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BEAST is the first book to be published on the life and works of John Banovich. This beautifully designed and executed volume is both a powerful presentation of his accumulated work and an inspiring story of his struggles, dead-ends, heartbreaks and ultimate triumphs.
Tanzania has a way of getting under your skin. Dick and Mary Cabela, the outdoor world's most famous couple, first traveled there in search of adventure: lions, leopards, Cape buffalo and the lure of wild places. They found so much more. They formed friendships, endured heartaches and encountered some of the most amazing people and animals on earth. Join Dick and Mary as they journey to Tanzania on five different expeditions. Meet Cotton Gordon, one of the most renowned, respected and gentle professional hunters in Africa. Look over Dick's shoulder as he stalks a world-class lion, tracks a belligerent buffalo and sits in the dark nervously waiting for his illusive, second-chance leopard. Agonize with Mary as she sights down the barrel at her first lion and then goes on to take three of the Big 5. And then accompany Cari and Teri, two of the Cabela daughters, as they experience Tanzania and the thrill and poignancy of their first African hunt.
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Color edition /// What is Net art? Does its name refer to the medium it uses? Is it the art of the Netizens, the inhabitants of the internet? Is it an art movement or an art form? This book aims to provide a starting point in the search for answers to these and similar questions concerning the existence of Net art. Edited by Marie Meixnerová, a Czech curator and scholar, #mm Net Art approaches Internet art as a developing art form, through five thematic sections that map the "chronological" stages of this development. Featured authors include Katarína Rusnáková, Dieter Daniels, Marie Meixnerová, Domenico Quaranta, Natalie Bookchin, Alexei Shulgin, Piotr Czerski, Brad Troemel, Artie Vierkant, Ben Vickers, Jennifer Chan, Gene McHugh, Gunther Reisinger, Matěj Strnad, Lumír Nykl. For those who know little about it, this anthology can serve as an introduction; to the expert reader, it offers new and as yet unpublished information, and hopefully a new perspective.
Bursting with distinctive, highly detailed, full-color paintings, drawings, sketches, and photographs, Charles Wysocki's love affair with life and with Americana is chronicled in this bright and beautiful collection. More than 75 full-page full-color reproductions, 50 full-color photographs, and dozens of source sketches reveal the artist's heart.
This monograph covers the life and career of wildlife artist Sally Maxwell, a pioneer in scratchboard painting. Maxwell is credited with advancing a medium that had been for years relegated to illustrators and children. Because of her persistence and determination, thousands of artists today use scratchboard, and not only for monochromatic drawings; many have learned to add color and dimension through demonstrations and videos created by Maxwell through Ampersand. With more than one hundred plates, Maxwell's career and the evolution of scratchboard come to life. The text includes a foreword by acclaimed wildlife artist John Banovich and an astute essay by Todd Wilkinson.
In over 200 glorious full-color works, Charles Wysocki portrays the joy of Early America.
America's Great Plains once possessed one of the grandest wildlife spectacles of the world, equaled only by such places as the Serengeti, the Masai Mara, or the veld of South Africa. Pronghorn antelope, gray wolves, bison, coyotes, wild horses, and grizzly bears: less than two hundred years ago these creatures existed in such abundance that John James Audubon was moved to write, "it is impossible to describe or even conceive the vast multitudes of these animals." In a work that is at once a lyrical evocation of that lost splendor and a detailed natural history of these charismatic species of the historic Great Plains, veteran naturalist and outdoorsman Dan Flores draws a vivid portrait of each of these animals in their glory—and tells the harrowing story of what happened to them at the hands of market hunters and ranchers and ultimately a federal killing program in the nineteenth and twentieth centuries. The Great Plains with its wildlife intact dazzled Americans and Europeans alike, prompting numerous literary tributes. American Serengeti takes its place alongside these celebratory works, showing us the grazers and predators of the plains against the vast opalescent distances, the blue mountains shimmering on the horizon, the great rippling tracts of yellowed grasslands. Far from the empty "flyover country" of recent times, this landscape is alive with a complex ecology at least 20,000 years old—a continental patrimony whose wonders may not be entirely lost, as recent efforts hold out hope of partial restoration of these historic species. Written by an author who has done breakthrough work on the histories of several of these animals—including bison, wild horses, and coyotes—American Serengeti is as rigorous in its research as it is intimate in its sense of wonder—the most deeply informed, closely observed view we have of the Great Plains' wild heritage.