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Welcome to Burden Hill — a picturesque little town adorned with white picket fences and green, green grass, home to a unique team of paranormal investigators. Beneath this shiny exterior, Burden Hill harbors dark and sinister secrets, and it's up to a heroic gang of dogs — and one cat — to protect the town from the evil forces at work. These are the Beasts of Burden Hill — Pugs, Ace, Jack, Whitey, Red and the Orphan — whose early experiences with the paranormal (including a haunted doghouse, a witches' coven, and a pack of canine zombies) have led them to become members of the Wise Dog Society, official animal agents sworn to protect their town from evil. This turns out to be no easy task, as they soon encounter demonic cannibal frogs, tortured spirits, a secret rat society, and a bizarre and deadly resurrection in the Burden Hill cemetery — events which lead to fear and heartbreak as our four-legged heroes discover that the evil within Burden Hill is growing and on the move. Can our heroes overcome these supernatural menaces? Can evil be bested by a paranormal team that doesn't have hands? And even more importantly, will Pugs ever shut the hell up? Adventure, mystery, horror, and humor thrive on every page of Beasts of Burden — a comic-book series that will capture readers' hearts and haunt their dreams. Award-winning comics creators Evan Dorkin (Milk and Cheese) and Jill Thompson (Scary Godmother) first introduced these very special investigators in The Dark Horse Book of Hauntings and the other Dark Horse Book of . . . anthologies, for which they won coveted Eisner Awards for Best Short Story and Best Painter. Those first tales are collected here, along with the comic series Beasts of Burden issues #1–#4.
2018 American Book Award Winner A beautifully written, deeply provocative inquiry into the intersection of animal and disability liberation—and the debut of an important new social critic How much of what we understand of ourselves as “human” depends on our physical and mental abilities—how we move (or cannot move) in and interact with the world? And how much of our definition of “human” depends on its difference from “animal”? Drawing on her own experiences as a disabled person, a disability activist, and an animal advocate, author Sunaura Taylor persuades us to think deeply, and sometimes uncomfortably, about what divides the human from the animal, the disabled from the nondisabled—and what it might mean to break down those divisions, to claim the animal and the vulnerable in ourselves, in a process she calls “cripping animal ethics.” Beasts of Burden suggests that issues of disability and animal justice—which have heretofore primarily been presented in opposition—are in fact deeply entangled. Fusing philosophy, memoir, science, and the radical truths these disciplines can bring—whether about factory farming, disability oppression, or our assumptions of human superiority over animals—Taylor draws attention to new worlds of experience and empathy that can open up important avenues of solidarity across species and ability. Beasts of Burden is a wonderfully engaging and elegantly written work, both philosophical and personal, by a brilliant new voice.
The paranormal activity in the outwardly charming town of Burden Hill has gone from bad to worse, as seen in Evan Dorkin and Jill Thompson's graphic novel _Beasts of Burden: Animal Rites_. Now the occult-investigating team of dogs (and one cat) needs some serious help. Contact with the Wise Dog Society has broken off, leaving the team on its own, as a series of unexplained animal slayings has begun. But magic can work in surprising ways, and help is brought to the team with the unexpected arrival of the world's greatest paranormal detective. Evan Dorkin (_Milk and Cheese_, _Bizarro World_) and Jill Thompson (_Scary Godmother_, _Magic Trixie_) join forces with Mike Mignola (_Hellboy_, _B.P.R.D._, _Witchfinder_, _Baltimore_) in an amazing one-shot bringing their supernatural worlds together! Mike Mignola's Hellboy joins the animals of Burden Hill!
This eight-time Eisner Award-winning comic book series blending fantasy and humor features the adventures of paranormal pets investigating the monsters of Burden Hill. The dogs and cats protecting Burden Hill from supernatural harm find themselves facing new threats and mysteries, including a vengeful demon, an invisible killer and an enigmatic flock of lost sheep. As a growing evil threatens to overwhelm their town, the animals find themselves some unlikely allies, most notably a seasoned paranormal investigator named...Hellboy. This volume collects the comic-book series Beasts of Burden: Sacrifice, Beasts of Burden: Neighborhood Watch, Beasts of Burden: Hunters and Gatherers, Beasts of Burden: What the Cat Dragged In, and Beasts of Burden: The Presence of Others #1 and #2.
Taking the reader deep inside of the circus, the zoo, and similar operations, Fear of the Animal Planet provides a window into animal behavior: chimpanzees escape, elephants attack, orcas demand more food, and tigers refuse to perform. Indeed, these animals are rebelling with intent and purpose. They become true heroes and our understanding of them will never be the same.
In 2011, in one sign of a burgeoning interest in the morality of human interactions with nonhuman animals, a panel hosted by the American Association for the Advancement of Science declared that dolphins and orcas should be legally regarded as persons. Multiple law schools now offer classes in animal law and have animal law clinics, placing their students with a growing range of animal rights and animal welfare advocacy organizations. But is legal personhood the best means to achieving total interspecies liberation? To answer that question, Impersonating Animals evaluates the rhetoric of animal rights activists Steven Wise and Gary Francione, as well as the Earth jurisprudence paradigm. Deploying a critical ecofeminist stance sensitive to the interweaving of ideas about race, gender, class, sexuality, ability, and species, author S. Marek Muller places animal rights rhetoric in the context of discourses in which some humans have been deemed more animal than others and some animals have been deemed more human than others. In bringing rhetoric and animal studies together, she shows that how we communicate about nonhuman beings necessarily affects relationships across species boundaries and among people. This book also highlights how animal studies scholars and activists can and should use ideological rhetorical criticism to investigate the implications of their tactics and strategies, emphasizing a critical vegan rhetoric as the best means of achieving liberation for human and nonhuman animals alike.
The Eisner award-winning, surreal superhero series, The Flaming Carrot, returns with a new omnibus collection! Before there ever was a Deadpool, Twin Peaks, or Lady Gaga; the Flaming Carrot's madcap madness, manic mayhem, and impish mischief exploded from the vanguard of the 80s' New Wave comic revolution, taking us right down the rabbit hole of creativity-gone-off-the-tracks, and over the rainbow. Propagating dreamlike surrealism, disturbing violence, sexual adventurism, bar-hopping, and a bizarre and nightmarish costume, the world's first postmodern super man battled Road Hogs From Outer Space, went on drinking binges with Death, bounced around on a nuclear powered pogo stick, and ordered some of that new Brussels sprout flavored ice cream that wasn't even on the menu yet. Check out a comic book series that for many years most people believed to be nothing more than a ridiculous legend or an amusing joke. Doctor recommended. Maximum strength formula. New hope for a nation suffocating in the swill of its own mediocrity. Collects Flaming Carrot #1-2, 4-11, 25-27.
In 2016, Hanselmann began producing Xeroxed zines starring the depressive Megg (a green-skinned witch), her abusive boyfriend Mogg (an actual cat), their submissive roommate Owl (a vaguely humanoid owl), and the self-destructively hedonistic Werewolf Jones (half human, half wolf) in print runs of 300 to 500 copies, with hand-painted covers, custom stamps and hologram security stickers. Seeds and Stems collects all of these out-of-print, self-published stories produced by the artist between 2016-2019, along with a generous smattering of rarities from various anthologies and magazines. Megg and Mogg and friends explore the worlds of lucid dreaming, banking scams, cinema, mixed drinks, alien invasions, and budget vasectomies in this varied collection of rare and often experimental adventures, designed and curated entirely by the artist.
Horse-drawn cabs rattling down muddy roads, cattle herded through the streets to the Smithfield meat market for slaughter, roosters crowing at the break of dawn—London was once filled with a cacophony of animal noises (and smells). But over the last thirty years, the city seems to have banished animals from its streets. In Beastly London, Hannah Velten uses a wide range of primary sources to explore the complex and changing relationship between Londoners of all classes and their animal neighbors. Velten travels back in history to describe a time when Londoners shared their homes with pets and livestock—along with a variety of other pests, vermin, and bedbugs; Londoners imported beasts from all corners of the globe for display in their homes, zoos, and parks; and ponies flying in hot air balloons and dancing fleas were considered entertainment. As she shows, London transformed from a city with a mainly exploitative relationship with animals to the birthplace of animal welfare societies and animal rights’ campaigns. Packed with over one hundred illustrations, Beastly London is a revealing look at how animals have been central to the city’s success.
Irish vegan studies are poised for increasing relevance as climate change threatens the legitimacy and longevity of animal agriculture and widespread health problems related to animal product consumption disrupt long held nutritional ideologies. Already a top producer of greenhouse gas emissions in the European Union, Ireland has committed to expanding animal agriculture despite impending crisis. The nexus of climate change, public health, and animal welfare present a challenge to the hegemony of the Irish state and neoliberal European governance. Efforts to resist animal rights and environmentalism highlight the struggle to sustain economic structures of inequality in a society caught between a colonialist past and a globalized future. Animals in Irish Society explores the vegan Irish epistemology, one that can be traced along its history of animism, agrarianism, ascendency, adaptation, and activism. From its zoomorphic pagan roots to its legacy of vegetarianism, Ireland has been more receptive to the interests of other animals than is currently acknowledged. More than a land of "meat" and potatoes, Ireland is a relevant, if overlooked, contributor to Western vegan thought.