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Author Sankalan was in the sixth grade when his guardians threw him out of their government-owned house in the picturesque community of Germany, Kakata, Liberia, West Africa. Why? Because he went to borrow a uniform from his friend to sit for the Liberian Government national examinations designed for sixth, ninth, and twelfth graders in the sixties and seventies. Booker Washington Institute (BWI) campus was the site of the exams. The old uniform he had showed his naked anatomy in public, which was not only humiliating but embarrassingly inappropriate in such public arena. How did he continue school as an independent homeless youth in his home country, Liberia? What difficult circumstances did he experience in Liberia during his formative years in the quest of education? What propelled him to undertake this incredible journey to the United States of America, a country in which many Africans or Liberians believe that ‘Money grows on trees,’ a country in which people are territorial by nature and protective of their personal space, a country in which the culture values are diametrically opposed to the African or Liberian way of life? How did he maintain his moral integrity to his family, after he was pressured to engage in an illegal marriage proposal to obtain permanent resident status (Green Card) in his first year in the America? And how did he successfully complete his educational journey with perseverance despite insurmountable problems along his path in the US? Answers to these questions are chronicled in this riveting account of an intrepid Liberian in his book: My Improbable Journey to America—A Memoir of Reflections.
The willingness of people to believe in magical icons, mystical relics, and miraculous pictures (like the Image of Guadalupe) is almost as curious as these phenomena themselves. Though they cry out for scientific investigation, millions of people blindly accept them as fact. Historical and paranormal investigator Joe Nickell confronts such strange events, powers, and objects as the Shroud of Turin, bleeding or weeping statues, burning handprints, liquefying blood, ecstatic visions, miraculous cures, and people speaking in tongues in Looking for a Miracle. Departing from standard critiques of religion, Nickell carefully investigates the evidence relating to specific claims. Religious believers and rationalists alike have much to learn from this revealing examination of the evidence for the miraculous.
Miracles among Chaos is my story of childhood abuse, my struggle with mental illness, and the journey I walked through to find love, hope, faith, and finally myself. My book is one that will give readers a roller coaster of emotions as they turn the pages. The greatest gift I can give to you in reading my story is the gift of forgiveness. In order for any of us to move forward in our own journey, we must forgive those who have hurt us. I had an early experience with death, and it set me up for a lifelong struggle with faith in God and why we all are here. As I struggled with my faith and my mental illness, many miracles occurred along the way are sure to help even the biggest skeptics open their minds and their hearts to the fact that there truly can be miracles among chaos. Miracles Among Chaos is a fascinating read. While it is a very personal account of one womans journey through abuse and chemical imbalance, it is also inspirational and relatable to anybody that has had to rise above their circumstances. Bellas story travels through family secrets, devastating losses to battles with obesity. Bella is a survivor whose story needed sharing! James F. Grindle PMH-NP Psychiatric/Mental Health Nurse Practitioner
This 36-week devotional for expectant mothers is filled with beautiful, full-color pictures taken by world-renowed photographer Lennart Nilsson, touching and compassionate words from award-winning author Ken Gire, and good solid information from respected gynecologist and obstetrician Robert Wells. Includes space for journal entries. 10 pages of photographs.
A Study of the Weatherhead East Asian Institute, Columbia University Kingdom of Beauty shows that the discovery of mingei (folk art) by Japanese intellectuals in the 1920s and 1930s was central to the complex process by which Japan became both a modern nation and an imperial world power. Kim Brandt’s account of the mingei movement locates its origins in colonial Korea, where middle-class Japanese artists and collectors discovered that imperialism offered them special opportunities to amass art objects and gain social, cultural, and even political influence. Later, mingei enthusiasts worked with (and against) other groups—such as state officials, fascist ideologues, rival folk art organizations, local artisans, newspaper and magazine editors, and department store managers—to promote their own vision of beautiful prosperity for Japan, Asia, and indeed the world. In tracing the history of mingei activism, Brandt considers not only Yanagi Muneyoshi, Hamada Shōji, Kawai Kanjirō, and other well-known leaders of the folk art movement but also the often overlooked networks of provincial intellectuals, craftspeople, marketers, and shoppers who were just as important to its success. The result of their collective efforts, she makes clear, was the transformation of a once-obscure category of pre-industrial rural artifacts into an icon of modern national style.
A feminist critique of bioethics and attitudes toward reproductive technologies.
We often call it ?the miracle of childbirth, ? yet we rarely take the time to discuss just how many ways God was present throughout our pregnancies and during the births of our babies. In Blessed by Birth, 12 women share the intimate details of the way God blessed them, guided them, or helped them survive their pregnancies, births, and early days of motherhood. These 26 stories will make you laugh and cry. Whether you haven't yet had your first baby or are watching your grandbabies welcome babies of their own, you?ll treasure the miracle of each individual story. They will offer you hope, facilitate healing, and inspire you to find God in your own birth story.
Bynum argues that Christ's blood as both object and symbol was central to late medieval art, literature, and religious life. As cult object, blood provided a focus of theological debate about the nature of matter, body, and God and an occasion for Jewish persecution; as motif, blood became a central symbol in popular devotion.
Scenes from the plays and portraits of leading actors accompany a statistical record of the current season