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Excerpt from Beauty Ugliness: And Other Studies in Psychological AEsthetics Dealing with my previous volume, Laura; nobilij, the most intelligent of my critics complained that I took our aesthetic preferences for granted, Without explaining their nature or even proving their exist ence. If that rash reviewer really thirsts for psychological aesthetics, he may find some temporary refreshment in the present volume, Which contains as much of the How and W by of Beauty and Ugliness as I have been able to squeeze out of some rather dry books and out of fifteen years of my own and my fellow-worker's observations. If he, or any other inquisitive person, should then remain With unslaked curiosity about asthetics, he must go to the Psycho logical Laboratories of Germany and America, Where he may, in return for further knowledge, be used up as an experimental subject. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This groundbreaking work in psychological aesthetics explores the connections between beauty, ugliness, and the human psyche. With thought-provoking essays on topics ranging from art to literature to philosophy, this book is a must-read for anyone interested in the intersection of psychology and aesthetics. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Vernon Lee was the pseudonym of the British writer Violet Paget (14 October 1856 - 13 February 1935). She is remembered today primarily for her supernatural fiction and her work on aesthetics. An early follower of Walter Pater, she wrote over a dozen volumes of essays on art, music, and travel.Biography:Violet Paget was born in France on 14 October1856, at Ch�teau St Leonard, Boulogne, to British expatriate parents, Henry Ferguson Paget and Matilda Lee-Hamilton (n�e Abadam). Violet Paget was the half-sister of Eugene Jacob Lee-Hamilton (1845-1907)[3] by her mother's first marriage, and from whose surname she adapted her own pseudonym. Although she primarily wrote for an English readership and made many visits to London, she spent the majority of her life on the continent, particularly in Italy.Her longest residence was just outside Florence in the Palmerino villa from 1889 until her death at San Gervasio, with a brief interruption during World War I. Her library was left to the British Institute of Florence and can still be inspected by visitors. In Florence she knit lasting friendships with the painter Telemaco Signorini and the learned Mario Praz, and she encouraged his love of learning and English literature.An engaged feminist, she always dressed � la gar�onne. During the First World War,Lee adopted strong pacifist views, and was a member of the anti-militarist organisation, the Union of Democratic Control. She was also a lesbian, and had long-term passionate friendships with three women, Mary Robinson, Clementina Anstruther-Thomson, and British author Amy Levy.She played the harpsichord and her appreciation of music animates her first major work, Studies of the Eighteenth Century in Italy (1880). In her preface to the second edition of 1907, she recalled her excitement as a girl when she came across a bundle of 18th-century music. She was so nervous that it wouldn't live up to her expectations that she escaped to the garden and listened rapturously through an open window as her mother worked out the music on the piano.[citation needed] Along with Pater and John Addington Symonds, she was considered an authority on the Italian Renaissance, and wrote two works that dealt with it explicitly, Euphorion (1884) and Renaissance Fancies and Studies (1895)........Clementina "Kit" Caroline Anstruther-Thomson (1857-1921) was a Scottish author and art theorist. She was known for writing and lecturing on experimental aesthetics during the Victorian era. Her collaboration with Vernon Lee in the 1890s inspired Lee's growing interests in the psychological aspect of aesthetics later in her career...............
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