefab houses of Levittown, and the public-housing towers of Chicago, Wright discovers revealing clues to our past and a new way of looking at such contemporary issues as integration, sustainable energy, the needs of the elderly, and how we define "family."
Few today realize that electric cabs dominated Manhattan's streets in the 1890s; that Boise, Idaho, had a geothermal heating system in 1910; or that the first megawatt turbine in the world was built in 1941 by the son of publishing magnate G. P. Putnam -- a feat that would not be duplicated for another forty years. Likewise, while many remember the oil embargo of the 1970s, few are aware that it led to a corresponding explosion in green-technology research that was only derailed when energy prices later dropped. In other words: We've been here before. Although we may have failed, America has had the chance to put our world on a more sustainable path. Americans have, in fact, been inventing green for more than a century. Half compendium of lost opportunities, half hopeful look toward the future, Powering the Dream tells the stories of the brilliant, often irascible inventors who foresaw our current problems, tried to invent cheap and energy renewable solutions, and drew the blueprint for a green future.
Our Dreams Will Never Be the Same Again International bestselling author Rodger Kamenetz believes it is not too late to reclaim the lost power of our nightly visions. He fearlessly delves into this mysterious inner realm and shows us that dreams are not only intensely meaningful, but hold essential truths about who we are. In the end, each of us has the choice to embark on this illuminating path to the soul.
A feel good story about making your dreams come true. Follow Joey Cassata and his journey as a drummer from Rock & Roll stages around the world, to his own hit T.V. show Z Rock. to the prestigious stages of Broadway in The Great Comet of 1812.
There is no better way to understand America than by understanding the cultural history of the American Dream. Rather than just a powerful philosophy or ideology, the Dream is thoroughly woven into the fabric of everyday life, playing a vital role in who we are, what we do, and why we do it. No other idea or mythology has as much influence on our individual and collective lives. Tracing the history of the phrase in popular culture, Samuel gives readers a field guide to the evolution of our national identity over the last eighty years. Samuel tells the story chronologically, revealing that there have been six major eras of the mythology since the phrase was coined in 1931. Relying mainly on period magazines and newspapers as his primary source material, the author demonstrates that journalists serving on the front lines of the scene represent our most valuable resource to recover unfiltered stories of the Dream. The problem, Samuel reveals, is that it does not exist; the Dream is just that, a product of our imagination. That it is not real ultimately turns out to be the most significant finding and what makes the story most compelling.
Two acclaimed poetry volumes, Who Are We Now? (1976) and Landscapes of Livingand Dying (1979), are brought together.
The Ojibwa people strongly believe in the myths and legends that make up their spiritual and cultural life. A significant part of the Ojibwa's spiritual life is the dreamcatcher. Although the exact genesis of this intriguing artifact is unknown, there are many beautiful and lyrical legends that reflect the dreamcatcher's beginnings. The dreamcatcher is a web-like structure built into a circular frame. Beauty is derived in the dreamcatcher through the symmetry of natural accents. The frame is often made from fresh tender wood that is bent to form a hoop or circle into which a web is then woven. The web is often made of deer sinew or colored thread. Often the webs are 'spun' with a hole in the center and decorated with stones or feathers or other natural materials. The Ojibwa believe that the dreamcatcher will serve throughout one's life as an invitation for good dreams to come to rest with the sleeper, as well as the fortification against nightmares and evil spirits. The good dreams flow through the web and into the dreamer, while the bad dreams and evil spirits are caught in the strands of the web and never reach the dreamer. One of the Ojibwa legends about the creation of the dreamcatcher suggests that the dreamcatcher was a gift from a spider to the Ojibwa people, in return for a favor an Ojibwa once did for the spider. This theme, among many others, is carried throughout this gorgeously illustrated book that charts the development of this living legend through the combination of photography and text. The Ojibwa of the Great Lakes and St. Lawrence River Regions share a related history with many of their sister Algonquin tribes who can be found throughout the United States and Canada. The Ojibwa have introduced the dreamcatcher and its legends to the rest of the world as a living artifact of Native culture. Throughout history, the interaction between Ojibwa and other Native tribes has taught European settlers about the elusive boundary between the spiritual world, that is the world of consciousness and the world of dreams. Featured are more than 30 color photographs of contemporary dreamcatchers created by Native people with informative captions that identify and comment on the different patterns and their significance.