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Ten women artists, counterparts of the Group of Seven, are finally being given their due. Long overlooked by critics and historians, they are today amongst the most sought after Canadian painters. The Beaver Hall women ventured into a male-dominated art world, lived remarkable lives, and produced exceptional work. The Women of Beaver Hall portrays the lives and works of Nora Collyer, Emily Coonan, Prudence Heward, Mabel Lockerby, Henrietta Mabel May, Kathleen Moir Morris, Lilias Torrance Newton, Sarah Robertson, Anne Savage, and Ethel Seath. Long-lost catalogues, old newspaper reviews, and personal papers document their story, and more than 65 colour plates bring to light their paintings, some of which have lain hidden for more than fifty years. With a clear and concise style directed to the aficionado and scholar alike, this book is the ultimate reference on the Beaver Hall women.
Taking their name from the downtown street in Montreal where members shared a studio in the early 1920s, The Beaver Hall Group were early adopters of new modernistic approaches to painting and explored their potential within a variety of genres, including portrait, still life, landscape and prescient scenes of urbanity. As well as providing an artistic window into the modern lives of Canadians during this transformational period of history, as a collective The Beaver Hall Group are exceptional for their inclusion of female artists as core members. Initially comprising of both genders, the group would become an all-female collective that includes some of Canada's most celebrated modern painters. Through a series of comprehensive contextual essays The Beaver Hall Group: 1920s Modernism in Montreal interweaves the work of this pioneering artistic collective within a broader narrative of the arts in the first half of the twentieth century. Exploring the groups' greater role in the modernity of Canada--and more specifically the cultural context of Montreal--the book takes on core themes such as the rise of the metropolis, juxtapositions between economic progress and cultural development, and the impact of gender on critical approaches to both artists and their work. The Beaver Hall Group: 1920s Modernism in Montreal sits alongside a major exhibition and is published in partnership with the Montreal Museum of Fine Art.
An exploration into Montreal’s Beaver Hall Group and its legacy of women painters who now rank among Canada’s most outstanding artists. Today it is difficult to imagine that the art of Montreal’s Beaver Hall Group was once shocking. As these Modernists struggled against academic art, critics such as Samuel Morgan-Powell ranted — “rough,” “meaningless” “blatant plastering and massing of unpleasant colours in weird landscapes” — and likened their paintings to the “cacophonous riot of metallic yowlings” of jazz that was invading the city. Moreover, unlike their contemporaries, the Group of Seven, the Beaver Hall Group dared to break with tradition and accept women members. The result was a legacy of some of the finest women painters Canada has so far produced. In 2005, Evelyn Walters gave them deserved attention in her acclaimed book, The Women of Beaver Hall: Canadian Modernist Painters. Now, a follow-up, The Beaver Hall Group and Its Legacy delves into the engrossing life stories of the twenty-five artists who belonged to the Beaver Hall Group and the Women of Beaver Hall. Over seventy-five images gleaned from museums and private collections highlight the work of these pioneering artists who changed the course of Canadian art. Written for student and scholar alike, The Beaver Hall Group and Its Legacy is a must for every art lover’s library.
From the vanguard of Modernism in Montreal, the Beaver Hall Group included painters who are now ranked among Canada's most distinguished artists. Evelyn Walters brings her extensive knowledge of the group to paint a picture of the artists' lives and their works in this two-book bundle. More than 130 reproductions bring to light paintings that have lain hidden for more than fifty years. Includes: The Beaver Hall Group and Its Legacy The Women of Beaver Hall
A monument to the talent of Canadian women artists in the interwar period. this book provides a full and diverse cross-country survey of the art made by women during this pivotal time, incorporating the work of both settler and Indigenous visual artists in a stirring affirmation of the female creative voice. Residence: Ontario. Print run 2,500.
Painting Friends tells the story of ten Montreal women who met at art school in the early 1900s and formed friendships that lasted all their lives. They had successful professional careers exhibiting with the Group of Seven and at international exhibitions during the 1920s and 1930s. Despite their achievements they had been largely overlooked by art historians but are now being appreciated as a result of Barbara Meadowcroft's ground-breaking book published in 1999. Painting Friends is the first book-length study of these gifted painters: Nora Collyer, Emily Coonan, Prudence Heward, Mabel Lockerby, Mabel May, Kathleen Morris, Lilias Torrance Newton, Sarah Robertson, Anne Savage, and Ethel Seath. Painting Friends is back in print to coincide with 4 major exhibitions of the Beaver Hall Women Painters beginning with the Montreal Museum of Fine Arts (October 24, 2015 - January 31, 2016, then travelling to the Art Gallery of Hamilton, the Art Gallery of Windsor, and the Glenbow Museum, Calgary.
"Women have long been the creative force behind Native American art, yet their individual contributions have been largely unrecognized, instead treated as anonymous representations of entire cultures. 'Hearts of Our People: Native Women Artists' explores the artistic achievements of Native women and establishes their rightful place in the art world. This lavishly illustrated book, a companion to the landmark exhibition, includes works of art from antiquity to the present, made in a variety of media from textiles and beadwork to video and digital arts. It showcases more than 115 artists from the United States and Canada, spanning over one thousand years, to reveal the ingenuity and innovation fthat have always been foundational to the art of Native women."--Page 4 of cover.
An exploration of the lives and works of the members of the Beaver Hall Group. Founded in 1920, the group was in the vanguard of bringing Modernism to Canada and is notable for its inclusion of women who now rank among the country’s most outstanding painters.