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The church is at its best when it pursues the biblical value of unity in diversity. Pastor and theologian Irwyn Ince boldly unpacks the reasons for our divisions while gently guiding us toward our true hope for wholeness and reconciliation. To heal our fractured humanity, we must cultivate spiritual practices that help us pursue beautiful community.
Catholic theology, philosophy, and spirituality have long taught that the joy of Christian contemplation is to delight in the splendor of the divine love for us in all things. John Navone explains that Happiness Itself - God - is forever knowing its truth and loving its goodness and delighting in its beauty. The gift of the beatific vision is communion with Happiness Itself.
For thirty years, Stratford Caldecott has been an inspirational figure in liturgy, fantasy literature, graphic novels, spirituality, education, ecology and social theory. Hundreds of people have learned from his spiritual approaches to the great existential questions. The Beauty of God's House is a Festschrift dedicated to him. The book seeks to cover the whole range of Caldecott's interests, from poetics to politics. Anyone interested in the field of theology and the arts will find much to intrigue them in this delightful multi-authored volume. The common core of Stratford's interests is in the beauty of the cosmos and how it reflects the beauty of God. This book is about the beauty of God's "realm," and it conceives God's realm as the arts, politics, liturgy, religions, and human life. It touches on the many places where beauty and spirituality overlap. It is an engagement in theological aesthetics that goes well beyond the "aesthetic."
Shows how the aesthetic views of Plotinus and later Neoplatonists have played a role in the history of Western art.
In his Aesthetics Hegel gives full expression to his seminal theory of art. He surveys the history of art from ancient India, Egypt, and Greece through to the Romantic movement of his own time, criticizes major works, and probes their meaning and significance; his rich array of examples gives broad scope for his judgement and makes vivid his exposition of his theory. The substantial Introduction is Hegel's best exposition of his general philosophy of art, and provides the ideal way into his Aesthetics. In Part I he considers the general nature of art: he distinguishes art, as a spiritual experience, from religion and philosophy; he discusses the beauty of art and differentiates it from the beauty of nature; and he examines artistic genius and originality. Part II provides a sort of history of art, divded into three periods called Symbolic (India, Persia, Egypt), Classical (Greece), and Romantic (medieval and post-medieval up to the end of the eighteenth century). Part III deals individually with architecture, scuplture, painting, music, and literature.