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In Beastly Possessions, Sarah Amato chronicles the unusual ways in which Victorians of every social class brought animals into their daily lives. Captured, bred, exhibited, collected, and sold, ordinary pets and exotic creatures – as well as their representations – became commodities within Victorian Britain’s flourishing consumer culture. As a pet, an animal could be a companion, a living parlour decoration, and proof of a household’s social and moral status. In the zoo, it could become a public pet, an object of curiosity, a symbol of empire, or even a consumer mascot. Either kind of animal might be painted, photographed, or stuffed as a taxidermic specimen. Using evidence ranging from pet-keeping manuals and scientific treatises to novels, guidebooks, and ephemera, this fascinating, well-illustrated study opens a window into an underexplored aspect of life in Victorian Britain.
In Beastly Possessions, Sarah Amato chronicles the unusual ways in which Victorians of every social class brought animals into their daily lives. Captured, bred, exhibited, collected, and sold, ordinary pets and exotic creatures – as well as their representations – became commodities within Victorian Britain's flourishing consumer culture. As a pet, an animal could be a companion, a living parlour decoration, and proof of a household's social and moral status. In the zoo, it could become a public pet, an object of curiosity, a symbol of empire, or even a consumer mascot. Either kind of animal might be painted, photographed, or stuffed as a taxidermic specimen. Using evidence ranging from pet-keeping manuals and scientific treatises to novels, guidebooks, and ephemera, this fascinating, well-illustrated study opens a window into an underexplored aspect of life in Victorian Britain.
A New York Times bestseller: The police investigate the death of a veterinarian in Venice, Italy in this “swiftly paced” mystery (The Seattle Times). When the body of man is found in a canal, damaged by the tides, carrying no wallet, and wearing only one shoe, Guido Brunetti has little to work with. No local has filed a missing-person report, and no hotel guests have disappeared. The autopsy shows he had suffered from a rare, disfiguring disease. A shopkeeper tells Brunetti that the man had a kindly way with animals. Finally, the victim is identified as a much-loved veterinarian—and Brunetti’s quest to find the killer will take him on a harrowing journey . . . “All her trademark strengths shine in this swiftly paced, sophisticated tale of greed versus ethics.” —The Seattle Times “Written with such delicacy and emotional force that we can’t help but be reminded of Greek tragedy.” —Booklist, starred review
If a cartoonist successfully captures life's humorous and ironic moments in three short panels, readers applaud. When Wiley does the same in his single-scene format, they roll on the carpet laughing. Non Sequitur not only breaks the three-panel mold, it succeeds without regular characters, standard settings, or repeat situations to fall back on. Each piece, in other words, hangs out there as Wiley's snapshot of the worlds of work, leisure, and life's many crossroads. Non Sequitur's Beastly Things, as guided by Rolf the dog, keeps readers howling, growling, and scratching for more. You will delight, for instance, in crocodiles luring fishermen with dollar bills, Randy the science lab kid who announces that his homework ate his dog, and the desert dweller who celebrates the change of season by raking needles beneath his cacti.
A “real tour de force” exploring the mythic history of animals in Handel’s operas complete with illustrations and audio recordings of the composer’s arias (News—Austria). When New York Times–bestselling novelist Donna Leon isn’t writing her Commissario Guido Brunetti mysteries, she often listens to her favorite composer, George Frideric Handel. Leon noticed that Handel frequently references animals in his music. In his arias, Handel explores the perceived virtues and vices of the lion, bee, nightingale, snake, elephant, and tiger, among others. With this in mind, Leon combined her knowledge of medieval bestiaries—illustrated collections of animal stories—with her love of Handel. In Handel’s Bestiary, Leon traces twelve animals through history, mythology, and Handel’s arias. Each chapter is joined by original illustrations by German painter Michael Sowa. And in this enhanced edition, music is included from conductor Alan Curtis and his orchestra, Il Complesso Barocco.
CAN A WOUNDED BEAST . . . Reclusive Sir Alistair Munroe has hidden in his castle ever since returning from the Colonies, scarred inside and out. But when a mysterious beauty arrives at his door, the passions he's kept suppressed for years begin to awaken. TRUST A BEAUTY WITH A PAST . . . Running from past mistakes has taken legendary beauty Helen Fitzwilliam from the luxury of the ton to a crumbling Scottish castle . . . and a job as a housekeeper. Yet Helen is determined to start a new life and she won't let dust-or a beast of a man-scare her away. TO TAME HIS MOST SECRET DESIRES? Beneath Helen's beautiful favßade, Alistair finds a courageous and sensual woman. A woman who doesn't back away from his surliness-or his scars. But just as he begins to believe in true love, Helen's secret past threatens to tear them apart. Now both Beast and Beauty must fight for the one thing neither believed they could ever find-a happy ever after.
“A brilliant writer . . . an immensely likable police detective who takes every murder to heart.” —Marilyn Stasio, The New York Times Book Review Late one night, Guido Brunetti is called away from dinner to investigate the death of a widow in her modest apartment. Though there are some signs of a struggle, the medical examiner rules that she died of a heart attack. It seems there is nothing for Brunetti to investigate. But he can’t shake the feeling that something or someone may have triggered her heart attack, that perhaps the woman was threatened. Conversations with the woman’s son, her upstairs neighbor, and the nun in charge of the old age home where she volunteered do little to satisfy Brunetti’s nagging curiosity. And with the help of Inspector Vianello and the ever-resourceful Signorina Elettra, he intends to get to the truth. “One of her best . . . She has become a must-read for all those who favor character-driven crime stories.” —Booklist, starred review “[A] wickedly entertaining series.” —Publishers Weekly
A New York Times bestseller: “Brunetti amply displays the keen intelligence and wry humor that has endeared this series to so many.” —Publishers Weekly Commissario Brunetti’s latest assignment is to look into a minor shop-keeping violation committed by the mayor’s future daughter-in-law. Brunetti has no interest in helping his boss amass political favors, but has little choice but to comply. Then Brunetti’s wife comes to him with a request of her own. The sweet, simple-minded man who worked at their dry cleaner has just died of a sleeping pill overdose, and Paola loathes the idea that he lived and died without anyone noticing him, or helping him. Brunetti begins to investigate and is surprised when he finds nothing on the man: no birth certificate, no passport, no driver’s license, no credit cards. As far as the Italian government is concerned, he never existed. Stranger still, the dead man’s mother refuses to speak to the police. And as secrets unravel, Brunetti begins to suspect that an aristocratic family might be somehow connected to the mystery . . . “Leon’s success . . . is testament to the heartening fact that character counts in crime fiction.” —Booklist, starred review
In a city as ancient as Venice, myths and legends passed down from generation to generation record more than just love or murder. They are the storehouse of a city's mores, emblems of its identity. In Venetian Curiosities, acclaimed novelist Donna Leon recounts some of Venice's most intriguing tales: an elephant brought in for Carnival wreaks havoc upon the city before seeking refuge in a church, the city employs prostitutes in an attempt to prevent homosexuality, innocent men are mistakenly condemned to death, a gambler bets the family palazzo. In an introduction and seven essays, Leon offers enchanting details and astute insights into Venetian customs of the past and present.
What did the 13th Earl of Derby, his twenty-two-year-old niece, Manchester’s Belle Vue Zoo, and even some ordinary laborers all have in common? All were avid collectors and exhibitors of exotic, and frequently unruly, specimens. In her study of Britain’s craze for natural history collecting, Ann C. Colley makes extensive use of archival materials to examine the challenges, preoccupations, and disordered circumstances that attended the amassing of specimens from faraway places only vaguely known to the British public. As scientific institutions sent collectors to bring back exotic animals and birds for study and classification by anatomists and zoologist, it soon became apparent that collecting skins rather than live animals or birds was a relatively more manageable endeavor. Colley looks at the collecting, exhibiting, and portraying of animal skins to show their importance as trophies of empire and representations of identity. While a zoo might display skins to promote and glorify Britain’s colonial achievements, Colley suggests that the reality of collecting was characterized more by chaos than imperial order. For example, Edward Lear’s commissioned illustrations of the Earl of Derby’s extensive collection challenge the colonial’s or collector’s commanding gaze, while the Victorian public demonstrated a yearning to connect with their own wildness by touching the skins of animals. Colley concludes with a discussion of the metaphorical uses of wild skins by Gerard Manley Hopkins and other writers, exploring the idea of skin as a locus of memory and touch where one’s past can be traced in the same way that nineteenth-century mapmakers charted a landscape. Throughout the book Colley calls upon recent theories about the nature and function of skin and touch to structure her discussion of the Victorian fascination with wild animal skins.