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Despite their fame and reputation, dinosaurs represent only half the story of the Mesozoic Era. In Beast Companions: The Unsung Animals of the Dinosaurs' World, paleontologist John Foster explores the often-overlooked animals that coexisted with them. These ancient species, often equally remarkable as their dinosaur neighbors, can provide valuable insights into the biotic history of our planet. In some cases, these animals reveal just as much, if not more, about the extinct ecosystems of the time as the dinosaurs themselves. By drawing on a wealth of current and past discoveries, Foster embarks on a sweeping journey across 164 million years to visit the beast companions of the dinosaurs. Along the way, he examines fish, insects, the first frogs and salamanders, turtles, snakes and lizards, marine reptiles, crocodiles, pterosaurs, birds, mammals, and other animals of the Mesozoic Era. Beast Companions is a groundbreaking exploration of the story of these contemporaries of the dinosaurs that set the modern world in motion more than 200 million years ago
A beautifully illustrated, informative book for children introducing them to a fascinating cast of beasts In The Big Book of Beasts Yuval Zommer’s wonderful illustrations bring to whimsical life some of the grizzliest, hairiest, bravest, wiliest, and most fearsome beasts in the animal kingdom. Brimming with interesting facts from beast consultant Barbara Taylor, this charming picture book is a beautiful way for parents to introduce young children to the animal world—and for older children to learn by themselves. In the first pages children learn that beasts are wild animals that can’t be tamed and that they all defend themselves in different ways. As the book continues young readers meet specific beasts, including armadillos, bears, tigers, and the Tasmanian devil. The Big Book of Beasts also approaches the world of beasts thematically, looking at mythical beasts, Ice Age beasts, beasts on your street, and how to save beasts in danger of extinction. The funny and conversational text, amazing facts, and glorious and quirky pictures will draw in young children over and over again.
Bestselling author Tim Lebbon's electrifying horror novel - now made into a Netflix original movie starring Stanley Tucci and Kiernan Shipka In the darkness of an underground cave system, blind creatures hunt by sound. Then there is light, there are voices, and they feed... Swarming from their prison, the creatures thrive and destroy. To scream, even to whisper, is to summon death. As the hordes lay waste to Europe, a girl watches to see if they will cross the sea. Deaf for many years, she knows how to live in silence; now, it is her family's only chance of survival. To leave their home, to shun others, to find a remote haven where they can sit out the plague. But will it ever end? And what kind of world will be left?
Animal Companions explores how eighteenth-century British society perceived pets and the ways in which conversation about them reflected and shaped broader cultural debates. While Europeans kept pets long before the eighteenth century, many believed that doing so was at best frivolous and at worst downright dangerous. Ingrid Tague argues that for Britons of the eighteenth century, pets offered a unique way to articulate what it meant to be human and what society ought to look like. With the dawn of the Enlightenment and the end of the Malthusian cycle of dearth and famine that marked previous eras, England became the wealthiest nation in Europe, with a new understanding of religion, science, and non-European cultures and unprecedented access to consumer goods of all kinds. These transformations generated excitement and anxiety that were reflected in debates over the rights and wrongs of human-animal relationships. Drawing on a broad array of sources, including natural histories, periodicals, visual and material culture, and the testimony of pet owners themselves, Animal Companions shows how pets became both increasingly visible indicators of spreading prosperity and catalysts for debates about the morality of the radically different society emerging in eighteenth-century Britain.
All God's Creatures provides a complete Blessing of the Animals liturgy, as well as other prayers and rituals, for use in church or anywhere that animals are blessed! If you live with a dog, cat, or some other domestic animal, you already know that these treasured creatures are not just pets, but members of the family. Debra K. Farrington, who has lived with animals most of her life, explores the spiritual aspects of our relationships with these beloved friends--from everyday caring for their needs, to marking the extraordinary moments of birth, illness and death. Full of warmth and wisdom, this essential resource includes chapters on: Training and Compassion-and how to balance the two Caring for the Sick--ethical concerns Rest in Peace--rituals, blessings, and more Tell Me Your Name--discerning the personality of your companion “By viewing companion animals as a gift from God rather than objects that do the will of humans, Debra Farrington helps owners realize a greater sense of responsibility toward their own pets, and shows how the humane care and training of their animals leads to a more fulfilling experience for both.” - Barbara Demarest, canine and feline behavior consultant A percentage of the author’s profits on this book will be donated to PAWS of Central Pennsylvania, a no-kill animal rescue and spay/neuter group.
Many people think that animal liberation would require a fundamental transformation of basic beliefs. We would have to give up "speciesism" and start viewing animals as our equals, with rights and moral status. And we would have to apply these beliefs in an all-or-nothing way. But in Ethics and the Beast, Tzachi Zamir makes the radical argument that animal liberation doesn't require such radical arguments--and that liberation could be accomplished in a flexible and pragmatic way. By making a case for liberation that is based primarily on common moral intuitions and beliefs, and that therefore could attract wide understanding and support, Zamir attempts to change the terms of the liberation debate. Without defending it, Ethics and the Beast claims that speciesism is fully compatible with liberation. Even if we believe that we should favor humans when there is a pressing human need at stake, Zamir argues, that does not mean that we should allow marginal human interests to trump the life-or-death interests of animals. As minimalist as it sounds, this position generates a robust liberation program, including commitments not to eat animals, subject them to factory farming, or use them in medical research. Zamir also applies his arguments to some questions that tend to be overlooked in the liberation debate, such as whether using animals can be distinguished from exploiting them, whether liberationists should be moral vegetarians or vegans, and whether using animals for therapeutic purposes is morally blameless.
The Routledge Companion to Animal-Human History provides an up-to-date guide for the historian working within the growing field of animal-human history. Giving a sense of the diversity and interdisciplinary nature of the field, cutting-edge contributions explore the practices of and challenges posed by historical studies of animals and animal-human relationships. Divided into three parts, the Companion takes both a theoretical and practical approach to a field that is emerging as a prominent area of study. Animals and the Practice of History considers established practices of history, such as political history, public history and cultural memory, and how animal-human history can contribute to them. Problems and Paradigms identifies key historiographical issues to the field with contributors considering the challenges posed by topics such as agency, literature, art and emotional attachment. The final section, Themes and Provocations, looks at larger themes within the history of animal-human relationships in more depth, with contributions covering topics that include breeding, war, hunting and eating. As it is increasingly recognised that nonhuman actors have contributed to the making of history, The Routledge Companion to Animal-Human History provides a timely and important contribution to the scholarship on animal-human history and surrounding debates.
A debut novel that's as sharp as a knife's point. Plain Kate lives in a world of superstitions and curses, where a song can heal a wound and a shadow can work deep magic. As the wood-carver's daughter, Kate held a carving knife before a spoon, and her wooden charms are so fine that some even call her "witch-blade" -- a dangerous nickname in a town where witches are hunted and burned in the square.
From fairy tales to photography, nowhere is the complexity of human-animal relationships more apparent than in the creative arts. Art illuminates the nature and significance of animals in modern, Western thought, capturing the complicated union that has long existed between the animal kingdom and us. In Beauty and the Beast, authors Arluke and Bogdan explore this relationship through the unique lens of photo post­cards. This visual medium offers an enormous and relatively untapped archive to compelling document their subject.
Elia is a poor university student until the night she's taken to the world of the Anima—ruled by humans whose ancient hearts pulse with the blood of animals. There she's forced into a battle to the death. But when Elia survives, and refuses to kill her final opponent, the King must either kill Elia himself, or take her as his mate. Reth, the brutal King of the Beasts with the blood of lions, shocks everyone when he chooses the weak, human Elia to become his Queen. He promises her every comfort of his wealth and position—but he is clear: She will not warm his bed. He chose her to defeat those that were trying to corner him into blending his Leonine line with the Wolves. Elia needs the help of the Anima to become stronger and rule them well. But the vengeful Wolves see only a weak human that brought them shame. As Elia and Reth grow closer, the wolves are determined to destroy her. Will Reth and Elia admit their feelings for each in time to fight for the Kingdom—and their lives—against the villainous wolf-tribe? Or will the wolves kill Elia and steal the throne? [Mature content - no sexual violence] ***** He stalked towards her, chin low so the shadow cast by his hard jaw cut across the thick fur collar of his vest. His hair had fallen over his eyes in the scuffle, so he peered at her through it like a lion in the grass. With each step, his graceful, rolling gait reminded her of a predator stalking its prey. Despite the forest floor littered in twigs and leaves, he didn’t make a sound. “Wh-who are you?” Elia stammered, backing away, her hands up. He met her step for step until she came up hard against the tree behind her—and didn’t stop until he loomed over her, so broad his shoulders and chest made a wall in front of her. She could feel the heat rising off his skin in the cool, night air. “I am the Leonine King.” His voice was a dark, husky gravel. Behind him a chorus of wheezes, howls, and chirps of agreement rose from the people watching. “And you are?” “Elia,” she breathed. “Elia,” he growled, leaning in closer, bringing with him the scent of pine and rain and the musk of something distinctly male. “I am Reth.” He said the name with a strange, guttural roll in his throat. “I am King of Beasts. I am Clan Leader, and I am Alpha of WildWood.” Several snarls rose from the crowds behind him then, but he ignored them. Elia swallowed as he leaned in until the scruff on his jaw rasped her cheek. “I am the King,” he said, “And you will be my mate.” The forest behind him erupted. (Cover Art used by permission. Illustrated by Aenaluck--see more gorgeous art and support them on www.patreon.com/aenaluck)