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Cleveland, Ohio. 2006. After a chance encounter, three people soon find out that life can sometimes thrust us into the public eye - even when taking great measures to avoid it. Cooper Madison was the best pitcher in baseball after being drafted number one overall in 1996 from the small Gulf Coast town of Pass Christian, Mississippi. One year after announcing his sudden and shocking retirement, he finds himself seeking anonymity in Cleveland, Ohio. Cara Knox is the youngest sibling to three older brothers. After a tragic work accident to her closest relative, she has built up a tough exterior as she begins her final year of college at Cleveland State University. Jason Knox, Cara's oldest brother, is the lead detective on Cleveland's Edgewater Park Killer case. After months without a suspect, he is feeling the heat from his media-hungry chief. Serendipity intervenes, and all three learn that perception and reality are paths that rarely ever intersect.
"Amongst the Top 50 Horror Books of All Time" - Cosmopolitan Three dark and disturbing horror stories from an astonishing new voice, including the viral-sensation tale of obsession, Things Have Gotten Worse Since We Last Spoke. For fans of Kathe Koja, Clive Barker and Stephen Graham Jones. Winner of the Splatterpunk Award for Best Novella. A whirlpool of darkness churns at the heart of a macabre ballet between two lonely young women in an internet chat room in the early 2000s—a darkness that threatens to forever transform them once they finally succumb to their most horrific desires. A couple isolate themselves on a remote island in an attempt to recover from their teenage son’s death, when a mysterious young man knocks on their door during a storm… And a man confronts his neighbour when he discovers a strange object in his back yard, only to be drawn into an ever-more dangerous game. Three devastating, beautifully written horror stories from one of the genre’s most cutting-edge voices. What have you done today to deserve your eyes?
A YALSA 2020 Quick Picks for Reluctant Readers! “A powerful story about grief, loss, and the restorative nature of love, Since We Last Spoke will stay with you long after you’ve finished.” —Amber Smith, New York Times bestselling author of The Way I Used to Be and The Last to Let Go “Rufener handles topics such as love, loss, and grief with a deft and steady hand, intermingling moments of humor and warmth as two families learn to navigate the tragedy that’s intertwined them forever.” —Miranda Asebedo, author of The Deepest Roots "Rufener ambitiously tackles many topics in a single novel: manslaughter, suicide, bullying, sex, drugs, mental health, family violence, parental neglect, and abuse. Rufener successfully weaves all of these difficult subjects into a real and relatable narrative without platitudes or apologies. This is a modern-day Romeo and Juliet story that stands on its own." School Library Journal (starred review) Perfect for fans of Jennifer Niven and Nicola Yoon, this heartbreaking and uplifting novel captures the ups and downs of teen love in the face of unimaginable grief and the rocky journey to healing, peace, and forgiveness. From breakout author Brenda Rufener (Where I Live). When Aggi Frank and Max Granger finally admitted their feelings for each other last December, it felt like love was beautiful and endless . . . until it wasn’t. A fatal car accident involving their older siblings throws their lives into sudden chaos. And with a restraining order now in place between the two bitter households, Aggi and Max’s love runs cold. Being together again seems like a distant fantasy, even though they share the same driveway. Still, Plum Lake is a small town, and staying apart can’t last forever. Aggi and Max eventually reunite at a lake-house party and break the ice after a year of silence. But just as they begin to rebuild their relationship, the unthinkable happens, leading them to confront each other and their families in the hope of mending the broken pieces. “Rufener's treatment of grief is nuanced and deeply felt, and Aggi's and Max's complex feelings about themselves, their families, and their aborted romance drive the skillfully crafted narrative. A compelling story about grief told through the voices of two expertly drawn protagonists.” —Kirkus
A lot of professors give talks titled 'The Last Lecture'. Professors are asked to consider their demise and to ruminate on what matters most to them: What wisdom would we impart to the world if we knew it was our last chance? If we had to vanish tomorrow, what would we want as our legacy? When Randy Pausch, a computer science professor at Carnegie Mellon, was asked to give such a lecture, he didn't have to imagine it as his last, since he had recently been diagnosed with terminal cancer. But the lecture he gave, 'Really Achieving Your Childhood Dreams', wasnt about dying. It was about the importance of overcoming obstacles, of enabling the dreams of others, of seizing every moment (because time is all you have and you may find one day that you have less than you think). It was a summation of everything Randy had come to believe. It was about living. In this book, Randy Pausch has combined the humour, inspiration, and intelligence that made his lecture such a phenomenon and given it an indelible form. It is a book that will be shared for generations to come.
FINALIST FOR THE 2021 BOOKER PRIZE & A NEW YORK TIMES TOP 10 BOOK OF 2021 WINNER OF THE DYLAN THOMAS PRIZE “A book that reads like a prose poem, at once sublime, profane, intimate, philosophical, witty and, eventually, deeply moving.” —New York Times Book Review, Editors’ Choice “Wow. I can’t remember the last time I laughed so much reading a book. What an inventive and startling writer…I’m so glad I read this. I really think this book is remarkable.” —David Sedaris From "a formidably gifted writer" (The New York Times Book Review), a book that asks: Is there life after the internet? As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms "the portal," where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats--from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness--begin to loom, she posts her way deeper into the portal's void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. "Are we in hell?" the people of the portal ask themselves. "Are we all just going to keep doing this until we die?" Suddenly, two texts from her mother pierce the fray: "Something has gone wrong," and "How soon can you get here?" As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary. Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.