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A story following the adventures of two children through the cities and sites of pre-war Syria. Illustrated by a Syrian oil painter, the book showcases a different side of the country. Like many places facing war and conflict, Syria has a long and rich heritage, and has been home to several civilizations. Laila and Ahmed's journey brings this history to the forefront in all of its beauty and complexity
Beauty is Found in the Ordinary The world is shouting at us to be more. Strive. Achieve. Overachieve. Never stop pushing. As a family practice doctor, wife, and mother, Mikala Albertson appeared to be living a "perfect" life, but really her whole world was falling apart. Married seven years to an alcohol and drug addict while raising two young children and finishing residency, Mikala eventually reached a breaking point. And surrendered. In sifting through the shattered pieces of her life, she realized she had been chasing something that doesn't exist. Perfect is pretend. And what she desperately needed to embrace was ordinary. A good, hard, messy, gritty, lovely, ordinary life. In Ordinary on Purpose, Mikala shares her heartfelt journey in a raw and revealing way as she invites you to lay down your own endless chase for perfection and embrace this beautiful, messy life exactly as it is with our perfect, loving God right by your side. What would it look like to stop pretending to be "perfect" and be ordinary? Instead of always feeling overwhelmed and alone, you might discover the beauty of a good, hard life grounded in the radiant hope of God's unending love. Life happens in the ordinary, after all.
Reflections follow the practices of The Way of Love—Turn, Learn, Pray, Worship, Bless, Go, Rest Living the Way of Love offers forty brief reflections about the seven Jesus-centered practices identified by Presiding Bishop Michael Curry in “The Way of Love” initiative. Sullivan tells stories from her own and others’ experiences as a starting point for discussion about how to seek and find a deeper connection to God. Rotating through each practice so that each is covered once a week, going deeper into the practice throughout the forty days, each reflection ends with questions designed to spur further discussion and assist readers in making the practices their own. Perfect for using as a Lenten devotional or at any time of the year, the book includes a guide for creating a personal rule of life, and a downloadable Facilitator’s Guide.
The story of the last survivor pulled from the 9/11 Ground Zero debris after 27 hours and her journey from desperation to a miraculous salvation.
In The Promise of Beauty, Mimi Thi Nguyen explores the relationship between the concept of beauty and narratives of crisis and catastrophe. Nguyen conceptualizes beauty, which, she observes, we turn to in emergencies and times of destruction, as a tool to identify and bridge the discrepancy between the world as it is and what it ought to be. Drawing widely from aesthetic and critical theories, Nguyen outlines how beauty—or its lack—points to the conditions that must exist for it to flourish. She notes that an absence of beauty becomes both a political observation and a call to action to transform the conditions of the situation so as to replicate, preserve, or repair beauty. The promise of beauty can then engender a critique of social arrangements and political structures that would set the foundations for its possibility and presence. In this way, Nguyen highlights the role of beauty in inspiring action toward a more just world.
Vivianne Knebel was born illegitimate in 1943 in the epicenter of Nazi power, Berlin, Germany. Her free-spirited and strong-willed mother, Marija, fought to keep her alive among falling bombs and Soviet attacks. After the end of World War II, with much of Berlin razed to the ground, Vivianne came to know poverty and constant hunger. As a teenager, she immigrated to Canada, but in her new homeland, times became so desperate that she had to beg for money to eat. After dropping out of school to find work, Vivianne became the victim of sexual harassment. Spiraling into depression, she attempted to take her life, but was miraculously saved by a six-year-old child. Falling in love with a fellow German immigrant, Wiland, proved a pivotal turning point for Vivianne. He saw a wellspring of potential in her and believed that she could become more than she had ever imagined. They married and moved to the United States. In the land where so many immigrant dreams are built, Wiland encouraged Vivianne to pursue endeavors that would test her mettle, including piloting a plane, running a marathon, and taking on a key role in supporting his business enterprise. Vivianne's journey of personal growth later gave her the courage to battle cancer and embrace a spiritual life.
A new and groundbreaking approach to the history of grand opera, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera explores the illusion and illumination behind the form's rise to cultural eminence. Renowned opera scholar Gabriela Cruz argues that grand opera worked to awaken memory and feeling in a way never before experienced in the opera house, asserting that the concept of "spectacle" was the defining cultural apparatus of the art form after the 1820s. Parisian audiences at the Académie Royale de Musique were struck by the novelty and power of grand opera upon the introduction of gaslight illumination, a technological innovation that quickly influenced productions across the Western operatic world. With this innovation, grand opera transformed into an audio-visual spectacle, delivering dream-like images and evoking the ghosts of its audiences' past. Through case studies of operas by Giacomo Meyerbeer, Richard Wagner, and Giuseppe Verdi, Cruz demonstrates how these works became an increasingly sophisticated medium by which audiences could conjure up the past and be transported away from the breakdown of modern life. A historically informed narrative that traverses far and wide, from dingy popular theatres in post-revolutionary Paris, to nautical shows in London, and finally to Egyptian mummies, Grand Illusion provides a fresh departure from previous scholarship, highlighting the often-neglected visual side of grand opera.
Since I was very young, I have seen and experienced difficult times in my life but always managed to deal with them as there usually was no other choice. At the age of six, I hit rock bottom and learned that there really was a God and he became my best friend, which helped me throughout my life to never give up or to feel alone. I considered it a privilege to be called on to perform a certain, sometimes even arduous job, both in my private life, my employment, or in any of my appointed positions; finding out that accomplishing positive results, after giving it your best effort, is the greatest form of satisfaction. It also taught me that if I wanted something bad enough, I could find a way to achieve it. I am sorry if I have offended anyone along my way throughout the years of my lifebut it has perpetually been my aspiration to treat others as I would like to be treated myself.
From the straight boulevards that smashed their way through rambling old Paris to create the city we know today to the televised implosion of Las Vegas casinos to make room for America’s ever grander desert of dreams, demolition has long played an ambiguous role in our lives. In lively, colorful prose, Rubble rides the wrecking ball through key episodes in the world of demolition. Stretching over more than five hundred years of razing and toppling, this story looks back to London’s Great Fire of 1666, where self-deputized wreckers artfully blew houses apart with barrels of gunpowder to halt the furious blaze, and spotlights the advent of dynamite—courtesy of demolition’s patron saint, Alfred Nobel—that would later fuel epochal feats of unbuilding such as the implosion of the infamous Pruitt-Igoe housing complex in St. Louis. Rubble also delves beyond these bravura blasts to survey the world-jarring invention of the wrecking ball; the oddly stirring ruin of New York’s old Pennsylvania Station, that potent symbol of the wrecker run amok; and the ever busy bulldozers in places as diverse as Detroit, Berlin, and the British countryside. Rich with stories of demolition’s quirky impresarios—including Mark Loizeaux, the world-famous engineer of destruction who brought Seattle’s Kingdome to the ground in mere seconds—this account makes first-hand forays to implosion sites and digs extensively into wrecking’s little-known historical record. Rubble is also an exploration of what happens when buildings fall, when monuments topple into memory, and when “destructive creativity” tears down to build again. It unearths the world of demolition for the first time and, along the way, throws a penetrating light on the role that destruction must play in our lives as a necessary prelude to renewal. Told with arresting detail and energy, this tale goes to the heart of the scientific, social, economic, and personal meaning of how we unbuild our world. Rubble is the first-ever biography of the wrecking trade, a riveting, character-filled narrative of how the black art of demolition grew to become a multibillion-dollar business, an extreme spectator sport, and a touchstone for what we value, what we disdain, who we were, and what we wish to become.