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In accompanying the present edition of the Letters of Ludwig van Beethoven with a few introductory remarks, I at once acknowledge that the compilation of these letters has cost me no slight sacrifices. I must also, however, mention that an unexpected Christmas donation, generously bestowed on me with a view to further my efforts to promote the science of music, enabled me to undertake one of the journeys necessary for my purpose, and also to complete the revision of the Letters and of the press, in the milder air and repose of a country residence, long since recommended to me for the restoration of my health, undermined by overwork. That, in spite of every effort, I have not succeeded in seeing the original of each letter, or even discovering the place where it exists, may well be excused, taking into consideration the slender capabilities of an individual, and the astonishing manner in which Beethoven's Letters are dispersed all over the world. At the same time, I must state that not only have the hitherto inaccessible treasures of Anton Schindler's "Beethoven's Nachlass" been placed at my disposal, but also other letters from private sources, owing to various happy chances, and the kindness and complaisance of collectors of autographs. I know better, however, than most people--being in a position to do so--that in the present work there can be no pretension to any thing approaching to a complete collection of Beethoven's Letters. The master, so fond of writing, though he often rather amusingly accuses himself of being a lazy correspondent, may very probably have sent forth at least double the amount of the letters here given, and there is no doubt whatever that a much larger number are still extant in the originals. The only thing that can be done at this moment, however, is to make the attempt to bring to light, at all events, the letters that could be discovered in Germany. The mass of those which I gradually accumulated, and now offer to the public (with the exception of some insignificant notes), appeared to me sufficiently numerous and important to interest the world, and also to form a substantial nucleus for any letters that may hereafter be discovered. On the other hand, as many of Beethoven's Letters slumber in foreign lands, especially in the unapproachable cabinets of curiosities belonging to various close-fisted English collectors, an entire edition of the correspondence could only be effected by a most disproportionate outlay of time and expense.
Published in 1866, this two-volume collection of letters in English translation illuminates the character and preoccupations of a musical genius.
Reprint of the original, first published in 1866.
Beethoven's Letters 1790-1826, Volume 1 provides readers with a unique insight into the personal life and mind of the renowned composer. Through a collection of letters written by Beethoven himself, readers are given a glimpse into the daily struggles, triumphs, and emotions of the musical genius. The literary style of the letters is raw and emotive, echoing Beethoven's own inner turmoil and passion for his craft. The context of the letters provides a valuable perspective on Beethoven's creative process and artistic evolution, making this book an essential read for music historians and enthusiasts alike. Beethoven's voice shines through in these letters, offering a personal connection to the man behind the music. Ludwig van Beethoven's dedication to his artistry and unwavering commitment to his vision are evident in every word he writes. His profound love for music and relentless pursuit of innovation will inspire readers to look at his compositions with fresh eyes and a deeper understanding of the man behind the masterpieces. Beethoven's Letters 1790-1826, Volume 1 is a must-read for anyone interested in the life and work of one of classical music's greatest figures, offering a window into the soul of a musical genius.
A collection of the letters of Ludwig van Beethoven who is generally regarded as one of the greatest composers in the history of music, and was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music. His music and his reputation inspired - and in many cases intimidated - ensuing generations of composers, musicians, and audiences. While primarily known today as a composer, Beethoven was also a celebrated pianist. Born in Bonn, Germany, he moved to Vienna, Austria, in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Despite gradual hearing loss beginning in his twenties, Beethoven continued to produce notable masterpieces throughout his life, even when he was almost totally deaf. Beethoven was also one of the first composers to work freelance - arranging subscription concerts, selling his compositions to publishers, and gaining financial support from a number of wealthy patrons - rather than seek out permanent employment by the church or by an aristocratic court.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Beethoven's Letters (1790-1826) From The Collection Of Dr. Ludwig Nohl: Also His Letters To The Archduke Rudolph, Cardinal-archbishop Of Olmutz, K. W., From The Collection Of Dr. Ludwig Ritter Von Kochel; Beethoven's Letters (1790-1826) From The Collection Of Dr. Ludwig Nohl: Also His Letters To The Archduke Rudolph, Cardinal-archbishop Of Olmutz, K. W., From The Collection Of Dr. Ludwig Ritter Von Kochel; Ludwig Nohl; Volume 1 Of Beethoven's Letters (1790-1826) From The Collection Of Dr. Ludwig Nohl: Also His Letters To The Archduke Rudolph, Cardinal-archbishop Of Olmutz, K. W; Ludwig Kochel (Ritter Von) Ludwig van Beethoven Ludwig Nohl, Ludwig Kochel (Ritter von) Lady Grace Wallace Hurd and Houghton, 1867 Composers
During his early years, Franz Liszt worked as a traveling piano virtuoso, his adventures highlighted by his entrée into the literary world as a correspondent for the most popular French journals of his time. In this second volume of Janita Hall-Swadley’s The Collected Writings of Franz Liszt, Liszt’s work as a music essayist and journalist is on full display. In his essays, readers will see the influence of the revolutionary theories of Hugues-Felicité Robert de Lamennais, Victor Hugo, and François-René de Chateaubriand as Liszt boldly calls for social reforms on behalf of musicians and musical institutions, from demands for a repertoire of church music of divine praise to the timely publication of inexpensive music editions. In addition to Liszt’s scandalous review of Sigismond Thalberg and the fiery exchange that ensued, the essays include his testimonies to living composers Giacomo Meyerbeer and Robert Schumann and the recently deceased Niccolò Paganini. Alongside the essay, this new translation of Liszt’s letters opens a window onto the composer’s immersion in the Italian countryside, where he paints a portrait of a rich musical landscape. Liszt regales his correspondents with amusing anecdotes at Sand’s Italian country estate in Nohant, describes the beautiful landscape and artistic treasures of Italy from his residence on Lake Como, defends himself from Heinrich Heine’s accusations of his “ill-seated” character, discusses the religious aesthetic of Raphael’s painting, and offers his thoughts on the interconnectedness of all the arts. Including two complete facsimile reproductions of the existing manuscripts for “De la situation des artistes” and “Sur Paganini à propos de sa mort,” Essays and Letters of a Traveling Bachelor of Music is a must-read for student and scholars of 19th-century classical music.