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Addressing America's cultural conflict about such issues as abortion, homosexuality, and family values, the author presents a plan in which America can achieve a renewed democracy, despite these differences.
Johnstone Country. Where Legends Are Born. Before he became known as “The Last Mountain Man,” Smoke Jensen and his bride Sally were hardworking ranchers on the Colorado frontier. This is a story of the early years. When times were hard, tensions were high, and guns were the law. . . . WHEN THE SHOOTING STARTS For Smoke and Sally Jensen, the Sugarloaf Ranch is the American Dream come true. A glorious stretch of untamed land near the Colorado-Kansas border, it’s the perfect place to stake their claim, raise some cattle, and start a new family. But when a man claiming to be an army colonel arrives in Big Rock—with a well-armed militia—the Jensens’ dream becomes a living nightmare. This stranger calls himself Colonel Lamar Talbot. He’s come to warn them about a looming war with the Cheyenne Indians. And only he can save them from a bloody massacre—by launching a counterattack that’s even bloodier. . . . Smoke and Sally aren’t sure they trust him. They suspect the colonel and his men are nothing more than brutal vigilantes with a hidden agenda of their own. But the Cheyenne war parties are a very real threat. The tribe’s charismatic leader, Black Drum, is launching raids on local ranches, farms, and the railroads, too. Every day, the violence gets worse and the war moves closer—until it reaches the Sugarloaf Ranch. That’s when Smoke grabs his guns. That’s when the shooting starts—and the final battle begins. . . .
The story of one of the most important and least-understood jobs in moviemaking-film editing-is here told by one of the wizards, Ralph Rosenblum, whose credentials include six Woody Allen films, as well as The Pawnbroker, The Producers, and Goodbye, Columbus. Rosenblum and journalist Robert Karen have written both a history of the profession and a personal account, a highly entertaining, instructive, and revelatory book that will make any reader a more aware movie-viewer.
A riveting account of how Christian fundamentalists, Orthodox Jews, and conservative Catholics have joined forces in a battle against their progressive counterparts for control of American secular culture.
The Death of Character is a broad historical, sociological, and cultural inquiry into the moral life and moral education of young Americans based upon a huge empirical study of the children themselves. The children's thoughts and concerns-expressed here in their own words-shed a whole new light on what we can expect from moral education. Targeting new theories of education and the prominence of psychology over moral instruction, Hunter analyzes the making of a new cultural narcissism.
“The best way I can describe the Four Corners neighbor­hood of Chicago is find a length of rebar, scratch a big cross into the concrete, set your feet solid in the quadrant you like best, lean back, and start shooting.” Officer Bobby Vargas is hard-edged but idealistic, a Chicago cop who stands at the epicenter of a subterranean plot that will have horrific ramifications for both himself and the entire city. Twenty-five years earlier, a gruesome murder rocked the unforgiving streets of Four Corners. Now, sud­denly, a dying Chicago paper is running a serial exposé on new evidence in that old case, threatening to implicate Bobby and his older brother, Ruben—a decorated, high-ranking detective and cop- prince of the streets. The smear campaign stirs up decades-old bad blood, leading the Vargas brothers down an increasingly twisted and terrifying path, where the sins of the past threaten to destroy what remains of the truth. As readers and critics discovered in his first novel, Calumet City, Charlie Newton’s Chicago is a landscape as brutal and poignant as any in modern crime fiction—a multi-faceted, shockingly violent labyrinth of gangland politics, political backstabbing, corporate malfeasance, and, possi­bly, hope. Start Shooting is a riveting read.
The reviews are in! This Is Where It Ends, the #1 New York Times bestseller and one of the Best Books of the Decade (Buzzfeed, Paste Magazine, BookRiot), "could break you." "I am speechless." "The saddest book I have ever read." "Literally tore my heart out." Go inside a heartbreaking fictional school shooting, minute-by-terrifying-minute. Everyone has a reason to fear the boy with the gun... 10:00 a.m.: The principal of Opportunity, Alabama's high school finishes her speech, welcoming the entire student body to a new semester and encouraging them to excel and achieve. 10:02 a.m.: The students get up to leave the auditorium for their next class. 10:03 a.m.: The auditorium doors won't open. 10:05 a.m.: Someone starts shooting. Over the course of 54 minutes, four students must confront their greatest hopes, and darkest fears, as they come face-to-face with the boy with the gun. In a world where violence in schools is at an all-time high and school shootings are a horrifyingly common reality for teenagers, This Is Where It Ends is a rallying cry to end the gun violence epidemic for good. Praise for This Is Where It Ends: A Buzzfeed Best Young Adult Book of the Decade A Paste Magazine Best Teen Book of the Decade A Book Riot Biggest YA Book of the Decade A Professional Book Nerds Best Book of the Decade A Bustle.com Most-Anticipated YA Novel A Goodreads YA Best Books Pick A Goodreads Choice Award Finalist for Young Adult Fiction Kids Indie Next List Pick "Marieke Nijkamp's brutal, powerful fictional account of a school shooting is important in its timeliness." —Bustle.com "A gritty, emotional, and suspenseful read and although fictionalized, it reflects on a problematic and harrowing issue across the nation." —Buzzfeed "A compelling, brutal story of an unfortunately all-too familiar situation: a school shooting. Nijkamp portrays the events thoughtfully, recounting fifty-four intense minutes of bravery, love, and loss." —BookRiot
Brian Enos's Practical Shooting, Beyond Fundamentals - often considered the competitive shooters bible - includes in-depth coverage of the technical and mental aspects of training and competition, and will offer new insights as you continue to improve. "There is only one person in the world who I would allow to talk to my students, and that is Brian Enos." Rob Leatham, 15+ time National & World IPSC Champion. This isn't just another "how to fire a gun" book. This one talks about shooting.... The keys to consistent, high-speed shooting are within you right now. This book will show you ways to bring them out. Through Brian's advice, you'll learn how to recognize and break down the barriers that are limiting your performance—you may begin to look at shooting in an entirely different way. You'll learn to pressure-proof your match performance, how different types of shooting require different focal points, and you'll see how to develop an attitude that will let you reach beyond what you thought was your potential. You'll find a comprehensive set of exercises that will develop and sharpen your skills. You'll see how it's possible to drive the gun to wherever your eye can look. You'll discover that everything you need to know about your technique is told by the gun, if you know how to listen to it. And all the challenges and advanced techniques of practical shooting are covered too: prone, barricade, single-hand shooting, multiple targets, reloading, shooting on the move, and much more. You'll also get inside tips on IPSC strategies, steel shooting, shootoff tactics, Bianchi, and more. Chapters include: - Awareness & Focus - Tools of Shooting - Creative Shooting - Specific Challenges - Competition - Development - Shooting Tools - Revolver Shooting - Group Shooting
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
The daughter of a judge in a New Hampshire school shooting case witnessed the events but cannot remember the last several minutes of the attack.