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A new history of the Middle Ages, revealing how Christianity and Islam evolved out of a shared cultural and religious ferment, and how this shaped the development of the West Mark Gregory Pegg's history of the Middle Ages opens and closes with martyrdom, the first that of a young Roman mother in a North African amphitheater in 203 and the second a French girl burned to death beside the Seine in 1431. Both Vibia Perpetua and Jeanne la Pucelle died for their Christian beliefs, yet that for which they willingly sacrificed their lives connects and separates them. Both were divinely inspired, but one believed her deity shared the universe with other gods, and the other knew that her Creator ruled heaven and earth. Between them, across the centuries, lives were shaped by the ebb and flow of the divine and the human. Here is the story of people struggling in life and in death to understand themselves and their relationship to God. Beatrice's Last Smile interweaves vivid portraits of such individuals to offer a sweeping and immersive story. Some are of enduring renown -- Augustine, Muhammad, Charlemagne, Heloise --and others are obscure. An Egyptian youth fighting demons in the desert as the first monk; a Briton becomes a holy man after enslavement in Ireland; an emperor in Constantinople watches as rioters torch the city; a old Syrian monk advises the English on sex; the soul of a Merovingian noble flies through the night sky to heaven; an Irish warrior surfs the waves like a dolphin as he flees the Vikings; a crusader's boots squelch with blood on the streets of Jerusalem; a troubadour sings of love; a Muslim lord expresses admiration of the Templars; a pope proclaims that Christendom encompasses all time and space; a barefoot Franciscan friar visits the Great Khan of the Mongols; a Parisian rabbi argues for the holiness of the Talmud; and a poet laments being alive amid the horror of the Black Death. Together, they take readers from the vastness of the Roman Empire to small communities between the Mediterranean and the North Sea, from the nomads of the Asian steppes to the triumphant Church of Latin Christendom. Beatrice's Last Smile offers a pulsating history of the West: the passionate belief in the old gods that yields to a cosmos shaped by one; the transition from a penitential culture to a confessional one; the universal obsession with imitating Christ. The book is named for the moment in Dante Alighieri's Divine Comedy when his long-dead love, Beatrice, smiles one final time at Dante in paradise before turning away to look eternally upon the face of God. Mark Gregory Pegg's epic narrative captures a millennium within that fleeting smile, in ways that modern readers will find illuminating and haunting.
Beatrice's Last Smile is a sweeping narrative history of the medieval west from the beginning of the third century to the beginning of the sixteenth. This book focuses on slow formation of Latin Christendom over a millennium in the aftermath of the disintegration of the western Roman Empire. Beatrice's Last Smile is a sweeping narrative history of the medieval west from the beginning of the third century to the beginning of the sixteenth. The reader travels from the Mediterranean to the North Sea, from the Nile to the Volga, from north Africa to the central Asia, until finally ending in the Americas. Through a focus on slow formation of Latin Christendom over a millennium in the aftermath of the disintegration of the western Roman Empire, Beatrice's Last Smile is a history of holiness which includes Judaism and the revelations of Muhammad. The narrative moves from the violence within fifth-century Britain and Gaul to the Hundred Years War between England and France, from the plague of the sixth century to the Black Death of the fourteenth, from the first crusaders sacking Jerusalem to the Spanish capturing Tenochtitlán, from Viking raids to Mongol invasions, from the inquisitons into heresy to the trials of witches, from a third-century Christian mother dying in a Roman arena to the immolation of Joan of Arc in the fifteenth, from an ancient universe without heaven and hell to a medieval cosmos with a fiery inferno and a shimmering paradise. Over these centuries there is an emphasis on individual men and women and their stories woven together with the story of the emergence of a distinctive western culture.
Beginning in the twelfth century, clergy and laity alike started wondering with intensity about the historical and developmental details of Jesus' early life. Was the Christ Child like other children, whose characteristics and capabilities depended on their age? Was he sweet and tender, or formidable and powerful? Not finding sufficient information in the Gospels, which are almost completely silent about Jesus' childhood, medieval Christians turned to centuries-old apocryphal texts for answers. In The Quest for the Christ Child in the Later Middle Ages, Mary Dzon demonstrates how these apocryphal legends fostered a vibrant and creative medieval piety. Popular tales about the Christ Child entertained the laity and at the same time were reviled by some members of the intellectual elite of the church. In either case, such legends, so persistent, left their mark on theological, devotional, and literary texts. The Cistercian abbot Aelred of Rievaulx urged his monastic readers to imitate the Christ Child's development through spiritual growth; Francis of Assisi encouraged his followers to emulate the Christ Child's poverty and rusticity; Thomas Aquinas, for his part, believed that apocryphal stories about the Christ Child would encourage youths to be presumptuous, while Birgitta of Sweden provided pious alternatives in her many Marian revelations. Through close readings of such writings, Dzon explores the continued transmission and appeal of apocryphal legends throughout the Middle Ages and demonstrates the significant impact that the Christ Child had in shaping the medieval religious imagination.
"In C.S. Lewis and the Middle Ages, medievalist Robert Boenig explores Lewis's personal and professional engagement with medieval literature and culture and argues convincingly that medieval modes of creativity had a profound impact on Lewis's imaginative fiction." -- Cover
This is the story of an eight-year-old girl who does her best thinking upside down. Her personality is a tractor beam, her attitude is completely inspiring, and her creator is a creative dynamo. Beatrice is looking forward to a year of pirate adventures, zombie battles and upside-down mysteries with her fellow-tomboy best friend, Lenny. But on the first day of year three, Lenny doesn't come to school in a ninja suit like they'd planned - instead she's wearing something pink and sparkly and ruffled. She doesn't seem interested in their old games any more, and worst of all she's found a new friend. It will take Beatrice's best upside-down thinking to find a way to fix this problem.
Motherhood and Mothering in Anglo-Saxon England sifts through the historical evidence to describe and analyze a world of violence and intrigue, where mothers needed to devise their own systems to protect, nurture, and teach their children. Mary Dockray-Miller casts a maternal eye on Bede, the Anglo-Saxon Chronicle, and Beowulf to reveal mothers who created rituals, genealogies, and institutions for their children and themselves. Little-known historical figures - queens, abbesses, and other noblewomen - used their power in court and convent to provide education, medical care, and safety for their children, showing us that mothers of a thousand years ago and mothers of today had many of the same goals and aspirations.