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In the opening scene, Professor Librum, Dewie, Louie, and Hewie Decimal are in Bookworld next to a Space Rider, a shuttle-like space ship. Professor Librum, the Head Librarian of Booksworld looks like a cross between a librarian and a super-hero. The Decimals are androids that are experiencing malfunctioning computer chip problems as they prepare to board the Space Rider.
This highly anticipated third original bamboozling fantasy adventure to "Beanie and the Bamboozling Book Machine". Beanie's about to destroy the book machine, but a classmate fooling around with the machine has unleashed more troublemakers. Not only are the original fairytale characters (Robin Hood, Maid Marian, Snow White) released from their stories, but also villains like The Black Knight, Mordred and Morgan Le Fey. Who IS behind all of this? Can Beanie save the day?
"Mr. Donald Howard Becton III, the successful globe-trotting businessman and millionaire, is deader than a pair of socks. And he is presently on display for the world to see at the Olson-Hines Funeral Home. His wife, the educated and well-pedigreed Eileen, visits, and puts on a good show to get that nervous, rat terrier of a junior funeral hall director in training, Mr. Hines, to leave her alone with the corpse. Unfortunately, Eileen has a problem. No, not the pyromaniac daughter nor the bedwetting son; no, no one can find Becton's will, not even his golf-obsessed lawyer knows where it is. Perhaps clues to the dilemma can be found on the corpse? But, before a proper search can be made, Veronica shows up, a gaudily painted, silicone enhanced "lady" who also claims to be Becton's wife. Let's just say that that is not what Eileen expected. The two immediately despise each other and eventually go at it to hilarious means, leaving behind a very perplexed Mr. Hines (and one very battered corpse) at play's end."--Publisher's website.
The thirteen one-act plays collected in this volume include some of Tennessee Williams's finest and most powerful work. They are full of the perception of life as it is, and the passion for life as it ought to be, which have made The Glass Menagerie and A Streetcar Named Desire classics of the American theater. Only one of these plays (The Purification) is written in verse, but in all of them the approach to character is by way of poetic revelation. Whether Williams is writing of derelict roomers in a New Orleans boarding house (The Lady of Larkspur Lotion) or the memories of a venerable traveling salesman (The Last of My Solid Gold Watches) or of delinquent children (This Property is Condemned), his insight into human nature is that of the poet. He can compress the basic meaning of life—its pathos or its tragedy, its bravery or the quality of its love—into one small scene or a few moments of dialogue. Mr. Williams's views on the role of the little theater in American culture are contained in a stimulating essay, "Something wild...," which serves as an introduction to this collection.
A comedic play in two acts for one man and one woman.
One hundred years ago, most of the medical treatments and technologies that we take for granted hadn't even been imagined or were found in the pages of science fiction novels rather than medical journals. Today, on the other hand, medical research often sounds like science fiction. This eBook, Tomorrow's Medicine, looks at some of the more fascinating areas where technology that could transform health is being developed, including cybernetics, regenerative medicine, nanotechnology and genetically tailored treatments. Although many of these advances may not be ready to treat humans for many years, some of them may someday profoundly change—and extend—our lives. In "Bionic Connections," for example, D. Kacy Cullen and Douglas Smith discuss synthetic limbs that function as well (or better) than our own. Echoes of the 1966 film Fantastic Voyage abound in "Nanomedicine Targets Cancer" by James Heath, Mark Davis and Leroy Hood, who examine how miniaturized tools can both measure the molecular interactions of disease and deliver targeted therapies. Several articles discuss different approaches for regeneration, including "Grow Your Own Eye," in which author Yoshiki Sasai illustrates how his lab successfully grew a retina from stem cells to "A Sweet Solution for Replacing Organs," in which Katherine Harmon describes how a speaker at a recent TED talk used a 3-D printer to create a kidney. A century from now, will the sight of an amputee be a rarity, with cybernetic limbs controlled by thought and nearly indistinguishable from the biological ones? Perhaps most people will have their genomes read for indications of future disease and take steps to prevent it – or even to cure inherited disorders. Will we replace some drugs with tiny machines, fanning out inside the body to repair damage? As exciting as these possibilities are to extend both the length and quality of life, immortality – or at least agelessness – may be forever out of our reach. As Thomas Kirkwood notes in his piece, "Why Can't We Live Forever?" death might be the price we pay for our complex biology. Even so, the doctors of a century past would surely be impressed by what medical science has accomplished in the past hundred years: antibiotics, organ transplants and the elimination of smallpox, to name but a few. The next century should be equally impressive, and with the various types of new technologies on the horizon, many of us have a good chance of seeing it happen.