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A celebration of cabaret in Berlin and the birth of cinema, set against the rise and fall of Germany between World War I and World War II As the clock chimed the turn of the twentieth century, Lilly Nelly Aphrodite took her first breath. The illegitimate, soon orphaned daughter of a cabaret performer, she lands at a Catholic orphanage where she finds refuge and the first in a string of friendships that will change the direction of her life. When fellow orphan Hanne takes Lilly beyond their stone confines, introducing her to the seedy glamour of Berlin’s notorious nightlife, it begins for Lillly a trajectory of reinvention. From urchin to maid, teenage war bride, tingle-tangle bargirl, model, and script typist, Lilly is eventually transformed into one of Germany’s leading film stars and a partner in a remarkable love story that will span decades and continents—and be inextricable from the history unfolding around it. Gripping, seductive, and masterfully written, The Glimmer Palace is a page-turning story of glitter and splendor, drama and love, friendship and identity. The story of an extraordinary heroine living in an extraordinary time, it is vivid and surprising in its telling, intelligent and ambitious in its scope, sad and beautiful and unforgettable.
This book integrates the problem of violence into a larger framework, showing how economic and political behavior are closely linked.
The book is a compendium of thinking on virtuality and its relationship to reality from the perspective of a variety of philosophical and applied fields of study. Topics covered include presence, immersion, emotion, ethics, utopias and dystopias, image, sound, literature, AI, law, economics, medical and military applications, religion, and sex.
As the clock chimed the turn of the twentieth century, Lilly Nelly Aphrodite took her first breath. Born to a cabaret dancer and soon orphaned in a scandalous double murder, Lilly finds refuge at a Catholic orphanage, coming under the wing of the, at times, severe Sister August, the first in a string of lost loves. There she meets Hanne Schmidt, a teen prostitute, and forms a bond that will last them through tumultuous love affairs, disastrous marriages, and destitution during the First World War and the subsequent economic collapse. As the century progresses, Lilly and Hanne move from the tawdry glamour of the tingle-tangle nightclubs to the shadow world of health films before Lilly finds success and stardom in the new medium of motion pictures and ultimately falls in love with a man whose fate could cost her everything she has worked for or help her discover her true self. Gripping and darkly seductive, The Luminous Life of Lilly Aphrodite showcases all the glitter and splendour of the brief heyday of the Weimar Republic, and the rise of Hollywood to its golden age. As it foreshadows the horrors of the Second World War, the novel asks what price is paid when identity becomes unfixed and the social order is upended.
On Diary is the second collection in English of the groundbreaking and profoundly influential work of one of the best-known and provocative theorists of autobiography and diary. Ranging from the diary’s historical origins to its pervasive presence on the Internet, from the spiritual journey of the sixteenth century to the diary of Anne Frank, and from the materials and methods of diary writing to the question of how diaries end, these essays display Philippe Lejeune’s expertise, eloquence, passion, and humor as a commentator on the functions, practices, and significance of keeping or reading a diary. Lejeune is a leading European critic and theorist of diary and autobiography. His landmark essay, "The Autobiographical Pact," has shaped life writing studies for more than thirty years, and his many books and essays have repeatedly opened up new vistas for scholarship. As Michael Riffaterre notes, "Lejeune’s work on autobiography is the most original, powerful, effective approach to a difficult subject. . . . His style is very personal, lively. It grabs the reader as scholarship rarely does. Lejeune’s erudition and methodology are impeccable." Two substantial introductory essays by Jeremy Popkin and Julie Rak place Lejeune’s work within its critical and theoretical traditions and comment on his central importance within the fields of life writing, literary genetic studies, and cultural studies.
Profiles the life and work of a nineteenth century pioneer of photography and offers a selection of her portraits of women