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The first part of this volume consists of Sangharakshita’s writings about Anagarika Dharmapala, a Sri Lankan Buddhist who made it his life’s mission to restore the sacred site of Bodh Gaya, and whom Sangharakshita came to revere as one of the great Buddhists of the twentieth century. The second part is made up of articles Sangharakshita wrote for the Maha Bodhi journal, first as a regular contributor and then as the editor. They include poetic and philosophical reflections on the Dharma, as well as trenchant observations on the Buddhist world and calls to action on the issues of the day. The third part is a collection of book reviews published in the Maha Bodhi journal and other magazines over the course of nearly fifty years, from the days when the appearance of any new translation or commentary was a significant event, to more recent times, when readers could choose between hundreds of new titles.
In this volume of memoirs, Sangharakshita arrives back in England after twenty years in the East. He expects to stay no more than a few months, but as the months become years, he begins to realize that it is here that he may best be able to 'work for the good of Buddhism', as one of his teachers had once exhorted him. After a farewell tour of his friends and teachers in India, he goes on to found a new Buddhist movement and to ordain twelve men and women into a new Buddhist Order.
India and the Traveller: Aspects of Travelling Identity, a collection of essays on travel writings related to India, focuses on the evolving persona of travelers to India as well as Indians journeying to other lands or within India. It examines India as a space, reflected on and interrogated by others, as also people associated intrinsically with this space, who move in and out of it. The essays focus on the self-fashioning of the traveller - Buddhist pilgrims of Asia, European visitors to the Mughal court, the British colonizer, the Indian anthropologist, historian or whimsical civil servant, the wanderer seeking spiritual insight in nature, and the woman traveller with her distinct perceptions and sensitivities. Engaging with issues related to identity, this book explores the need for cultural accommodation by African and European travellers, the discovery of affinity by Asian travellers, the instability of postcolonial selves and travel as a means of negotiating complex problems of fashioning personae in literary works.
Hakuin Ekaku (1685–1769) is one of the most influential figures in Zen Buddhism. He revitalized the Rinzai Zen tradition (which emphasizes the use of koans, or unanswerable questions, in meditation practice), and all masters of that school today trace their lineage back through him. He is responsible for the most famous of all koans: "What is the sound of one hand clapping?" He is also famous for his striking and humorous art, which he also regarded as teaching. This book provides a rare, intimate look at Hakuin the man, through his personal correspondence. Beating the Cloth Drum contains twenty-eight of Hakuin's letters to students, political figures, fellow teachers, laypeople, and friends. Each letter is accompanied by extensive commentary and notes. They showcase Hakuin's formidable, thoughtful, and sometimes playful personality—and they show that the great master used every activity, including letter-writing, as an opportunity to impart the teachings that were so close to his heart.
The first part of this volume describes the arising of the bodhicitta and the bodhisattva's path to Enlightenment in a weaving together of the sublime and the inspiringly practical, and the second part is a commentary on Santideva's classic 8th-century text, the Bodhicaryavatara, based on a seminar given in 1973.
This volume includes The Eternal Legacy, an introduction to the canonical literature of Buddhism, and Wisdom Beyond Words, a commentary on several Perfection of Wisdom texts.
This book traces Sangharakshita's development from a childhood dominated by illness and books to homeless wandering and ordination as a Buddhist monk. It takes us from the streets of wartime London to the dusty villages, ashrams and mountain caves of India. Full of fascinating characters and keen insights, The Rainbow Road from Tooting Broadway to Kalimpong is as finely observed - and as entertaining - as a first-rate travel book.
The Essential Sangharakshita was first published by Wisdom Publications in 2009. It is an anthology, arranged according to the pattern of a mandala, drawn from Sangharakshita’s writings. It expresses the author’s deep knowledge and love of the Buddhist tradition and of Western culture. Communicated clearly and warmly, there is something here to give any reader an entrance to the world of the Dharma.
This is the continuing story of Milarepa and his disciple Rechungpa, first encountered in volume 18 of The Complete Works. As portrayed in The Hundred Thousand Songs of Milarepa, Rechungpa is a promising disciple, but he has a lot to learn, being sometimes proud, distracted, anxious, desirous of comfort and praise, over-attached to book learning, stubborn, sulky and liable to go to extremes. In other words, he is very human, and surely recognizable to anyone who has embarked on the spiritual path. He all too often takes his teacher's advice the wrong way, or simply ignores it, and it takes all of Milarepa's skill, compassion and patience to keep their relationship intact and help his unruly disciple to stay on the path to Enlightenment.In the story that begins this volume, matters come to a head when Milarepa burns the books that Rechungpa went all the way to India to acquire, but by the end of the volume, Rechungpa is able to set out on his own mission to teach the Dharma. Much happens in between.Sangharakshita's commentary, based on seminars given in the late 1970s and early 1980s, draws from the stories of Milarepa and his wayward disciple much valuable advice for any would-be spiritual practitioner.
The story of the spiritual journey of the famous Tibetan yogi Milarepa is often told, but less well known are the stories of his encounters with those he met and taught after his own Enlightenment, eleven of which are the catalyst for volumes 18 and 19 of The Complete Works. The first three were originally published in The Yogi's Joy, and to these have been added an intriguing fourth, 'The Shepherd's Search for Mind'.The other seven stories form a sequence tracing the relationship between Milarepa and his disciple Rechungpa, from their first meeting to their final parting, when Rechungpa is exhorted to go and teach the Dharma himself. As portrayed in The Hundred Thousand Songs of Milarepa, Rechungpa is a promising disciple, but he has a lot to learn, being sometimes proud, distracted, anxious, desirous of comfort and praise, over-attached to book learning, stubborn, sulky and liable to go to extremes. In other words, he is very human, and surely recognizable to anyone who has embarked on the spiritual path. He all too often takes his teacher's advice the wrong way, or simply ignores it, and it takes all of Milarepa's skill, compassion and patience to keep their relationship intact and help his unruly disciple to stay on the path to Enlightenment.Sangharakshita's commentary is based on seminars he gave to young, enthusiastic but as yet inexperienced Dharma followers, and while much can be gleaned from it about the path of practice of the Kagyu tradition, the main emphasis is simply on how to overcome the difficulties that are sure to befall the would-be spiritual practitioner, how to learn what we need to learn - in short, the art of discipleship.