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This is a print on demand edition of a hard to find publication. Examines terrorists¿ involvement in a variety of crimes ranging from motor vehicle violations, immigration fraud, and mfg. illegal firearms to counterfeiting, armed bank robbery, and smuggling weapons of mass destruction. There are 3 parts: (1) Compares the criminality of internat. jihad groups with domestic right-wing groups. (2) Six case studies of crimes includes trial transcripts, official reports, previous scholarship, and interviews with law enforce. officials and former terrorists are used to explore skills that made crimes possible; or events and lack of skill that the prevented crimes. Includes brief bio. of the terrorists along with descriptions of their org., strategies, and plots. (3) Analysis of the themes in closing arguments of the transcripts in Part 2. Illus.
Margaret Marshall Saunders CBE (May 13, 1861
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: ...tossing up his head, kicking out his hoofs, and acting like a life sentence prisoner out on a holiday. Now these actions made the Widow so mad at losing him, that she charged us with her switch. Didn't we scatter! She caught a few slow-going animals, and the way they drew in their tails and ran was a circumstance. "Reminds me of earth again, and my old master," said a horse, galloping by me. "Never saw a switch before in Paradise," grumbled a dog, limping after the horse. "She caught my fore paw sure enough. Nasty thing, I wish you would send her home." Dandy, Soko, Rag, and I stopped in a little grove, and looked back at her. The Widow McDoodle had the beach and the beautiful sea all to herself. She thrashed round for some time, then she sat down on the sand. Efje WLftoto (Tonus 201 "Better get her into the air-ship, Soko," I said, "she's served her time." "Oh, me, the animals!" laughed Rag, " just look at them." As far as we could see, they were peeping. Every rock, and tree, and shrub had its concealed noses, and tails, and legs, and bodies, but observing eyes; and the birds on the trees were snickering, and telling each other to keep quiet. The Widow was as good as a circus to them. "We can't do anything with these earthly people when they don't want to mind us," said Soko. "I'll go see Joe, and ask him if we can't get the Cat to hypnotise her into the air-ship, for I give you my word, I don't feel like being beaten all the way back to earth again." "Come on, boys," I said to the dogs, " I want to interview the goat. Bet you anything, his views of life have changed." CHAPTER XVII. A CHANGED GOAT I Was right. He was a changed goat. We found him in a little green spot where many of the smaller birds went to drink and bathe. There was a tiny...
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"Film: A Critical Introduction "provides a comprehensive framework for studying films, with an emphasis on writing as a means of exploring film's aesthetic and cultural significance. This text's consistent and comprehensive focus on writing allows students to master film vocabulary and concepts while learning to formulate rich interpretations. Part I introduces readers to the importance of film analysis, offering helpful strategies for discerning the way films produce meaning. Part II examines the fundamental elements of film, including narrative form, mise en scene, cinematography, editing, and sound, and shows how these concepts can be used to interpret films. Part III moves beyond textual analysis to explore film as a cultural institution and introduce students to essential areas of film studies research.