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Curtain Going Up! is the engaging novelization of Katharine Cornell’s life up to the book’s writing in 1943. The First Lady of the Theatre, as Cornell was known, entertained countless audiences on Broadway and on tour. With her husband, Guthrie McClintic, she produced and starred in many renowned performances, such as Candida and The Barretts of Wimpole Street, and gave endlessly to both audiences and the acting community. The fascinating story of one of the most influential figures in 20th century theatre is available for the first time in ebook.
BEFORE THE CURTAIN GOES UP is a striking photographic journey of behind the scenes action of so many small-town theaters across the United States. A must read for any theater lover, or performer.
Intrigue, murder, mayhem. Here is a drug fueled look into what it takes to get to the top in the Game controlled by powerful corporations and political agendas. Rowan is a young handler making sure that his charge Shawn AKA Droid a rapper from the streets of California makes it to the summit, but following her are the Dead Heads all of which are highly trained insurgents posing as fans of the rapper. The country is tight with political tension, but Rowan is at the center of something no generation expected to live through. The next American Revolution.
The first volume of this series surveyed the great world dramatists to gather concepts and ideas to apply to the real stage, which is the universe God has made and centered into himself as an actor. This volume describes the actors, the dramatis personae. This is his theological anthropology concerning man, his freedom and destiny in the light of biblical revelation. Von Balthasar is concerned here with the dramatic character of existence as a whole, approaching the topic through a consideration of the various conditions and situations of mankind as a drama that involves both the Creator and his creatures.
Originally published in 1973, this book investigates the power and the pressures behind English theatre in the late 20th Century, analysing its structure and systems, and the way that money and motives flow through it. On the one hand there are the organisations: the big national companies, the West End managements, the regional repertory theatres, the ‘fringe’ groups, the trade unions, the Arts Council. On the other are the individuals: actors, directors, playwrights, agents, administrators. Ronald Hayman’s challenging book illuminates the conflicts and contradictions in the set-up. It is a mine of information about how theatres are run, how shows pay their way, and what happens when they don’t.
A revelatory portrait of Chekhov during the most extraordinary artistic surge of his life. In 1886, a twenty-six-year-old Anton Chekhov was publishing short stories, humor pieces, and articles at an astonishing rate, and was still a practicing physician. Yet as he honed his craft and continued to draw inspiration from the vivid characters in his own life, he found himself—to his surprise and ocassional embarassment—admired by a growing legion of fans, including Tolstoy himself. He had not yet succumbed to the ravages of tuberculosis. He was a lively, frank, and funny correspondant and a dedicated mentor. And as Bob Blaisdell discovers, his vivid articles, stories, and plays from this period—when read in conjunction with his correspondence—become a psychological and emotional secret diary. When Chekhov struggled with his increasingly fraught engagement, young couples are continually making their raucous way in and out of relationships on the page. When he was overtaxed by his medical duties, his doctor characters explode or implode. Chekhov’s talented but drunken older brothers and Chekhov’s domineering father became transmuted into characters, yet their emergence from their families serfdom is roiling beneath the surface. Chekhov could crystalize the human foiibles of the people he knew into some of the most memorable figures in literature and drama. In Chekhov Becomes Chekhov, Blaisdell astutely examines the psychological portraits of Chekhov's distinct, carefully observed characters and how they reflect back on their creator during a period when there seemed to be nothing between his imagination and the paper he was writing upon.