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The first in Percival Christorpher Wren's series, Beau Geste, Beau Sabreur and Beau Ideal.
Le "catalogue dé-raisonné" de l'ensemble de la production imprimée de la maison d'édition indépendante Beau Geste Press, qui fédéra poètes visuels, néo-dadaïstes et artistes internationaux affiliés à la mouvance Fluxus entre 1971 et 1976.
DigiCat Publishing presents to you this special edition of "Beau Ideal" by Percival Christopher Wren. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The third in a series of novels on the French Foreign Legion service of Michael, Digby and John Geste.
This is a new release of the original 1929 edition.
The gripping true story of the French Foreign Legion in the Sahara. Ever since the 1920s the popular legend of the French Foreign Legion has been formed by P.C. Wren's novel BEAU GESTE - a world of remote forts, warrior tribes, and desperate men of all nationalities enlisting under pseudonyms to fight and die under the desert sun. As with all clichés, the reality is far richer and more surprising than this. In this book Martin Windrow describes desert battles and famous last stands in gripping detail - but he also shows exactly what the Foreign Legion were doing in North Africa in the first place. He explains how French colonial methods there actually had their roots in the jungles of Vietnam, and how the political pressures that kept the empire expanding can be traced to battles on the streets of Paris itself. His description of the Berber tribesmen of Morocco also reveals some disturbing modern parallels: the formidable guerrillas of the 1920s were inspired by an Islamic fundamentalist who was adept at using the world's media to further his cause. Martin Windrow's previous book THE LAST VALLEY received fabulous reviews across the English-speaking world. This unique book, which is the first to examine the 'golden age' of the Foreign Legion has followed suit.
Jeffrey isn't a little boy with cancer anymore. He's a teen who's in remission, but life still feels fragile. The aftereffects of treatment have left Jeffrey with an inability to be a great student or to walk without limping. His parents still worry about him. His older brother, Steven, lost it and took off to Africa to be in a drumming circle and "find himself." Jeffrey has a little soul searching to do, too, which begins with his escalating anger at Steven, an old friend who is keeping something secret, and a girl who is way out of his league but who thinks he's cute.
Brian Donlevy (1901-1972) was an underrated film actor with surprising range and a little-heralded gift for comedy. Often typecast as a villain, he played the definitive bad guy in such films as Destry Rides Again, Union Pacific and Beau Geste (all in 1939). He showed his versatility in the title role of Preston Sturges' political satire The Great McGinty (1940) and impressed both New York critics and the Soviet government as the cooly authoritative Major Caton in Wake Island (1942). Donlevy was fondly remembered as globe-trotting U.S. Special Agent Steve Mitchell in the television series Dangerous Assignment (1952) and as Professor Quatermass in two acclaimed science fiction films. This first ever biography of Donlevy covers his colorful early life as a boy soldier, his years playing comedy roles on Broadway and his long career in Hollywood.
Laurence Wylie (1919-1995), a renowned scholar and teacher of French at Harvard, assembled this collection of French conventional gestures after studying at the Jacques Lecoq school of mime in Paris. The more than 60 photographs of him portraying the gestures are not only a delightful introduction to French "body talk" but also a stimulating insight into French culture and an excellent way to engage students of French. The Advanced Reasoning Forum is pleased to make available again this charming book first published in 1977.
There never lived a more honourable, upright, scrupulous gentleman than Major Hugh Walsingham Greene, and there seldom lived a duller, narrower, more pompous or more irascible one. Nor, when the Great War broke out, and gave him something fresh to do and to think about, were there many sadder and unhappier men. His had been a luckless and unfortunate life, what with his two wives and his one son; his excellent intentions and deplorable achievements; his kindly heart and harsh exterior; his narrow escapes of decoration, recognition and promotion. At cards he was not lucky—and in love he . . . well—his first wife, whom he adored, died after a year of him; and his second ran away after three months of his society. She ran away with Mr. Charles Stayne-Brooker (elsewhere the Herr Doktor Karl Stein-Brücker), the man of all men, whom he particularly and peculiarly loathed. And his son, his only son and heir! The boy was a bitter disappointment to him, turning out badly—a poet, an artist, a musician, a wretched student and “intellectual,” a fellow who won prizes and scholarships and suchlike by the hatful, and never carried off, or even tried for, a “pot,” in his life. Took after his mother, poor boy, and was the first of the family, since God-knows-when, to grow up a dam’ civilian. Father fought and bled in Egypt, South Africa, Burma, China, India; grandfather in the Crimea and Mutiny, great-grandfather in the Peninsula and at Waterloo, ancestors with Marlborough, the Stuarts, Drake—scores of them: and this chap, his son, theirdescendant, a wretched creature of whom you could no more make a soldier than you could make a service saddle of a sow’s ear! It was a comfort to the Major that he only saw the nincompoop on the rare occasions of his visits to England, when he honestly did his best to hide from the boy (who worshipped him) that he would sooner have seen him win one cup for boxing, than a hundred prizes for his confounded literature, art, music, classics, and study generally. To hide from the boy that the pæans of praise in his school reports were simply revolting—fit only for a feller who was going to be a wretched curate or wretcheder schoolmaster; to hide his distaste for the pale, slim beauty, which was that of a delicate girl rather than of the son of Major Hugh Walsingham Greene. . . . Too like his poor mother by half—and without one quarter the pluck, nerve, and “go” of young Miranda Walsingham, his kinswoman and playmate. . . . Too dam’ virtuous altogether.