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The Thomas Ward is like a small stream in the mountains, that emerges from a tiny spring and trickles on down the hillside to join the creek on its way to the river. No attempt has been made to get all the information, about all the people who live, or have lived, within its boundaries. Neither is the material collected, considered to be the most important or free from errors. This book is just "a cup of water" dipped from the little stream, as it journeys on its way, no attempt is made to dip up all the water or stop its flow. It is hoped, that like the cup of cool water from the tiny stream, this book will refresh the reader, and the stream of time flows on. To those pioneers, both young and old who had the courage to combine all the natural resources which the creator so wisely stored in these mountains, rivers and valleys along with the brawn and brain that He gave man. The Miracle of the Desert came to be.
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
Lowell L. Bennion is legendary in many circles. An LDS institute instructor and professor of sociology at the University of Utah, he was never content simply to quantify social ills or to preach against them but actively set out to correct what he could. He founded and directed the Teton Valley Boys Ranch, served as executive director for the Salt Lake City Community Services Council, and organized other charities.His heart was with the underprivileged. He detested Pharisaism and often quoted biblical passages on the topic adapted to a Mormon ear: As your treading is upon the poor, ... I hate, I despise your f(ast) days, and I will not (dwell in) your solemn assemblies ... Take thou away from me the noise of thy songs; for I will not hear ... Woe unto them that are at ease in Zion. Bennion passed away in 1996 just after this biography was released, leaving an enormous void where he had been a beacon to humanitarian and liberation causes in his community.
In a book that is both biography and the most exciting form of history, here are eighteen years in the life of a man, Albert Einstein, and a city, Berlin, that were in many ways the defining years of the twentieth century. Einstein in Berlin In the spring of 1913 two of the giants of modern science traveled to Zurich. Their mission: to offer the most prestigious position in the very center of European scientific life to a man who had just six years before been a mere patent clerk. Albert Einstein accepted, arriving in Berlin in March 1914 to take up his new post. In December 1932 he left Berlin forever. “Take a good look,” he said to his wife as they walked away from their house. “You will never see it again.” In between, Einstein’s Berlin years capture in microcosm the odyssey of the twentieth century. It is a century that opens with extravagant hopes--and climaxes in unparalleled calamity. These are tumultuous times, seen through the life of one man who is at once witness to and architect of his day--and ours. He is present at the events that will shape the journey from the commencement of the Great War to the rumblings of the next one. We begin with the eminent scientist, already widely recognized for his special theory of relativity. His personal life is in turmoil, with his marriage collapsing, an affair under way. Within two years of his arrival in Berlin he makes one of the landmark discoveries of all time: a new theory of gravity--and before long is transformed into the first international pop star of science. He flourishes during a war he hates, and serves as an instrument of reconciliation in the early months of the peace; he becomes first a symbol of the hope of reason, then a focus for the rage and madness of the right. And throughout these years Berlin is an equal character, with its astonishing eruption of revolutionary pathways in art and architecture, in music, theater, and literature. Its wild street life and sexual excesses are notorious. But with the debacle of the depression and Hitler’s growing power, Berlin will be transformed, until by the end of 1932 it is no longer a safe home for Einstein. Once a hero, now vilified not only as the perpetrator of “Jewish physics” but as the preeminent symbol of all that the Nazis loathe, he knows it is time to leave.
Panic Terror is a book about friends, family, and eccentric southern relatives. Two marriages, raising six children, building a house, teaching close to 40 years--it's a collection of autobiographical poems and stories. Panic and terror are the emotions I feel most strongly when I sit down to write. Pan--the god associated with delivering both joy and terror--often imposed both states of being on unsuspecting individuals he encountered as he played his flute. I have met Pan often along the way. Panic Terror is my attempt to synthesize my often humorous life experiences and the holy terror that goes along with the spooky art of trying to capture fleeting memories in writing.