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In Kathy Fiscus: A Tragedy that Transfixed the Nation historian William Deverell tells the heartbreaking story of a young girl trapped in a well--a story that transfixed the nation in what would become the first live, breaking-news TV spectacle in history. Kathy Fiscus tells the story of the first live, breaking-news TV spectacle in American history. At dusk on a spring evening in 1949, a three-year old girl fell down an abandoned well shaft in the backyard of her family's home in Southern California. Across more than two full days of a fevered rescue attempt, the fate of Kathy Fiscus remained unknown. Thousands of concerned Southern Californians rushed to the scene. Jockeys hurried over from the nearby racetracks, offering to be sent down the well after Kathy. 20th Century Fox sent over the studio's klieg lights to illuminate the scene. Rescue workers-ditch diggers, miners, cesspool laborers, World War II veterans-dug and bored holes deep into the aquifer below, hoping to tunnel across to the old well shaft that the little girl had somehow tumbled down. The region, the nation, and the world watched and listened to every moment of the rescue attempt by way of radio, newsreel footage, and wire service reporting. They also watched live television. Because of the well's proximity to the radio towers on nearby Mount Wilson, the rescue attempt because the first breaking-news event to be broadcast live on television. The Kathy Fiscus event invented reality television and proved that real-time television news broadcasting could work and could transfix the public. William Deverell is professor of history and director of the Huntington-USC Institute on California and the West at the University of Southern California. He is the author of numerous studies of the nineteenth- and twentieth-century American West, including Whitewashed Adobe: The Rise of Los Angeles and the Remaking of Its Mexican Past.
Wuthering Heights is the name of Mr. HeathcliffÕs dwelling. ÔWutheringÕ being a significant provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow windows are deeply set in the wall, and the corners defended with large jutting stones. Before passing the threshold, I paused to admire a quantity of grotesque carving lavished over the front, and especially about the principal door; above which, among a wilderness of crumbling griffins and shameless little boys, I detected the date Ô1500,Õ and the name ÔHareton Earnshaw.Õ I would have made a few comments, and requested a short history of the place from the surly owner; but his attitude at the door appeared to demand my speedy entrance, or complete departure, and I had no desire to aggravate his impatience previous to inspecting the penetralium. One stop brought us into the family sitting-room, without any introductory lobby or passage: they call it here Ôthe houseÕ pre-eminently. It includes kitchen and parlour, generally; but I believe at Wuthering Heights the kitchen is forced to retreat altogether into another quarter: at least I distinguished a chatter of tongues, and a clatter of culinary utensils, deep within; and I observed no signs of roasting, boiling, or baking, about the huge fireplace; nor any glitter of copper saucepans and tin cullenders on the walls. One end, indeed, reflected splendidly both light and heat from ranks of immense pewter dishes, interspersed with silver jugs and tankards, towering row after row, on a vast oak dresser, to the very roof. The latter had never been under-drawn: its entire anatomy lay bare to an inquiring eye, except where a frame of wood laden with oatcakes and clusters of legs of beef, mutton, and ham, concealed it. Above the chimney were sundry villainous old guns, and a couple of horse-pistols: and, by way of ornament, three gaudily-painted canisters disposed along its ledge. The floor was of smooth, white stone; the chairs, high-backed, primitive structures, painted green: one or two heavy black ones lurking in the shade. In an arch under the dresser reposed a huge, liver-coloured bitch pointer, surrounded by a swarm of squealing puppies; and other dogs haunted other recesses.
From the creator of the iconic Cathy comic strip comes her first collection of funny, wise, poignant, and incredibly honest essays about being a woman in what she lovingly calls "the panini generation." As the creator of Cathy, Cathy Guisewite found her way into the hearts of readers more than forty years ago, and has been there ever since. Her hilarious and deeply relatable look at the challenges of womanhood in a changing world became a cultural touchstone for women everywhere. Now Guisewite returns with her signature wit and warmth in this essay collection about another time of big transition, when everything starts changing and disappearing without permission: aging parents, aging children, aging self stuck in the middle. With her uniquely wry and funny admissions and insights, Guisewite unearths the humor and horror of everything from the mundane (trying to introduce her parents to TiVo and facing four decades' worth of unorganized photos) to the profound (finding a purpose post-retirement, helping parents downsize their lives, and declaring freedom from all those things that hold us back). No longer confined to the limits of four cosmic panels, Guisewite holds out her hand in prose form and becomes a reassuring companion for those on the threshold of "what happens next." Heartfelt and humane and always cathartic, Fifty Things That Aren't My Fault is ideal reading for mothers, daughters, and anyone who is caught somewhere in between.
Cathy Carr’s 365 Days to Alaska is a charming debut middle-grade novel about a girl from off-the-grid Alaska adjusting to suburban life. Eleven-year-old Rigel Harman loves her life in off-the-grid Alaska. She hunts rabbits, takes correspondence classes through the mail, and plays dominoes with her family in their two-room cabin. She doesn’t mind not having electricity or running water—instead, she’s got tall trees, fresh streams, and endless sky. But then her parents divorce, and Rigel and her sisters have to move with their mom to the Connecticut suburbs to live with a grandmother they’ve never met. Rigel hates it in Connecticut. It’s noisy, and crowded, and there’s no real nature. Her only hope is a secret pact that she made with her father: If she can stick it out in Connecticut for one year, he’ll bring her back home. At first, surviving the year feels impossible. Middle school is nothing like the wilderness, and she doesn’t connect with anyone . . . until she befriends a crow living behind her school. And if this wild creature has made a life for itself in the suburbs, then, just maybe, Rigel can too. 365 Days to Alaska is a wise and funny debut novel about finding beauty, hope, and connection in the world no matter where you are—even Connecticut. “Rigel’s big heart made my own heart ache. A funny and poignant fish-out-of-water tale with all the right feels and an important reflection on how we can all find our way home.” —John David Anderson, author of Ms. Bixby’s Last Day “Rigel’s suspenseful journey toward finding a home for her brave and wild heart is one that will help us all discover the beauty and uniqueness of where we are.” —Francisco X. Stork, author of Marcelo in the Real World “Readers will want to travel alongside Rigel as she struggles to survive the halls of middle school as well as she did the Alaskan bush. 365 Days to Alaska is a wonderful debut novel about compassion, belonging, and finding your way home when you feel lost in the wilderness.” —Lynne Kelly, author of Song for a Whale “Cathy Carr’s debut is a poignant novel about family and truth, particularly the uncomfortable truths between fathers and daughters, told in a voice full of insight, love, and humor. She’s an author to watch, full of wisdom and exquisite heart.” —Carrie Jones, NYT bestselling author of the Need and Time Stoppers series “Rigel Harman isn’t just any outsider—she’s an Alaskan Bush outsider. Carr’s empathic and outstanding debut novel will move readers of all ages, creating internal acceptance not only for Rigel but also for ourselves.” —Bethany Hegedus, author of Grandfather Gandhi
"Poignant and powerful."--Publishers Weekly (starred review) The Lost Manuscript is a charming epistolary novel about the love of books and magical ability they have to bring people together. Sometimes a book has the power to change your life... When Anne-Lise Briard books a room at the Beau Rivage Hotel for her vacation on the Brittany coast, she has no idea this trip will start her on the path to unearthing a mystery. In search of something to read, she opens up her bedside table drawer in her hotel room, and inside she finds an abandoned manuscript. Halfway through the pages, an address is written. She sends pages to the address, in hopes of potentially hearing a response from the unknown author. But not before she reads the story and falls in love with it. The response, which she receives a few days later, astonishes her... Not only does the author write back, but he confesses that he lost the manuscript 30 years prior on a flight to Montreal. And then he reveals something even more shocking—that he was not the author of the second half of the book. Anne-Lise can’t rest until she discovers who this second mystery author is, and in doing so tracks down every person who has held this manuscript in their hands. Through the letters exchanged by the people whose lives the manuscript has touched, she discovers long-lost love stories and intimate secrets. Romances blossom and new friends are made. Everyone's lives are made better by this book—and isn't that the point of reading? And finally, with a plot twist you don't see coming, she uncovers the astonishing identity of the author who finished the story.
Isolation commiserations from the creator of the iconic “Cathy” comic strip, Cathy Guisewite! We’re all in this together…but it helps to see someone else with her face planted in the bowl of mashed potatoes. In the same way that Cathy was a relatable friend during the comic strip years, she’s returned to offer some happy relief, support, and a much-needed AACK from isolation. This little book is a compassionate companion for right now and, long after the pandemic is over, will be a treasured scrapbook of what we survived—the fear of droplets, the work-from-refrigerator wear, the revenge retail therapy of online shopping, the frustration of trying to teach Grandma to Zoom from 3,000 miles away, the little shreds of hope mixed in with the sourdough bread dough. From the introduction: I’ve worn the same pair of sweatpants for fourteen months. I’ve binge watched, binge eaten, binge shopped, binge prayed. I’ve Zoomed. Streamed. Screamed. Googled how to get hot fudge out of a duvet cover. Googled how to chop my insulting blue jeans into face masks. Googled how to permanently delete my Google search history. I’ve meditated, looked within and asked the big questions: “If no one’s allowed in my house for months, what’s the point of vacuuming?”
NEW YORK TIMES BESTSELLER • An “absorbing” (Los Angeles Times) biography of one of the most remarkable, powerful, and captivating women in Russian history—from the Pulitzer Prize–winning author of Peter the Great, Nicholas and Alexandra, and The Romanovs “[A] compelling portrait not just of a Russian titan, but also of a flesh-and-blood woman.”—Newsweek NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times • The Washington Post • USA Today • The Boston Globe • San Francisco Chronicle • Chicago Tribune • Salon • Vogue • St. Louis Post-Dispatch • The Providence Journal Robert K. Massie returns with another masterpiece of narrative biography, the extraordinary story of an obscure German princess who became Catherine the Great. Born into a minor noble family, Catherine transformed herself into empress of Russia by sheer determination. For thirty-four years, the government, foreign policy, cultural development, and welfare of the Russian people were in her hands. She dealt with domestic rebellion, foreign wars, and the tidal wave of political change and violence churned up by the French Revolution. Catherine’s family, friends, ministers, generals, lovers, and enemies—all are here, vividly brought to life. History offers few stories richer than that of Catherine the Great. In this book, an eternally fascinating woman is returned to life.
This book is a self-help book for men, but women will probably read it too. Women are so smart they want to know whatever they can about themselves. But this piece is written in a simple and easy format. No big words. It is my hope that this book helps a man to better be able to know what his woman wants. By him knowing what his woman wants he can provide it for her, or at least understand why she wants it.
Out of the darkness comes the fire... The last time Kathy Browning trusted a man, he nearly destroyed her, body and soul. So when an unlikely friendship leads her to uncover a depth of passion and love in Charles Kelly that calls to her, she’s terrified. Charles offers her a wild, steady devotion she might lose forever if she can’t find the courage to reach beyond the devastation of the past. Charles has been captivated by Kathy since the moment he laid eyes on her. He sees the pain and fear in her eyes, but he also sees the strength and courage and fire that burns within her heart. He wants to be the one to help her heal, to love her fiercely and unconditionally…and to be loved by her in return. As their love grows stronger, Kathy's past threatens to consume them both. Will they be able to overcome the darkness and find the light together, or will Kathy's fear and pain tear them apart? This book contains adult themes including domestic violence, loss of a child, and suicide. Reader discretion is advised. Kathy is the second book in the Firefly Hollow series.
This is a story about Suzanna Bailey, who at the age of fourteen months began experiencing epileptic seizures. Consequently, these seizures led to countless appointments with medical professionals. Six successive brain surgeries left her with life-changing brain injuries, resulting in physical disabilities and behavioural challenges.