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Twelve-year-old Chris feels as if he is straddling two sides of a large trench. One foot is firmly planted back home in Chicago, where life is safe and familiar with friends and school. His other foot just landed on the unstable ground of the Serengeti. Chris’ parents have decided to move from Chicago to a remote part of western Africa to run a safari camp. Lonely days and fearful nights are his new norm, but then Chris meets Khalid, a young Maasai warrior, who shows Chris a different side of the Serengeti. From Khalid, this city kid learns about the land and animals integral to the Serengeti. And when his new home is threatened, Chris is drawn into a battle to save it.
Reproduction of the original: The Book of Khalid by Ameen Rihani
A riveting and powerful story of an unforgiving time, an unlikely friendship and an indestructible love
From Snapchat sensation, business mogul, and recording artist DJ Khaled, the book They don't want you to read reveals his major keys to success. - Stay away from They - Don’t ever play yourself - Secure the bag - Respect the code - Glorify your success - Don’t deny the heat - Keep two rooms cooking at the same time - Win, win, win no matter what
National Book Award Finalist: “The poetic and horrific combine in this tale of love and death set in a Syria torn apart by civil war” (Guardian, UK). As elderly Abdel Latif dies peacefully in a hospital bed in Damascus, he relays his final wish to his youngest son Bolbol: to be buried in the family plot in their ancestral village of Anabiya. Though Bolbol is estranged from his siblings, he persuades his older brother Hussein and his sister Fatima to accompany him and the body to Anabiya, which is—after all—only a two-hour drive from Damascus. There’s only one problem: Their country is a war zone. With the landscape of their childhood now a labyrinth of competing armies whose actions are at once arbitrary and lethal, the siblings’ decision to set aside their differences and honor their father’s request quickly balloons from a minor commitment into an epic and life-threatening quest. Syria, however, is no longer a place for heroes, and the decisions the family must make along the way—as they find themselves captured and recaptured, interrogated, imprisoned, and bombed—will prove to have enormous consequences for all of them. One of Syria’s most acclaimed literary voices, Khaled Khalifa was the greatest chronicler of his country’s catastrophic civil war. In Death is Hard Work, he delivers a tale of three ordinary people facing down the stuff of nightmares armed with little more than simple determination. Winner of the Naguib Mahfouz Medal for Literature Finalist for the National Book Award for Translated Literature
As seen on The Today Show! One of the best summer romance picks! One of Publishers Weekly Best Romance Books of 2019! A modern-day Muslim Pride and Prejudice for a new generation of love. Ayesha Shamsi has a lot going on. Her dreams of being a poet have been set aside for a teaching job so she can pay off her debts to her wealthy uncle. She lives with her boisterous Muslim family and is always being reminded that her flighty younger cousin, Hafsa, is close to rejecting her one hundredth marriage proposal. Though Ayesha is lonely, she doesn't want an arranged marriage. Then she meets Khalid, who is just as smart and handsome as he is conservative and judgmental. She is irritatingly attracted to someone who looks down on her choices and who dresses like he belongs in the seventh century. When a surprise engagement is announced between Khalid and Hafsa, Ayesha is torn between how she feels about the straightforward Khalid and the unsettling new gossip she hears about his family. Looking into the rumors, she finds she has to deal with not only what she discovers about Khalid, but also the truth she realizes about herself.
Helicopter pilot Captain Emma Cantrell has a chance to clear her military record in war-torn Afghanistan. She's not about to let anyone get in her way—especially Afghan Captain Khalid Shaheen. Emma can't deny Khalid is total eye candy. But she's fallen prey to his kind of charm before—and she never makes the same mistake twice. Khalid's fight against the insurgents makes him a target, but his need for justice runs deep. He can't jeopardize this perilous mission by falling for Emma, but he soon finds that might be a losing battle. And when Emma is kidnapped, can Khalid rescue herin time to give their love a fighting chance?
How do Muslims relate to Islam in societies that experienced seventy years of Soviet rule? How did the utopian Bolshevik project of remaking the world by extirpating religion from it affect Central Asia? Adeeb Khalid combines insights from the study of both Islam and Soviet history to answer these questions. Arguing that the sustained Soviet assault on Islam destroyed patterns of Islamic learning and thoroughly de-Islamized public life, Khalid demonstrates that Islam became synonymous with tradition and was subordinated to powerful ethnonational identities that crystallized during the Soviet period. He shows how this legacy endures today and how, for the vast majority of the population, a return to Islam means the recovery of traditions destroyed under Communism. Islam after Communism reasons that the fear of a rampant radical Islam that dominates both Western thought and many of Central Asia’s governments should be tempered with an understanding of the politics of antiterrorism, which allows governments to justify their own authoritarian policies by casting all opposition as extremist. Placing the Central Asian experience in the broad comparative perspective of the history of modern Islam, Khalid argues against essentialist views of Islam and Muslims and provides a nuanced and well-informed discussion of the forces at work in this crucial region.
The first collection of short stories are deeply personal in nature, all located in Mumbai- its folds and seams- which the writer has explored all his life. Familial bond or the lack of them, an intimate dekko at a media group's machinations, a close study of the Irani community which is fast vanishing in the metropolis, the underworld and the staggeringly bold new world of sexual relationships sparked by websites are just some of the narratives, with a twist in the tale. KHALID MOHAMED started as reviewer and co-editor, during his teenage years for close-up, a film society magazine. He reviewed television for The Economic Times basides contributing articles to The Illustrated Weekly of India and Femina. His writing has writing has also featured in India Today,The Indian Express, The Telegraph, the international film weekly Variety and in Sunday Observer, London. He was film critic for Mid-day, Senior Editor of DNA newspaper, and National Culture Editor and film critic for Hindustan Times. Currently, he is Consulting Editor to the Deccan Chronicle media group. He wrote the original stories and screenplays and also directed the films Fiza, Tehzeeb and Silsilaay . He debuted recently as a playwright and director of the stageplay Kennedy Bridge. His documentary The Last Irani Chai has been screened widely. His second documentary Smiles and Tears on Mumbai's street children is under post-production. Presently, he is writing his second stageplay and his first novel.
Worldwide, nearly three–quarters of journalists who die on assignment are targeted and assassinated for their dogged pursuit of important stories of injustice. In Marked for Death, Terry Gould brings this statistic to life by documenting the lives of seven journalists, in Colombia, the Philippines, Bangladesh, Russia, and Iraq, who had the guts to keep telling the truth in the face of threats from terrorists, corrupt politicians, gangsters, and paramilitary leaders. Gould brings us the lovers, colleagues, rivals, critics, and even the accused murderers of these courageous men and women, searching for the moment in which these journalists understood that they were willing to die in order to get a story out. Their compelling stories highlight how selflessly humans can love justice and their fellow citizens; how dogged and resourceful people can be in attempts to thwart injustice; how vital it is to show the defeated and the indifferent, as well as the powerful; and that there really are some things worth dying for.