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Architect-designed houses in Singapore.
Hardcover in Slipcase: This two volume slipcased monograph presents a comprehensive portrait of the works of Singaporean firm Bedmar & Shi. Established in 1986, Bedmar & Shi is known today as one of the most successful high end residential architecture firms in the South East Asia / Pacific region. Volume One - 'Thirty Years' - thoroughly compiles the work done by the firm across a variety of programmes and scales, including shops & restaurants, houses & complexes, and shophouses & conversions. Beautifully illustrated with stunning photographs, sketches, working drawings, and perspectives of more than 150 extraordinary works, the book also features an in-depth discussion with founder Ernesto Bedmar, and an introductory essay by the design critic Byron Hawes. Volume Two - 'Singapore' - introduces ten of the most recent houses completed by the firm in this invigorated country, offering a unique understanding of the tenets of tropical residential architecture through Bedmar & Shi's cultural and aesthetic interpretation of the vast socio-cultural melting pot that is that the majestic Garden City. Collectively, these two volumes provide a cohesive look at the wide-ranging output of one of Southeast Asia's most prolific, and highly respected, architecture and design firms.
In this captivating collection of five houses built in five different Asian-Pacific countries, Argentinian-born designer Ernesto Bedmar explores his fascination with traditional architectural styles and reinvents them for the contemporary world. Using his deep understanding of the histories and building cultures of these regions, Bedmar seamlessly knits his designs into the collective memory of each site.
Singapore Houses features top architects and designers with ideas that are stylish, contemporary, and show twenty-first century savvy. The houses in this book epitomize cutting-edge residential architecture in Singapore. they demonstrate a remarkable surge of design exploration in the city-state. Architects in Singapore are producing work with a level of refinement and sophistication that is comparable with the best in the world and one would be hard pressed to find a nation of similar size with such an abundance of accomplished young designers who have built independently. The houses include recent designs by doyens of the profession such as Sonny Chan Sau Yan, Kerry Hill and Ernesto Bedmar in addition to the firmly established "next" generation including Mok Wei Wei, Chan Soo Khian, Siew Man Kok and Richard Hassell. For those looking for new architecture or interior design ideas, Singapore Houses will surely add a unique, fresh element to their homes and projects.
Hardcover: 'Patio, channel of sky/The patio is the window/Through which God watches souls/The patio is the slope/Down which the sky flows into the house/Serene' - Jorge Luis Borges. BEDMaR & SHi's Chancery Lane is the apotheosis of their ongoing interaction with a new language of tropical residential architecture. Evocative of the simple, open structures of time's past, yet possessed of a modernity of spirit perfectly in keeping with contemporary life. Set around an open courtyard space, with a series of demarcated private abodes, Chancery Lane perfectly embodies the tenets of personal privacy heightened and brought together through shared experience. Subtle and serene, this is a residence borne of a coalescence between the environmental, the aesthetic, and the spatial. A true gem.
With rich photography and insightful commentary, this Thai architecture and interior design book showcases some of the finest modern masterpieces in Southeast Asia. A tremendous body of sophisticated and sensitively designed architectural work has been produced in Thailand in the first decade of the 21st century. The 25 houses in The Modern Thai House illustrate the radical new ideas coming from a dynamic younger generation of architects who are producing work comparable with and sometimes even surpassing the very best architecture in the world. Most of these architects were trained in the U.S. or U.K. and reflect not only American and European sensibilities but also affinities with their contemporaries in Asia --including Japan, China, Singapore, and Bali--all hotbeds for innovation in modern design. The houses in this book are readily accessible from Bangkok, Phuket, and Chiangmai. They reflect a wide variety of concerns and solutions, such as: sustainability; responses to climate; strategies for cooling with minimal electricity; openness versus security in a large metropolis such as Bangkok; cultural sensitivity and responsiveness, as evidenced in a "three-generation house," built for a society in which the extended family is still prevalent; and cultural memory, as in the use of elements such as pilings, verandahs, and steeply pitched roofs with large overhangs that echo traditional Thai designs. Nurtured by an increasingly knowledgeable and wealthy clientele, modern architecture in Thailand is emerging with a variety of innovative architectural expressions.
A leading architect of the Italian Renaissance, Baldassarre Peruzzi (1481-1536) has, until now, been a little-known, enigmatic figure. A paucity of biographical documentation and a modest number of surviving buildings, coupled with an undeservedly critical assessment by Giorgio Vasari (1511-1574), have long cast Peruzzi's career in shadow. With Becoming an Architect in Renaissance Italy, Ann C. Huppert taps into a known, but neglected resource--Peruzzi's autograph drawings--and reveals the full scope and artistic mastery of Peruzzi's work and its enduring influence. Extraordinary not only in their beauty and design inventiveness, but also in the varied representational techniques and practical mathematics noted within them, Peruzzi's drawings record an evolving artistic process. Reassessing his architectural masterworks, Huppert also explores lesser-known work: his studies of Roman antiquity, realized paintings and unrealized buildings, as well as engineering projects. Huppert shows that Peruzzi anticipated modern representational methods and scientific approaches in architecture, and pinpoints the moment when architecture began to emerge as a profession distinct from the other arts.
In this first critical account of Matta-Clark's work, Pamela M. Lee considers it in the context of the art of the 1970s—particularly site-specific, conceptual, and minimalist practices—and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs. Although highly regarded during his short life—and honored by artists and architects today—the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space. Have art historians written so little about Matta-Clark's work because of its ephemerality, or, as Pamela M. Lee argues, because of its historiographic, political, and social dimensions? What did the activity of carving up a building-in anticipation of its destruction—suggest about the conditions of art making, architecture, and urbanism in the 1970s? What was one to make of the paradox attendant on its making—that the production of the object was contingent upon its ruination? How do these projects address the very writing of history, a history that imagines itself building toward an ideal work in the service of progress? In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s—particularly site-specific, conceptual, and minimalist practices—and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs.
25 Tropical Houses in Singapore and Malaysia features top architects and designers with ideas that are stylish, contemporary, and show twenty-first century savvy. The difference between a house and a home cannot easily be explained, but anyone walking into a building that is a home, rather than a house, can almost immediately feel the difference. While called 25 Tropical Houses in Singapore and Malaysia, this book is at its heart about buildings that share a common spirit: structures that are home to a diverse cross-section of families around Singapore and Malaysia. Positioned as a global city at the hub of South East Asia, Singapore has a thoroughly modern sensibility balanced by an inherited culture and sense of place. This new global consciousness is reflected in its architecture, which demonstrates a seamless marriage of vernacular and modernist forms. The luxury homes in this book illustrate how architects work with, rather than against, the singular landscape to generate beautiful tropical homes embellished with modern Asian decor. A new wave of highly distinctive architecture has seen Singapore recognized, for the first time, as one of the world's most dynamic architectural centers. Malaysian architecture retains a greater interest in vernacular forms, but the nation's strong economic growth has seen a push to recast the urban landscape. Architects are now working to accommodate the 'brave new world' of an affluent technocratic society within the Asian architecture vernacular currently found throughout most of the country. The most interesting new homes in Malaysia reflect a balance between traditional values and an optimistic global outlook. 25 Tropical Houses in Singapore and Malaysia is an amazing source of home inspiration and insights, whether one seeks to know more about Singapore architecture, Malaysian traditions or tropical architecture in general. Architects featured in this book include: SCDA WOHA Bedmar and Shi CSYA Kevin Low K2LD Seksan WOW Architects John Heah
Biomedical Natural Language Processing is a comprehensive tour through the classic and current work in the field. It discusses all subjects from both a rule-based and a machine learning approach, and also describes each subject from the perspective of both biological science and clinical medicine. The intended audience is readers who already have a background in natural language processing, but a clear introduction makes it accessible to readers from the fields of bioinformatics and computational biology, as well. The book is suitable as a reference, as well as a text for advanced courses in biomedical natural language processing and text mining.