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Dreams can be the very basic plans of life, disturbing the qualities of my five senses. I began witnessing many perplexing situations in life that would not relate to my common sense. A man speaks to me from standing at my side yet the shadow engulfs his body as he appears without a face! How can a man appear right beside me and have no face for me to see? “Life is not how you make it, but how you dream it.” It seems to be a lesson well taught as the dream, and the events as in the dream unveil when I do see a face. Alone and suddenly caught up in the aura of love that for the moment seemed to have nothing to do with none of my five senses, yet I was so fully aware of being loved like I’ve never knew. Finally, seeing what was attracting me, it was not at all what I would ever guess could happen to me. But it did here in my soul, just like it was a dream, and then, realizing what was happening in my life was not only a dream, but just the beginning of “Souluos”—the spiritual joining of me with a man! Joy is a dreamer. What if her dreams in the night, when her eyes are closed, do come true in her life with a man that has no emotions? Chemistry of a man’s love is a different kind of spirit that captures the heart of a woman this time. Even broad daylight is blind when God joins her in “Souluos.”
A poem and portraits of children illustrate the shared beauty and heritage of people of African descent living throughout the world.
What if you discovered that the only one you'd ever loved had been sent to betray you? A moving romance, perfect for fans of Clodagh Murphy, Ellie Adams and Sarra Manning. Jennifer had it all. Until a terrible accident took almost everything. When she moves back home, with her interfering ex right on the doorstep, the future doesn't look that bright. Until she meets Mack. Sexy, dishevelled and just a little clumsy, he starts to make her believe that she can move on from the past and embrace life all over again. But he has a secret he'd do anything to protect, and he's about to betray her to keep it. Will he realise what she means to him in time? And if he does, will she be able to love the real Mack? Discover more Hazel Osmond with her other novels, Who's Afraid of Mr Wolfe?, Playing Grace and The Mysterious Miss Mayhew.
A SUNDAY TIMES AND TELEGRAPH BOOK OF THE YEARSHORTLISTED FOR THE PENDERYN MUSIC BOOK PRIZEPeggy Seeger is one of folk music's most influential artists and songwriters. Born in New York City in 1935, she enjoyed a childhood steeped in music and left-wing politics - they remain her lifeblood. After college, she travelled to Russia and China - against US advice - before arriving in London, where she met the man with whom she would raise three children and share the next thirty-three years: Ewan MacColl. Together, they helped lay the foundations of the British folk revival, through the influential Critics Group and the landmark BBC Radio Ballads series. And as Ewan's muse, she inspired one of the twentieth century's most popular love songs, 'The First Time Ever I Saw Your Face'. With a clear eye and generous spirit, Peggy writes of a rollercoaster life - of birth and abortion, sex and infidelity, devotion and betrayal - in a luminous, beautifully realised account.
A riveting debut novel set in contemporary Seoul, Korea, about four young women making their way in a world defined by impossible standards of beauty, after-hours room salons catering to wealthy men, ruthless social hierarchies, and K-pop mania “Powerful and provocative . . . a novel about female strength, spirit, resilience—and the solace that friendship can sometimes provide.”—The Washington Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Time • NPR • Esquire • Bustle • BBC • New York Post • InStyle Kyuri is an achingly beautiful woman with a hard-won job at a Seoul “room salon,” an exclusive underground bar where she entertains businessmen while they drink. Though she prides herself on her cold, clear-eyed approach to life, an impulsive mistake threatens her livelihood. Kyuri’s roommate, Miho, is a talented artist who grew up in an orphanage but won a scholarship to study art in New York. Returning to Korea after college, she finds herself in a precarious relationship with the heir to one of the country’s biggest conglomerates. Down the hall in their building lives Ara, a hairstylist whose two preoccupations sustain her: an obsession with a boy-band pop star, and a best friend who is saving up for the extreme plastic surgery that she hopes will change her life. And Wonna, one floor below, is a newlywed trying to have a baby that she and her husband have no idea how they can afford to raise in Korea’s brutal economy. Together, their stories tell a gripping tale at once unfamiliar and unmistakably universal, in which their tentative friendships may turn out to be the thing that ultimately saves them.
A short story by Emma Donoghue from the collection Reader, I Married Him: Stories inspired by Jane Eyre.
A widely praised young writer delivers a daring, ambitious novel about identity and race in the age of globalization. One afternoon, not long after Kelly Thorndike has moved back to his hometown of Baltimore, an African American man he doesn't recognize calls out to him. To Kelly’s shock, the man identifies himself as Martin, who was one of Kelly’s closest friends in high school—and, before his disappearance nearly twenty years before, white and Jewish. Martin then tells an astonishing story: after years of immersing himself in black culture, he’s had a plastic surgeon perform “racial reassignment surgery”: altering his hair, skin, and physiognomy to allow him to pass as African American. Unknown to his family or childhood friends, Martin has been living a new life ever since. Now, however, Martin feels he can no longer keep his identity a secret; he wants Kelly to help him ignite a controversy that will help sell racial reassignment surgery to the world. Inventive and thought-provoking, Your Face in Mine is a brilliant novel about cultural and racial alienation and the nature of belonging in a world where identity can be a stigma or a lucrative brand.
This title was first published in 2003. This work considers the post-war folk revival in Britain from a popular music studies perspective. Michael Brocken provides a historical narrative of the folk revival from the 1940s up until the 1990s, beginning with the emergence of the revival from within and around the left-wing movements of the 1940s and 1950s. Key figures and organizations such as the Workers' Music Association, the BBC, the English Folk Dance and Song Society, A.L. Lloyd and Ewan MacColl are examined closely. By looking at the work of British Communist Party splinter groups it is possible to see the refraction of folk music as a political tool. Brocken openly challenges folk historicity and internal narrative by discussing the convergence of folk and pop during the 1950s and 1960s. The significant development of the folk/rock hybrid is considered alongside "class", "Americana", radio and the strength of pop culture. Brocken shows how the dichotomy of artistic (natural) versus industry (mass-produced) music since the 1970s has led to a fragmentation and constriction of the folk revival. The study concludes with a look at the upsurge of the folk music industry, the growth of festivals and the implications of the Internet for the British folk revival. Brocken suggests the way forward should involve an acknowledgement that folk music is not superior to but is, in fact, a form of popular music.
Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.