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The Alien films are perceived to be a fractured franchise, each one loosely related to the others. They are nonlinear, complicated, convoluted: a collection of genre movies ranging from horror to war to farce. But on closer examination, the threads that bind together these films are strong and undeniable. The series is a model of Catherine Keller’s cosmology as a cycle of order out of chaos, an illustration of her concept of evil as discreation. When viewed through the lens of Keller’s Face of the Deep, the Alien films resolve into a cohesive whole. The series becomes six views of the idea of evil-as-exploitation, its origins, and its consequences. Each film expands on the concept of evil set forth by its predecessors, complicating that conception, and retroactively enriching readings of the films that came before.
In the Retro Hugo Award–nominated novel that inspired the Syfy miniseries, alien invaders bring peace to Earth—at a grave price: “A first-rate tour de force” (The New York Times). In the near future, enormous silver spaceships appear without warning over mankind’s largest cities. They belong to the Overlords, an alien race far superior to humanity in technological development. Their purpose is to dominate Earth. Their demands, however, are surprisingly benevolent: end war, poverty, and cruelty. Their presence, rather than signaling the end of humanity, ushers in a golden age . . . or so it seems. Without conflict, human culture and progress stagnate. As the years pass, it becomes clear that the Overlords have a hidden agenda for the evolution of the human race that may not be as benevolent as it seems. “Frighteningly logical, believable, and grimly prophetic . . . Clarke is a master.” —Los Angeles Times
Practising Immanence: Living with Theory and Environmental Education makes creative contributions to both qualitative inquiry and environmental education by exploring how each of these ideas seep and fuse into one another, creating a space where methodology becomes pedagogy, and where each of these is already always environmental: indivisible with life. Clarke’s energising and innovative approach offers a challenge to conventional research practices and shows ways in which inquiry can be done differently. Drawing on new materialisms, affect theory and the practical philosophy of Gilles Deleuze and Felix Guattari, the book details the PhD journey of the author, merging stories and theory (and stories of theory) in the production of eight ‘haecceities’ – a philosophical concept which prioritises the thisness of a thing or event. This move allows a novel methodological approach whereby the haecceities act as sites of variation on the events of the book: the self as unstable and posthuman; the environment as everything (immanent) rather than as an overly romantic or a green version of nature; and the tensions that these moves create for ethical orientations in education, inquiry and life in the Anthropocene. Practising Immanence brings theory to life through a diffractively critical style and a unique approach to environmental pedagogic practice. This radical and vitalising book will be of interest to those inspired to explore environmental problems and inquiry with each other and to those drawn to creative-relational, narrative, embodied and post-qualitative approaches to research.
Becoming Salmon is the first ethnographic account of salmon aquaculture, the most recent turn in the human history of animal domestication. In this careful and nuanced study, Marianne Elisabeth Lien explores how the growth of marine domestication has blurred traditional distinctions between fish and animals, recasting farmed fish as sentient beings, capable of feeling pain and subject to animal-welfare legislation. Drawing on fieldwork on and off salmon farms, Lien follows farmed Atlantic salmon through contemporary industrial husbandry, exposing how salmon are bred to be hungry, globally mobile, and "alien" in their watersheds of origin. Attentive to both the economic context of industrial food production and the materiality of human-animal relations, this book highlights the fragile and contingent relational practices that constitute salmon aquaculture and the multiple ways of "becoming salmon" that emerge as a result.
Continuing from the success of the first four Necronomicon books, volume five again seeks out controversial and transgressive cinema from around the globe. The dark underbelly of this tome reveals yet more perverse delights within cult, horror and erotic cinema. the cult film genre is still very popular with big budget releases such as Grindhouse 28, 28 Weeks Later and Hostel 2 showing with Residents Evil: Extinction, Rogue & Doomsday, all due at cinemas by December 07.
The second novel in the Ice Planet Barbarians series, the international publishing phenomenon—now in a special print edition with bonus materials and an exclusive epilogue! Liz Cramer swears she’ll find a way off of this alien planet she’s stuck on—then she meets Raahosh, the surliest and stubbornest alien, who won’t leave her alone, and she just might be okay with that... Twelve humans are left stranded on a wintry alien planet. I’m one of them. Yay, me. In order to survive, we have to take on a symbiont that wants to rewire our bodies to live in this brutal place. I like to call it a “cootie.” And my cootie’s a jerk, because it also thinks I’m the mate to the biggest, grumpiest alien of the bunch. Raahosh believes the cootie’s right, so he steals me away from the group, determined to make me fall for him—or else. He has no idea who he’s up against. And if I didn’t want his insufferable self so much (thanks, cootie), I’d let him know exactly what I’m thinking. As it is, I’m doing my best to fight this instant attraction. Just because the symbiont thinks we’re supposed to be together doesn’t mean I have to go along with it. And if we fool around a little, it’s merely biology. It doesn’t mean I’m in love—or that I’m destined to be his.
This book explores how contemporary fantastic fiction by women writers responds to the past and imagines the future. The first two chapters look at revisionist rewritings of fairy tales and historical texts; the third and fourth focus on future-oriented narratives including dystopias and space fiction. Writers considered include Margaret Atwood, Octavia E. Butler, Angela Carter, Ursula K. Le Guin, Doris Lessing, and Jeanette Winterson, among others. The author argues that an analysis of how past and future are understood in women's fantastic fictions brings to light an "ethics of becoming" in the texts--a way of interrupting, revising and remaking problematic power structures that are tied to identity markers like class, gender and race. The book reveals how fantastic fiction can be read as narratives of disruption that enable the creation of an ethics of becoming.
THE FIRST IN AN ALL NEW, OFFICIAL TRILOGY SET IN THE ALIEN UNIVERSE! Featuring the iconic Ellen Ripley in a terrifying new adventure that bridges the gap between Alien and Aliens. Officially sanctioned and true to the Alien cannon, Alien: Out of the Shadows expands upon the well-loved mythos and is a must for all Alien fans.
Since the introduction of phenomenology to Japan in the 1910's, Japan has steadily become a major international site for both original and scholarly phenomenological work. Phenomenology in Japan presents several of Japan's leading phenomenologists, studied in both the Buddhist and Western thought, who bring to bear their unique backgrounds on our rich fields of experience. These contributions converge in novel ways on the problem of `dualist', and draw on resources within the phenomenological tradition to respond to its challenges.