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Before they were Doms… Before Ryan was Angel… Before there was Jordan… Delhi, 1999 – On assignment in India, photographer Ryan Morgan has one focus—his job. Then hot bachelor Dante James quite literally stumbles over him, and suddenly Ryan’s not concentrating on anything except him. From the start, the chemistry between them sizzles. From Delhi to Seattle to Pittsburgh, the chance encounter blooms into something much deeper. But as the two young photographers learn who they are as men and as a couple, Ryan worries Dante will learn who he is. Because if his ex-wife and ex-boyfriend couldn’t live with him, what makes him think Dante can? Or that he’ll want to? Before There Were Three: Angel & Dante is the prequel to (and is best read after) Out of Focus.
The Blood Angels Chapter and their successors mount a desperate defence of their home world of Baal from the predations of the tyranid hive fleet Leviathan. After a brutal campaign in the Cryptus System fighting the alien tyranids, Lord Dante returns to Baal to marshal the entire Blood Angels Chapter and their Successors against Hive Fleet Leviathan. Thus begins the greatest conflict in the history of the sons of Sanguinius. Despite a valiant battle in the void around Baal, the Blood Angels are unable to stop the tyranids drawing ever closer, but their petitions for reinforcements are met with dread news. The Cadian Gate, the Imperium’s most stalwart bastion against Chaos, has fallen. In their darkest hour, no help will reach the beleaguered Dante and his warriors. Is this truly then the Time of Ending?
For the last twelve years, Ryan “Angel” Morgan and Dante James have been partners in every sense of the word. They’re lovers, they run a successful photography business together, and couldn’t be happier. The only problem? They’re both dominants who crave submission. Solution? Bring in submissives for sizzling hot threeway action. When Jordan Steele hires the photographers from his sister’s wedding to shoot some promo pictures of his stallions, the sparks fly. There’s something about them, something that’s anything but vanilla, and he wants a taste of it. He’s inexperienced, but curious, and Angel and Dante are more than happy to show him the ropes. Jordan is exactly what they need and they’re exactly what he needs, but when emotions come into play, he may be more than they bargained for. After all, the one thing Angel and Dante can’t give each other is submission. If one of them can get love and submission from Jordan, will the other be pushed out of the picture? This 100,000 word novel was previously published.
This book examines the role of angels in medieval and Renaissance art and religion from Dante to the Counter-Reformation.
The origin story of Dante and his rise from young aspirant to the mighty Chapter Master of the Blood Angels. Dante is Chapter Master of one of the noblest but most troubled Chapters of Space Marines in the Imperium: the Blood Angels. From the time of his birth in the rad-scarred wastes of Baal Secundus, he was destined for glory and strife. From his apotheosis to Scout, to the hive cities of Armageddon and the alien menace of the Cryptas system, Dante has waged war against all the enemies of the Imperium. He has witnessed the divine, and struggled against the darkness within all sons of Sanguinius. Longer lived than any other Chapter Master, this is his chronicle, his great and storied legend.
Dante Alighieri was early in recognizing that our age has a problem. His hometown, Florence, was at the epicenter of the move from the medieval world to the modern. He realized that awareness of divine reality was shifting, and that if it were lost, dire consequences would follow. The Divine Comedy was born in a time of troubling transition, which is why it still speaks today. Dante's masterpiece presents a cosmic vision of reality, which he invites his readers to traverse with him. In this narrative retelling and guide, from the gates of hell, up the mountain of purgatory, to the empyrean of paradise, Mark Vernon offers a vivid introduction and interpretation of a book that, 700 years on, continues to open minds and change lives.
Fifteen-year-old Ari Mendoza is an angry loner with a brother in prison, but when he meets Dante and they become friends, Ari starts to ask questions about himself, his parents, and his family that he has never asked before.
Accepting Dante's prophetic truth claims on their own terms, Teodolinda Barolini proposes a "detheologized" reading as a global new approach to the Divine Comedy. Not aimed at excising theological concerns from Dante, this approach instead attempts to break out of the hermeneutic guidelines that Dante structured into his poem and that have resulted in theologized readings whose outcomes have been overdetermined by the poet. By detheologizing, the reader can emerge from this poet's hall of mirrors and discover the narrative techniques that enabled Dante to forge a true fiction. Foregrounding the formal exigencies that Dante masked as ideology, Barolini moves from the problems of beginning to those of closure, focusing always on the narrative journey. Her investigation--which treats such topics as the visionary and the poet, the One and the many, narrative and time--reveals some of the transgressive paths trodden by a master of mimesis, some of the ways in which Dante's poetic adventuring is indeed, according to his own lights, Ulyssean.