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A botched liquor store heist leaves three grisly dead. A hero cop is missing. Nobody could see a pattern in these two stray bits of information–no one except Detective Sergeant Lloyd Hopkins, a brilliant and disturbed L.A. cop with an obsessive desire to protect the innocent. To him they lead to one horrifying conclusion--a killer is on the loose and preying on his city. From the master of L.A. noir comes this beautiful and brutal tale of a cop and a criminal squared off in a life and death struggle.
Tristan went looking for trouble and ended up with more than she bargained for. A night on the town goes awry when a local Dallas girl runs afoul of a vacationing coven of vampires, who have come up with a novel way to ensure a blood link to join them all together. When going home is no longer an option, Tristan finds herself trapped in a world of non-stop sex and violence, and struggles to find her place and balance her own morality against the nature of the beast she has become.
Backed with campaign funds from the owner of the local strip club, ex-state trooper and recovering alcoholic Henry Malone’s running for sheriff. But because he can’t say no to a bad idea, he also agrees to look for a pregnant woman’s missing ex-con boyfriend. With his well-armed AA sponsor Woody in tow, Henry’s search for the boyfriend soon connects with a homicide investigation run by Lt. Jackie Hall—probably the last cop in West Virginia who still likes Henry. A violent confrontation leaves Jackie near-death and Henry determined to find justice. Except vengeance isn’t simple for Henry, especially when an old enemy appears out of nowhere, more bodies stack up, and a series of betrayals and double crosses climax with a morning assault on a farm house that pits Henry and Woody against a deadly band of criminals with nothing to lose. Critical Acclaim for Because the Night: “Henry Malone deserves to be up there with Matt Scudder and Harry Hole among our best, funniest, toughest detectives, and James D. F. Hannah is among our best chroniclers of America’s sketchy underside.” —Nick Kolakowski, author of Love & Bullets and Boise Longpig Hunting Club “James D.F. Hannah delivers another dose of heart, humor, and haymakers to the Henry Malone series with Because the Night, leaving us clawing at the pages, and proving why he’s one of the best writers working today.” —Eryk Pruitt, author of Something Bad Wrong “Private eye Henry Malone is a worthy descendant of both Robert B. Parker’s Spenser and Elmore Leonard’s Raylan Givens, and he carries on the family tradition in style in Because the Night. James D.F. Hannah delivers a backwoods barroom brawl of a novel that will leave you bloodied and ready for more.” —Scott Von Doviak, author of Lowdown Road and Charlesgate Confidential “James D.F. Hannah solidified himself among the greats of mystery fiction long ago. With Because the Night he sets himself apart. It’s a well written page turner reminiscent of Dave Robicheaux but has a smart-assery that will keep you laughing.” —Mark Westmoreland, author of A Violent Gospel and A Mourning Song “Quick-witted and light on its feet. If Ace Atkins and Chris Offutt had a child it would be James D.F. Hannah.” —Colin Campbell, acclaimed author of the Jim Grant thrillers “Hannah is the redneck Raymond Chandler. He needs to clear room on the shelf where he keeps his Shamus awards if this is the level he intends to maintain.” —Dana King, two time Shamus Award nominee for his Nick Forte Novels, and author of the Penns River series “Brilliantly violent, some of that violence internal, the story blasts its way to a climax that destroys multiple lives, one riveting page after another.” —Rob Pierce, author of Snake Slayer and The Uncle Dust Trilogy “Henry Malone’s beat is the dark country roads, literally and metaphorically, of rural West Virginia. He meets trouble head-on, literally and metaphorically, in James D. F. Hannah’s Because the Night. Henry teams up again with Woody, his heavily armed sidekick. Bullets fly. The dialogue crackles. Hannah’s plot is gripping and fast paced. His prose evokes Chandler and Parker. He honors the private eye genre by expanding its frontier and creating an unforgettable detective you will want to follow down the darkest of country roads.” —Mark Troy, author of Splintered Loyalty, an Ava Rome mystery “In Because the Night, James Hannah has brewed the perfect pot of West Virginia action, humor, sarcasm, lust, violence, and rat-a-tat dialogue. His colorful characters pop off the page, so thank goodness Henry Malone is back, because someone’s gotta protect and suffer for the sins of the rest of us.” —Charles Salzberg, multiple Shamus Award-nominated author
#1 NATIONAL BESTSELLER • Two starcrossed magicians engage in a deadly game of cunning in the spellbinding novel that captured the world's imagination. • "Part love story, part fable ... defies both genres and expectations." —The Boston Globe The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.
Bold and inventive in style, City of Night is the groundbreaking 1960s novel about male prostitution. Rechy is unflinching in his portrayal of one hustling 'youngman' and his search for self-knowledge among the other denizens of his neon-lit world. As the narrator moves from Texas to Times Square and then on to the French Quarter of New Orleans, Rechy delivers a portrait of the edges of America that has lost none of its power. On his travels, the nameless narrator meets a collection of unforgettable characters, from vice cops to guilt-ridden married men eaten up by desire, to Lance O'Hara, once Hollywood's biggest star. Rechy describes this world with candour and understanding in a prose that is highly personal and vividly descriptive.
A bestselling modern classic—both poignant and funny—narrated by a fifteen year old autistic savant obsessed with Sherlock Holmes, this dazzling novel weaves together an old-fashioned mystery, a contemporary coming-of-age story, and a fascinating excursion into a mind incapable of processing emotions. Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. Although gifted with a superbly logical brain, Christopher is autistic. Everyday interactions and admonishments have little meaning for him. At fifteen, Christopher’s carefully constructed world falls apart when he finds his neighbour’s dog Wellington impaled on a garden fork, and he is initially blamed for the killing. Christopher decides that he will track down the real killer, and turns to his favourite fictional character, the impeccably logical Sherlock Holmes, for inspiration. But the investigation leads him down some unexpected paths and ultimately brings him face to face with the dissolution of his parents’ marriage. As Christopher tries to deal with the crisis within his own family, the narrative draws readers into the workings of Christopher’s mind. And herein lies the key to the brilliance of Mark Haddon’s choice of narrator: The most wrenching of emotional moments are chronicled by a boy who cannot fathom emotions. The effect is dazzling, making for one of the freshest debut in years: a comedy, a tearjerker, a mystery story, a novel of exceptional literary merit that is great fun to read.
Dudley Stork enlists his friends to help rid his house of things that go bump in the night.
Horror Roleplaying in Terrifying Realms of Lovecraftian Apocalypses. Lovecraftian roleplaying typically sees brave Mythos investigators foiling plots to corrupt our familiar world. But what happens when the heroes DON'T save the day? When the cult's apocalyptic schemes succeed? What comes next? That's what APOCTHULHU is about. APOCTHULHU is a tabletop roleplaying game from Cthulhu Reborn that lets you explore many different past or future worlds where the Mythos somehow took control. Perhaps human civilizations fell when Shub-Niggurath bestowed a terrible gift of fertility on the Earth? Or when Nyarlathotep's words seduced superpowers into mutual annihilation? Did R'lyeh rise, waking you-know-who? APOCTHULHU is built upon a simple yet elegant d100 system. Players take on the roles of everyday people who are Survivors in a Post-Apocalyptic world. Game mechanics emphasize the lethality of life in the fallen world, in terms of threats to health and sanity. Rules also cover scavenging equipment and resources, often the only way Survivors can obtain scarce supplies. By investigating horrors of the Post-Apocalyptic world and defeating their schemes and agents, Survivors might just guarantee their community lives to carry on the fight. Or they might unearth secrets that can one day overthrow the Mythos overlords. The APOCTHULHU Quickstart is a beautifully illustrated 72-page book presenting: - a simplified but feature-complete version of the game rules, which can have you up and running APOCTHULHU in minutes, - rules for generating player character Survivors, - six pre-made Survivor characters which can be used to pick up and play immediately, - an example Lovecraftian Post-Apocalypse, and - an introductory scenario, "Amber Waves" which puts the Survivors in the middle of a dangerous situation in the overgrown ruins of rural Kansas town. Whether you want a ready-made one-shot, or an ongoing campaign of gritty survival horror, APOCTHULHU is your gateway to nightmarish versions of humanity's past or future. Do you have what it takes to be an Apocalypse Survivor?
When it was published in 1932, this revolutionary first fiction redefined the art of the novel with its black humor, its nihilism, and its irreverent, explosive writing style, and made Louis-Ferdinand Celine one of France's--and literature's--most important 20th-century writers. The picaresque adventures of Bardamu, the sarcastic and brilliant antihero of Journey to the End of the Night move from the battlefields of World War I (complete with buffoonish officers and cowardly soldiers), to French West Africa, the United States, and back to France in a style of prose that's lyrical, hallucinatory, and hilariously scathing toward nearly everybody and everything. Yet, beneath it all one can detect a gentle core of idealism.