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Can the accursed prince and broken beauty move beyond their hatred for one another, not only to break the curse and save their kingdom...but to find love as well? Prince Everard’s father forged him into a warrior. Upon the king’s death, however, Everard loses himself in his pain and brings a dark curse upon himself and the great Fortress that has long guarded the people of Destin. The prince's sin doesn’t solely affect those of his citadel, however. Isabelle, the daughter of a local merchant, has suffered the prince’s hasty temper before, and it changed her life forever. So when Everard’s curse cuts off his people’s source of protection, and he demands that she, a crippled commoner, help him break it, her shock and horror are rivaled only by her indigantation and even stronger desire to protect her family. All the while, Destin’s enemy crouches at the foot of the Fortress’s mountain, waiting for the right moment to capture the stronghold that has stood for a thousand years. Can Everard and Isabelle move past their brokenness to save Destin together? Or will they and their beloved kingdom remain under darkness forever? If you want the magic of Narnia and the romance of fairy tales, read this clean fantasy retelling of Beauty and the Beast today to escape into the Becoming Beauty Trilogy, as well as the Classical Kingdoms Collection, a series of fairy tale retellings with magical mystery, clean, passionate romance, and heroic happily-ever-afters. Author's Note: Before Beauty is an introduction to both series, but it can be read as a stand-alone as well.
Desperate to stay home with her baby, Allie Harrod launches a new career. Sure, she dropped out of Girl Scouts because she was lousy at cookie sales, but makeup is different, right? She'll do anything to make enough money to cover her share of the household bills, but how can she focus on her business when her list of problems is growing? None of her pre-baby clothes fit, her checking account is dwindling, and her mother-in-law has decided to move in! To top it off, her husband's attractive coworker suddenly needs his help every weekend. Middle sister Joan insists that God has the answers to all her problems, but Allie isn't so sure. Can she really trust him? A lighthearted contemporary tale of family, faith, and fun, Age before Beauty is the second book in the Sister-to-Sister series from well-reviewed author Virginia Smith.
Mag and Clara Balefire are back for another humorous mystery novel featuring witches and other paranormal characters. In this caper, there’s a dead body, a country club pool that has more than chlorine in it, a scheme to get Mag back to her true age, and you can be sure that Hagatha Crow will stir up trouble. If you like a fun paranormal mystery with a heaping dollop of sarcasm and wit, you'll love this humorous magical story full of chaos and intrigue. Books in this series: Murder Above the Fold Murder on the Backswing Murder Below the Waterline Haunted by Murder Middle Age Before Beauty
Before Beauty is a clean fairy tale retelling of Beauty and the Beast, targeted at young adult audiences. While it's the first book in the Becoming Beauty Trilogy and the Classical Kingdoms Collection fairy tale world, Before Beauty can be read as a stand-alone novel. This book is a full-length novel and includes clean romance, magical mystery, and heroic happily-ever-afters.
A beautiful and touching memoir of Allison Glock’s grandmother, this is both an extraordinary portrait of a truly remarkable woman and a engaging history of 20th century Appalachia.
Made Up exposes the multibillion-dollar beauty industry that promotes unrealistic beauty standards through a market basket of advertising tricks, techniques, and technologies. Cosmetics magnate Charles Revson, a founder of Revlon, was quoted as saying, "In the factory, we make cosmetics. In the store, we sell hope." This pioneering entrepreneur, who built an empire on the foundation of nail polish, captured the unvarnished truth about the beauty business in a single metaphor: hope in a jar. Made Up: How the Beauty Industry Manipulates Consumers, Preys on Women’s Insecurities, and Promotes Unattainable Beauty Standards is a thorough examination of innovative, and often controversial, advertising practices used by beauty companies to persuade consumers, mainly women, to buy discretionary goods like cosmetics and scents. These approaches are clearly working: the average American woman will spend around $300,000 on facial products alone during her lifetime. This revealing book traces the evolution of the global beauty industry, discovers what makes beauty consumers tick, explores the persistence and pervasiveness of the feminine beauty ideal, and investigates the myth-making power of beauty advertising. It also examines stereotypical portrayals of women in beauty ads, looks at celebrity beauty endorsements, and dissects the “looks industry.” Made Upuncovers the reality behind an Elysian world of fantasy and romance created by beauty brands that won’t tell women the truth about beauty.
This study situates John Burroughs, together with John Muir and Theodore Roosevelt, as one of a trinity of thinkers who, between the Civil War and World War I, defined and secured a place for nature in mainstream American culture. Though not as well known today, Burroughs was the most popular American nature writer of his time. Prolific and consistent, he published scores of essays in influential large-circulation magazines and was often compared to Thoreau. Unlike Thoreau, however, whose reputation grew posthumously, Burroughs wasa celebrity during his lifetime: he wrote more than thirty books, enjoyed a continual high level of visibility, and saw his work taught widely in public schools. James Perrin Warren shows how Burroughs helped guide urban and suburban middle-class readers “back to nature” during a time of intense industrialization and urbanization. Warren discusses Burroughs’s connections not only to Muir and Roosevelt but also to his forebears Emerson, Thoreau, and Whitman. By tracing the complex philosophical, creative, and temperamental lineage of these six giants, Warren shows how, in their friendships and rivalries, Burroughs, Muir, and Roosevelt made the high literary romanticism of Emerson, Thoreau, and Whitman relevant to late-nineteenth- and early-twentieth-century Americans. At the same time, Warren offers insights into the rise of the nature essay as a genre, the role of popular magazines as shapers and conveyors of public values, and the dynamism of place in terms of such opposed concepts as retreat and engagement, nature and culture, and wilderness and civilization. Because Warren draws on Burroughs’s personal, critical, and philosophical writings as well as his better-known narrative essays, readers will come away with a more informed sense of Burroughs as a literary naturalist and a major early practitioner of ecocriticism. John Burroughs and the Place of Nature helps extend the map of America’s cultural landscape during the period 1870-1920 by recovering an unfairly neglected practitioner of one of his era’s most effective forces for change: nature writing.
A star writer for the New York Times Styles section captures the follies, frauds, and fanaticism that fuel the American pursuit of youth and beauty in a wickedly revealing excursion into the burgeoning business of cosmetic enhancement. Americans are aging faster and getting fatter than any other population on the planet. At the same time, our popular notions of perfect beauty have become so strict it seems even Barbie wouldn’t have a chance of making it into the local beauty pageant. Aging may be a natural fact of life, but for a growing number of Americans its hallmarks—wrinkles, love handles, jiggling flesh—are seen as obstacles to be conquered on the path to lasting, flawless beauty. In Beauty Junkies Alex Kuczynski, whose sly wit and fearless reporting in the Times has won her fans across the country, delivers a fresh and irresistible look at America's increasingly desperate pursuit of ultimate beauty by any means necessary. From a group of high-maintenance New York City women who devote themselves to preserving their looks twenty-four hours a day, to a “surgery safari” in South Africa complete with “after” photographs of magically rejuvenated patients posing with wild animals, to a podiatrist's office in Manhattan where a “foot face-lift” provides women with the right fit for their $700 Jimmy Choos, Kuczynski portrays the all-American quest for self-transformation in all its extremes. In New York, lawyers become Botox junkies in an effort to remain poker-faced. In Los Angeles, women of an uncertain age nip and tuck their most private areas, so that every inch of their bodies is as taut as their lifted faces. Across the country, young women graduating from high school receive gifts of breast implants – from their parents. As medicine and technology stretch the boundaries of biology, Kuczynski asks whether cosmetic surgery might even be part of human evolution, a kind of cosmetic survival of the fittest – or firmest? With incomparable portraits of obsessive patients and the equally obsessed doctors who cater to their dreams, Beauty Junkies examines the hype, the hope, and the questionable ethics surrounding the advent of each new miraculous technique. Lively and entertaining, thought-provoking and disturbing, Beauty Junkies is destined to be one of the most talked-about books of the season.
The global beauty business permeates our lives, influencing how we perceive ourselves and what it is to be beautiful. The brands and firms which have shaped this industry, such as Avon, Coty, Estée Lauder, L'Oréal, and Shiseido, have imagined beauty for us. This book provides the first authoritative history of the global beauty industry from its emergence in the nineteenth century to the present day, exploring how today's global giants grew. It shows how successive generations of entrepreneurs built brands which shaped perceptions of beauty, and the business organizations needed to market them. They democratized access to beauty products, once the privilege of elites, but they also defined the gender and ethnic borders of beauty, and its association with a handful of cities, notably Paris and later New York. The result was a homogenization of beauty ideals throughout the world. Today globalization is changing the beauty industry again; its impact can be seen in a range of competing strategies. Global brands have swept into China, Russia, and India, but at the same time, these brands are having to respond to a far greater diversity of cultures and lifestyles as new markets are opened up worldwide. In the twenty first century, beauty is again being re-imagined anew.