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The gendered nature of the relationship between the press and emergence of cultural citizenship from the 1860s to the 1930s is explored through original data and insightful comparisons between India, Britain and France in this integrated approach to women's representation in newspapers, their role as news sources and their professional activity.
A few bloody months in South Asia during the summer of 1947 explain the world that troubles us today.
About the Book : - Written by Nayantara Sahgal, prize-winning novelist and political commentator, Jawaharlal Nehru presents an intimate view of the influences, encounters and defining historical moments that forged the vision of India s first prime minister. Drawing from the Nehru and the Vijayalakshmi Pandit Papers, and from Nehru s letters to Sahgal, his niece, this book combines history with personal recollections to show how Nehru helped navigate India s transition from a colony to an influential, modern nation. Discussing the significant issue of independent India s foreign policy characterized by the non-alignment principle and the establishment of relations with the United States, Britain, the Soviet Union and China Sahgal reveals much about Nehru s political astuteness, realism and aversion to rigid economic doctrines, as well as the profound impact India s non-aligned policy had on the world of the time. Perceptive, original and stimulating, Jawaharlal Nehru draws much-needed attention back to the man and his unmatched ability to engineer a consensus among seemingly irreconcilable sides. About the Author : - Nayantara Sahgal is the author of nine novels, five non-fiction works and wide-ranging literary and political commentary. She has received the Sahitya Akademi Award, the Sinclair Prize and the Commonwealth Writers Prize for Eurasia. She is a Member of the American Academy of Arts and Sciences and has held fellowships in the United States at the Bunting Institute, the Woodrow Wilson International Center for Scholars and the National Humanities Center. A resident of Dehradun, she has been awarded the Doon Ratna, and has also received the Distinguished Alumna Award from Wellesley College, Massachusetts, in 2003 and from Woodstock School, Mussoorie, in 2004.
Modest, handsome and a fine poet, eccentric Englishman Frank Thompson made an unlikely soldier. Brother of E. P. Thompson and lover of Iris Murdoch, Frank was an intellectual idealist, a rare combination of brilliant mind and enormous heart. Of his wartime experiences, Frank wrote prodigiously. His letters, diaries and poetry still read fresh and intimate today - and it is from these that Peter J. Conradi brings vividly to life a brilliantly attractive and courageous personality. Aged just twenty-three, Frank was captured, tortured and executed in Bulgaria. A soldier of principle and integrity, he fought a poet's war; a very English hero from a very different era.
Presenting a portrait of engaged, activist lives in the 1930s, this text follows a global network of individuals and organizations that posed challenges to the racism and colonialism of the era.
Writing Across Worlds brings together a selection of interviews with major international writers previously featured in the pages of the magazine. Conducted by a wide constituency of distinguished critics, writers and journalists, the interviews offer a unique insight into the views and work of a remarkable array of acclaimed authors. They also chart a slow but certain cultural shift: those once seen as 'other' have not only won many of the establishment's most revered literary prizes but have also become central figures in contemporary literature, writing across and into all our real and imagined worlds. With an introductory comment by Susheila Nasta, editor of Wasafiri, this collection is essential reading for all those interested in contemporary literature. Authors interviewed include: Chinua Achebe, Ama Ata Aidoo, Monica Ali, Amit Chaudhuri, David Dabydeen, Bernadine Evaristo, Maggie Gee, Lorna Goodison, Nadine Gordimer, Abdulrazak Gurnah, Wilson Harris, Keri Hulme, Kazuo Ishiguro, Jackie Kay, Jamaica Kincaid, Maxine Hong Kingston, George Lamming, Rohinton Mistry, V.S. Naipaul, Ngugi wa Thiong'o, Michael Ondaatje, Caryl Phillips, Joan Riley, Salman Rushdie, Nayantara Sahgal, Sam Selvon, Vikram Seth, Zadie Smith, Wole Soyinka, Moyez Vassanji, Marina Warner.
Current histories seem to suggest that men alone have been capable of the development of ideas, analysis, and practice of international law until the 1990s. Is this the case? Or have others been erased from the collective images of this history, including the portrait gallery of notables in international law? Portraits of Women in International Law: New Names and Forgotten Faces? investigates the slow and late inclusion of women in the spheres of knowledge and power in international law. The forty-two textual and visual representations by a diverse team of passionate portraitists represent women and gender non-conforming people in international law from the fourteenth century onwards around the world: individuals and groups who imagined, developed, or contested international law; who earned their living in its institutions; or who, even indirectly, may have changed its course. This rich volume calls for a critical identification of the formal and informal institutional practices, norms, and rituals of (white) masculinities, both in the past and in the research of international law today. By abandoning reductive histories, their biased frames, and tacit assumptions, this work brings previously unseen glimpses of international law and its agents, ideas, causes, behaviour, norms, and social practices into the spotlight.
This book is a comprehensive critical re-reading of Nayantara Sahgal’s oeuvre. One of the most significant Indian English writers, her fictional and non-fictional engagement with historical events and political dilemmas inextricably links her to the colonial, anti-colonial and post-colonial discourse in India. Drawing transcontinental connections with the ideas of Fanon, Foucault, Said, Beauvoir, White, Beck and Habermas the monograph juxtaposes recurring themes in her writing with the ideas of significant Indian post-colonial commentators. Tracing the subliminal tendencies in her writing to Gandhian humanity and Nehruvian pragmaticism, the book moves beyond clichés of feminist criticism and genealogical ties to unveil a unique artist who has folded nearly a century of Indian experience in her work. Drawing on novels, essays, speeches, journalism and interviews by Nayantara Sahgal, this volume will be of great interest to scholars of South Asian literature, post-colonialism, politics and contemporary history/culture/change.