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Be(e) Empathetic Volume 1 - A compilation of two unBEElievably cute, Empathy themed stories with hand-painted images. Follow along as a bee host explains what it means to BE(E) KIND and BRAVE with examples that children can relate to and emulate. Ages 2+.
The author of Those Shoes and an award-winning illustrator team up for the story of a girl who tries to overcome her fear of bees to see how amazing they are. Kaia is the brave type. Like hottest-hot-pepper brave. But there is one thing that scares her: BEES! And right now, thousands of bees live on her roof because Kaia’s dad is a beekeeper. Her dad says that the world needs bees and that’s why they are beekeepers. But only he goes on the roof, not Kaia — unless she can find a way to be the brave girl she always says she is. Against a sunny city setting, author Maribeth Boelts and illustrator Angela Dominguez depict Kaia’s small courageous steps — and her tiny insect neighbors — with great empathy and charm. Buzzing with storytime potential, Kaia and the Bees is an honest and relatable tale about bravery and compassion, as well as the importance of bees to our world.
From the Two-time Caldecott Honor Award winning author/illustrator of Green and Blue comes Red, a story about a lost fox that explores emotions-- fear, love, anger, and more-- through the use of vivid color. With a combination of sumptuous illustrations, ingenious die-cut pages, and simple text, Red is a beautiful companion to the Caldecott Honor Book Green and the highly acclaimed Blue. In this book, award-winning artist Laura Vaccaro Seeger once again turns her attention to the ways in which color evokes emotion. Dark Red, Light Red, Lost red, Bright red. Separated from its family, a lone fox experiences, anger, fear, and ultimately love as it journeys home. Lost and alone, he makes his way through a dark forest, injures his paw, has glancing encounters with humans, and finds himself trapped in a cage, before an act of kindness returns him to the wilderness. A CCBC Choice
Provocatively explaining the political and social phenomenon of white supremacy as a religion and providing a theology of redemption for disparaged communities affected by it, this book is a collection of personal and academic essays that challenge popular notions of American exceptionalism. A little bit of everything, a mixtape in the tradition of DJ Clue, episodic and rhapsodic, lifting a panoply of voices in an unexpected way, it wrestles with theology and philosophy alike, blending poetry with narrative nonfiction and memoir. It is a creation of a new and expressive literary experience that is as tragic and triumphant as the Black experience is in America--a groaning that cannot be uttered.
The prize-winning, New York Times bestselling short story collection from the internationally bestselling author of Lincoln in the Bardo 'The best book you'll read this year' New York Times 'Dazzlingly surreal stories about a failing America' Sunday Times WINNER OF THE 2014 FOLIO PRIZE AND SHORTLISTED FOR THE NATIONAL BOOK AWARD 2013 George Saunders's most wryly hilarious and disturbing collection yet, Tenth of December illuminates human experience and explores figures lost in a labyrinth of troubling preoccupations. A family member recollects a backyard pole dressed for all occasions; Jeff faces horrifying ultimatums and the prospect of Darkenfloxx(TM) in some unusual drug trials; and Al Roosten hides his own internal monologue behind a winning smile that he hopes will make him popular. With dark visions of the future riffing against ghosts of the past and the ever-settling present, this collection sings with astonishing charm and intensity.
Everything you need to teach and assess student writing with this powerful model.
After winning international acclaim with his first novel, the Man Booker-nominated Hystopia, David Means returns to the form that made his name in Instructions for a Funeral, a collection of fourteen masterful stories that run the gamut from the playful to the personal. 'The Terminal Artist,' originally published in Vice, skirts reportage in grappling with the revelation that the death of a hospitalized loved one was in fact a murder; 'The Tree Line, Kansas, 1934,' from the New Yorker, is a wry anatomy of the moments before an FBI raid goes spectacularly wrong; while 'The Chair,' from The Paris Review, gives us a clear-eyed look at fatherhood, with all its paradoxes, recriminations, and rewards gloriously intact. Means's work has earned him comparisons to Flannery O'Connor, Hemingway, Sherwood Anderson, Denis Johnson, Poe, Chekhov, and Carver - but his place in the American literary landscape is fully and originally his own.
The Handbook consists of four major sections. Each section is introduced by a main article: Theories of Emotion – General Aspects Perspectives in Communication Theory, Semiotics, and Linguistics Perspectives on Language and Emotion in Cultural Studies Interdisciplinary and Applied Perspectives The first section presents interdisciplinary emotion theories relevant for the field of language and communication research, including the history of emotion research. The second section focuses on the full range of emotion-related aspects in linguistics, semiotics, and communication theories. The next section focuses on cultural studies and language and emotion; emotions in arts and literature, as well as research on emotion in literary studies; and media and emotion. The final section covers different domains, social practices, and applications, such as society, policy, diplomacy, economics and business communication, religion and emotional language, the domain of affective computing in human-machine interaction, and language and emotion research for language education. Overall, this Handbook represents a comprehensive overview in a rich, diverse compendium never before published in this particular domain.