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How can someone who condemns hunting, animal farming, and animal experimentation also favor legal abortion, which is the deliberate destruction of a human fetus? The authors of Beating Hearts aim to reconcile this apparent conflict and examine the surprisingly similar strategic and tactical questions faced by activists in the pro-life and animal rights movements. Beating Hearts maintains that sentience, or the ability to have subjective experiences, grounds a being's entitlement to moral concern. The authors argue that nearly all human exploitation of animals is unjustified. Early abortions do not contradict the sentience principle because they precede fetal sentience, and Beating Hearts explains why the mere potential for sentience does not create moral entitlements. Late abortions do raise serious moral questions, but forcing a woman to carry a child to term is problematic as a form of gender-based exploitation. These ethical explorations lead to a wider discussion of the strategies deployed by the pro-life and animal rights movements. Should legal reforms precede or follow attitudinal changes? Do gory images win over or alienate supporters? Is violence ever principled? By probing the connections between debates about abortion and animal rights, Beating Hearts uses each highly contested set of questions to shed light on the other.
From debut author Lio Min comes BEATING HEART BABY, a tender love letter to internet friendships, anime, and indie rock, perfect for fans of HEARTSTOPPER When Santi arrives in Los Angeles, he hopes he can move past the loss of the childhood internet friend he’d known only as Memo. And in his new high school’s marching band, Santi gets a taste of the community he’s always longed for. Even the clashes with his section leader, Suwa, lead to Suwa opening up to Santi first as a friend, then something more. But when Suwa gets a shot at the rock star life he’s always dreamed of, the very thing that drew them to each other—a shared devotion to art—tests their budding relationship. Over years, Santi and Suwa glide and soar, crash and fall, together and apart. This twinned tale about the transitions between boyhood and manhood, internet confidants and IRL friends, the face in the crowd and the star on the stage, stakes and succeeds in making the bold claim: that Santi and Suwa’s fantastic dreams are as essential as art and love and life itself.
"Taking its name from a line in the Wallace Stevens' poem "The Gray Room," Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular place or population. By a process of intimate and often extended engagement, Soth's portraits and images of his subject's surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer"--The publisher.
Challenging traditional histories of abolition, this book shifts the focus away from the East to show how the women of Ohio, Indiana, Illinois, Michigan, and Wisconsin helped build a vibrant antislavery movement in the Old Northwest. Stacey Robertson argues that the environment of the Old Northwest--with its own complicated history of slavery and racism--created a uniquely collaborative and flexible approach to abolitionism. Western women helped build this local focus through their unusual and occasionally transgressive activities. They plunged into Liberty Party politics, vociferously supported a Quaker-led boycott of slave goods, and tirelessly aided fugitives and free blacks in their communities. Western women worked closely with male abolitionists, belying the notion of separate spheres that characterized abolitionism in the East. The contested history of race relations in the West also affected the development of abolitionism in the region, necessitating a pragmatic bent in their activities. Female antislavery societies focused on eliminating racist laws, aiding fugitive slaves, and building and sustaining schools for blacks. This approach required that abolitionists of all stripes work together, and women proved especially adept at such cooperation.
This house is mine and I am its beating heart. She is a ghost: a figure glimpsed from the corner of your eye, a momentary chill, and a memory of secret kisses and hidden passion. He is 17 years old: Evan Calhoun, warm and alive, and ever since moving to this big abandoned house, he has dreamt of her. Ghost and boy fascinate each other–until her memories and his desire collide in a moment that changes them both. Combining verse fragments with chiseled prose, A. M. Jenkins captures the compelling voice of a long–dead ghost and the perspective of a modern teen, twining mystery and romance in this evocative, sensual, and unrelentingly engrossing novel. Ages 14+
Heart disease is the number one cause of death and hospitalization in developed countries, and yet it is largely preventable. Think about that for a moment. How is that possible? What is required is good information. Did you know that more than half of those suffering from cardiovascular disease have cholesterol in the normal range? Would it surprise you to learn that the majority of cardiovascular events are attributed to blockages of less than fifty percent? Your arteries are a muscle not a pipe, therefore beating heart disease takes work, but it can be done. Diamond Fernandes is an authority on heart health, and in this book, he shares how you can navigate heart disease along with his five powerful pillars to preventing and reversing heart disease.
A troubled girl confronts her personal demons in this time-travel thriller alternating between present day and 19th century Japan. No one knows how to handle Reiko. She is full of hatred; all she can think about is how to best hurt herself and those people closest to her. After a failed suicide attempt at her home in Seattle, Reiko's parents send her to spend the summer with family in Japan, hoping she will learn to control her emotions. But while visiting Kuramagi, a historic village preserved to reflect the nineteenth-century Edo period, Reiko finds herself slipping backward in time into the nineteenth-century life of Miyu, a young woman even more vengeful than Reiko herself. Reiko loves escaping into Miyu's life . . . until she discovers Kuramagi's dark secret and must face down Miyu's demons as well as her own.
No one asks if you want to be born, and no one tells you when you die either. Ashlyn Baptiste is falling. One moment she was nothing--no memories, no self--and then suddenly, she's plummeting through a sea of stars. Is she in a coma? She doesn't remember dying, and she has no memories of the life she left behind. All she knows is that she's trapped in a consciousness without a body and that she's spending every moment watching a stranger. Breckon Cody's on the edge. He's being ripped apart by grief so intense it literally hurts to breathe. On the surface, Breckon is trying to hold it together for his family and his girlfriend, but underneath it all, he's barely holding on. In alternating voices of the main characters, My Beating Teenage Heart paints a devastatingly vivid picture of both the heartbreak and promise of teenage life. From the Hardcover edition.