Download Free Beatrices Spell Book in PDF and EPUB Free Download. You can read online Beatrices Spell and write the review.

Beatrice Cenci was executed in Rome in September 1599- she was said to be sixteen, and was hauntingly beautiful. Her crime was the murder of her father, a member of one of the greatest Roman families, but his cruel treatment of her, including incestuous rape, moved the people of the city to take her side. Weeping crowds lined the streets, and a special mass is still said in Rome on the anniversary of her death. She was at once innocent and guilty, the victim and the perpetrator of appalling crimes. From that time since, the ambivalent image of Beatrice has attracted writers and artists, and often their obsession with her fed their own self-destruction. In this compelling study, Belinda Jack takes on the dangerous challenge of bringing Beatrice to life, and of tracing her power over those who tried to resurrect her, from the tragedy of Shelley to the novels of Nathaniel Hawthorne and Herman Melville, from the sculpture of Harriet Hosmer and the photographs of Julia Margaret Cameron to the desperate drama of Antonin Artaud. As we follow the stories of their lives and ambitions, we see how they suffered critical condemnation for their works about Beatrice, and were sometimes pushed to the brink of insanity. Her story, which is one of lust, passion and violence, contains a powerful sense of the forbidden, the taboo that drives people over the edge. BEATRICE'S SPELL is at once scholarly and utterly engrossing, carrying the power of her story through time.
Beatrice enjoys learning to spell, and gets really excited about it after some encouragement from her grandmother, but she has trouble convincing her classmates that spelling is not boring.
In a new small format, this highly illustrated, enchanting journey through the history and traditions of wizardry takes readers from Merlin to Gandalf, and offers practical spells to tryThe story of magic and its famous practitioners is told in thisenchanting compendium of magical lore.It exploresthe secrets of ancient sorcerers, the practices of medieval alchemists, and the rituals of modern magicians; and itreveals how lucky talismans work, suggests tools for successful spell-casting, and resolves the riddles that surround sacred sites and ceremonial magic. Along the way it introduces the most remarkable wizards in history and fiction, from the evil sorceress Circeto Professor Dumbledore. Specially commissioned paintings by Robert Ingpen, as well as works by artists such as Bosch and Goya, Arthur Rackham's atmospheric book illustrations, medieval woodcuts, and extraordinary engravings of arcana are all featured.Beautifullybound with specially paddedcovers, thisis the perfect gift for fantasy fans and budding alchemists young and old."
"A gorgeous and thrilling paean to the ferocious power of women. The characters live, bleed, and roar. "―Laini Taylor, New York Times bestselling author A NEW YORK TIMES BESTSELLER • Winner of the British Fantasy Award for Best Fantasy Novel • Named One of the Best Books of the Year by NPR Books • Barnes and Noble • BookPage In the late 1800s, three sisters use witchcraft to change the course of history in this powerful novel of magic, family, and the suffragette movement. In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box. But when the Eastwood sisters―James Juniper, Agnes Amaranth, and Beatrice Belladonna―join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote―and perhaps not even to live―the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive. There's no such thing as witches. But there will be. An homage to the indomitable power and persistence of women, The Once and Future Witches reimagines stories of revolution, motherhood, and women's suffrage—the lost ways are calling. Praise for The Once and Future Witches: "A glorious escape into a world where witchcraft has dwindled to a memory of women's magic, and three wild, sundered sisters hold the key to bring it back...A tale that will sweep you away."―Yangsze Choo, New York Times bestselling author "This book is an amazing bit of spellcraft and resistance so needed in our times, and a reminder that secret words and ways can never be truly and properly lost, as long as there are tongues to speak them and ears to listen."―P. Djèlí Clark, author The Black God's Drum For more from Alix E. Harrow, check out The Ten Thousand Doors of January.
BONUS: This edition contains a Beatrice and Virgil discussion guide. When Henry receives a letter from an elderly taxidermist, it poses a puzzle that he cannot resist. As he is pulled further into the world of this strange and calculating man, Henry becomes increasingly involved with the lives of a donkey and a howler monkey—named Beatrice and Virgil—and the epic journey they undertake together. With all the spirit and originality that made Life of Pi so beloved, this brilliant new novel takes the reader on a haunting odyssey. On the way Martel asks profound questions about life and art, truth and deception, responsibility and complicity.
NATIONAL BESTSELLER • From the winner of the Nobel Prize in Literature and author of Never Let Me Go and the Booker Prize–winning novel The Remains of the Day comes a luminous meditation on the act of forgetting and the power of memory. In post-Arthurian Britain, the wars that once raged between the Saxons and the Britons have finally ceased. Axl and Beatrice, an elderly British couple, set off to visit their son, whom they haven't seen in years. And, because a strange mist has caused mass amnesia throughout the land, they can scarcely remember anything about him. As they are joined on their journey by a Saxon warrior, his orphan charge, and an illustrious knight, Axl and Beatrice slowly begin to remember the dark and troubled past they all share. By turns savage, suspenseful, and intensely moving, The Buried Giant is a luminous meditation on the act of forgetting and the power of memory.
Performing Adaptations: Conversations and Essays on the Theory and Practice of Adaptation brings together scholars and artists from across North America and the United Kingdom to contribute to the growing discourse on adaptation in the arts. An ideal text for students of theatre, drama, and performance studies, this volume offers a ground-breaking set of essays, interviews, and artistic reflections that assess adaptation from the perspective of live performance, an aspect of the field that has been under-explored until now. The diverse authors and interview subjects in this anthology take a variety of approaches to both creating and analyzing adaptations, demonstrating the form’s suitability for testing and speaking back to dominant models of creation, production, and analysis. Featuring articles by pioneering adaptation scholar Linda Hutcheon and critically acclaimed writer and critic George Elliott Clarke, Performing Adaptations advances the field of adaptation studies in new and exciting ways. The authors in Performing Adaptations do not comprise a comprehensive view of adaptation studies, but represent a collection of “gutsy” voices that use adaptation to test, and speak back to dominant models of creation, production, and analysis. Some of these perspectives include a group of artists from the African Diaspora, Europe, and Canada (the AfriCan Theatre Ensemble); the voice of Chinese-Canadian playwright, Marjorie Chan; the innovative storytelling of Beth Watkins, and her adaptation of letters written by transgendered student activist, Jesse Carr; the views of vanguard Canadian queer filmmaker, John Greyson; and African-Canadian poet, novelist, and critic, George Elliott Clarke. Their adaptation of sources to other genres, mediums, and cultural contexts represent the act of a radical, dialogical reading, writ large.
In "Amphibians: The Dark Secrets Deep Down in the Bayou" Part 1, readers are transported to the mysterious and dark world of the Louisiana bayou. The story follows a group of friends who stumble upon a voodoo ritual in the swamp, awakening an ancient and terrifying force that has been lying dormant for centuries. As they delve deeper into the secrets of the bayou, they uncover a sinister plot involving amphibian creatures, witchcraft, and a dark science experiment gone wrong. With danger lurking around every corner, the friends must fight for their survival against powerful supernatural forces that threaten to consume them. Full of horror, fantasy, and science fiction elements, "Amphibians" is a thrilling and chilling tale that will keep readers on the edge of their seats until the very end.
Giordano Bruno (1548-1600), who died at the stake, is one of the best-known symbols of anti-establishment thought. The theme of this volume, which is offered as a collection of essays to honour the distinguished Bruno scholar Hilary Gatti, reflects her constant concern for the principles of cultural freedom and independent thinking. Several essays deal with Bruno himself, including an analysis of the Eroici furori, a study of his reception in relation to the group known as the Novatores, and discussions of several important aspects of his stay in England. The authors and texts discussed here are linked by a relentless interest in the question of authority and originality, and they range from literary figures such as Alberti (1404-72), Vasari (1511-74) and the proponents of quantitative verse in sixteenth-century England to controversial philosophers who, like Bruno, were condemned by the Church, such as Tommaso Campanella (1568-1639) and Giulio Cesare Vanini (1585-1619). Taken together, these chapters show how much that was new and revolutionary in early modern culture came from its confrontation with the past. Martin McLaughlin is Agnelli-Serena Professor of Italian at Oxford. Elisabetta Tarantino is a Teaching Fellow in the Department of Italian at the University of Warwick.
Never Judge a book by its cover...Subaru Natsuki is determined to make it through the Pleiades Watchtower without abandoning anyone, and he’s willing to die as many times as it takes. Of course, he’ll need more than just guts to save the day, and Subaru’s still only one man. Luckily, his friends won’t let him brave the challenges of the tower alone. As they gear up for the decisive moment, Subaru stumbles upon something that shouldn’t exist—a book of the dead with his name on it. There’s no telling what might lie in those pages, but not finding out could be even more dangerous...