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Create a treasured collection of necklace and earring sets that are sure to astound and make a statement. Author Jeanette Shanigan shares six beadwork techniques to create 23 projects. Readers need not be an experienced artist because the simple, fully photographed instructions lead you from beginning to end. The author provides projects for all levels of beadworkers.150 color photos.100 line drawings.
Catalog of an exhibition held at Smith College Museum of Art, Feb. 1-Jun. 15, 2008.
Presents an array of methods used to embellish clothing and other articles with beadwork.
Beads, beadwork, and personal ornaments are made of diverse materials such as shell, bone, stones, minerals, and composite materials. Their exploration from geographical and chronological settings around the world offers a glimpse at some of the cutting edge research within the fast growing field of personal ornaments in humanities’ past. Recent studies are based on a variety of analytical procedures that highlight humankind’s technological advances, exchange networks, mortuary practices, and symbol-laden beliefs. Papers discuss the social narratives behind bead and beadwork manufacture, use and disposal; the way beads work visually, audibly and even tactilely to cue wearers and audience to their social message(s). Understanding the entangled social and technical aspects of beads require a broad spectrum of technical and methodological approaches including the identification of the sources for the raw material of beads. These scientific approaches are also combined in some instances with experimentation to clarify the manner in which beads were produced and used in past societies.
Bracelets, buckles, buttons, and beads. Clasps, combs, and chains. Items of personal adornment fill museum collections and are regularly uncovered in historical period archaeological excavations. But until the publication of this comprehensive volume, there has been no basic guide to help curators, registrars, historians, archaeologists, or collectors identify this class of objects from colonial and early republican America. Carolyn L. White helps the reader understand and interpret these artifacts, discussing their source, manufacture, materials, function, and value in early American life. She uses them as a window on personal identity, showing how gender, age, ethnicity, and class were often displayed through the objects worn. White draws not only on the items themselves, but uses their portrayal in art, contemporary writings, advertisements, and business records to assess their meaning to their owners. A reference volume for the shelf of anyone interested in early American material culture. Over 100 illustrations and tables.
Beads of Life is a fascinating exploration of traditional beadwork from eastern and southern Africa, as well as the socio-religious principles upon which many aesthetic choices were based. The author concludes with an examination of contemporary beadwork as seen, in particular, through the eyes of Canadians from these regions.
A former professor and museum director offers a fascinating, in-depth look at the culture and history of beaded objects around the world. From a beaded dress found in an ancient Egyptian tomb to the beaded fringe on a 1920s Parisian flapper’s hem, humans throughout history have used beading as a way to express, adorn, and tell a story. Bol explores beadwork across the world and through the ages, showing how beading has taken on many different styles, forms, and purposes for different cultures. She looks at children’s clothing, puberty ceremonies, burials, emblems of social status and leadership, festivals, and many other cultural occasions that involve the use of beadwork. Images of artifacts and heirlooms as well as photography of people and their beadwork enhance the scholarship of this book for a beautiful, enlightening addition to art, history, multicultural collections everywhere.
Through a special arrangement with the San Diego Museum of Man, we are distributing three outstanding titles based on traveling museum exhibits from their collection. Each volume presents a unique display of Native American artwork, fully color illustrated, together with insightful commentary from museum curators. These books have not been previously offered except through the museums these extraordinary shows have visited. They may be purchased individually or as a set.
Objects of adornment have been a subject of archaeological, historical, and ethnographic study for well over a century. Within archaeology, personal ornaments have traditionally been viewed as decorative embellishments associated with status and wealth, materializations of power relations and social strategies, or markers of underlying social categories such as those related to gender, class, and ethnic affiliation. Personal Adornment and the Construction of Identity seeks to understand these artefacts not as signals of steady, pre-existing cultural units and relations, but as important components in the active and contingent constitution of identities. Drawing on contemporary scholarship on materiality and relationality in archaeological and social theory, this book uses one genre of material culture - items of bodily adornment - to illustrate how humans and objects construct one another. Providing case studies spanning 10 countries, three continents, and more than 9,000 years of human history, the authors demonstrate the myriad and dynamic ways personal ornaments were intertwined with embodied practice and identity performativity, the creation and remaking of social memories, and relational collections of persons, materials, and practices in the past. The authors’ careful analyses of production methods and composition, curation/heirlooming and reworking, decorative attributes and iconography, position within assemblages, and depositional context illuminate the varied material and relational axes along which objects of adornment contained social value and meaning. When paired with the broad temporal and geographic scope collectively represented by these studies, we gain a deeper appreciation for the subtle but vital roles these items played in human lives.
This book represents the first systematic collation of Samburu adornments with a meticulous outline of their contextual significance.