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This book concludes Gerald Bordman's acclaimed survey of American non-musical theatre. It deals with the years 1930 to 1969, a period when the number of yearly new plays was shrinking, but a period during which American drama as a whole entered the world stage and became a dominant force. With works like Eugene O'Neill's Long Day's Journey into Night, Tennessee Williams's A Streetcar Named Desire, and Arthur Miller's Death of a Salesman, American theater finally reached adulthood both dramatically and psychologically. Bordman's lively, authoritative study covers every Broadway production, as well as every major off-Broadway show. His discussion moves season by season and show by show in chronological order; he offers plot synopses and details the physical production, directors, players, theaters, and newspaper reviews. This book stands together with the preceding volumes of American Theatre as the premier history of American drama.
A young man struggling for self-realization, Philip Carey becomes caught in a destructive love affair with a waitress, in a novel about sexual obsession, self-discovery, and the complexities of human relationships.
Of Human Bondage is a novel by W. Somerset Maugham. It is generally agreed to be his masterpiece and to be strongly autobiographical in nature. The Modern Library ranked Of Human Bondage No. 66 on its list of the 100 best English-language novels of the 20th century. The book begins with the death of Helen Carey, the mother of nine-year-old Philip Carey. Philip's father Henry had died a few months before, and the orphan Philip, born with a club foot, is sent to live with his Aunt Louisa and Uncle William Carey. Early chapters relate Philip's experience at the vicarage. Louisa tries to be a mother to Philip, but his uncle takes a cold disposition towards him. Philip's uncle has a vast collection of books, and Philip enjoys reading to find ways to escape his mundane existence. Less than a year later, Philip is sent to a boarding school. His uncle and aunt wish for him to eventually attend Oxford. Philip's disability makes it difficult for him to fit in. Philip is informed that he could have earned a scholarship for Oxford, which both his uncle and school headmaster see as a wise course, but Philip insists on going to Germany. In Germany, Philip lives at a boarding house with other foreigners. Philip enjoys his stay in Germany. Philip's guardians decide to take matters into their own hands and they convince him to move to take up an apprenticeship... William Somerset Maugham (1874 - 1965) was a British playwright, novelist and short story writer. He was among the most popular writers of his era and reputedly the highest paid author during the 1930s.
This book brings together the fields of theatre, gender studies, and psychology/sociology in order to explore the relationships between what happens when women engage in violence, how the events and their reception intercept with cultural understandings of gender, how plays thoughtfully depict this topic, and how their productions impact audiences. Truthful portrayals force consideration of both the startling reality of women's violence — not how it's been sensationalized or demonized or sexualized, but how it is — and what parameters, what possibilities, should exist for its enactment in life and live theatre. These women appear in a wide array of contexts: they are mothers, daughters, lovers, streetfighters, boxers, soldiers, and dominatrixes. Who they are and why they choose to use violence varies dramatically. They stage resistance and challenge normative expectations for women. This fascinating and balanced study will appeal to anyone interested in gender/feminism issues and theatre.
A forgotten yet award-winning playwright, Cal Yeomans was one of the founders of gay theater whose work was fueled by gay liberation and extinguished by the AIDS epidemic. Schanke's examination of his life and legacy allows a rare exploration into this pivotal moment of gay American history.
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